Tag Archives: trees

Dunderberg Meadows

Dunderberg Meadows
“Dunderberg Meadows” — Autumn aspen stretch across the landscape beneath Eastern Sierra Nevada peaks.

Transition zones in the mountains fascinate me — places where one sort of landscape runs into another. In this photograph from the Eastern Sierra Nevada, aspens extend across high desert sagebrush terrain and right into the lowest conifer forests. The demarcation between sagebrush and forest is fairly sudden, but the aspens live in both.

Decades ago my entire notion of the Sierra Nevada revolved around the forest and alpine zones. For that reason, and because I usually approached the range via its gentle west slope, I did not know about this high desert terrain. It is possible that the first time I encountered this zone was when exiting on the east side after a long walk in the high country — and it was a shock to me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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East Side Canyon, Autumn

East Side Canyon, Autumn
“East Side Canyon, Autumn” — An east-side Sierra canyon with autumn cottonwood and aspen trees below snow-dusted slopes.

Well, I thought that I had shared the last of this fall’s Sierra Nevada aspen photographs. But then I took another look at my raw files and decided that a few more were worth working up. This is one of a set of four in that group. It features one of the steep canyons that rise along the eastern escarpment of the Sierra. There is a row of cottonwood trees in the foreground and larger groves of autumn aspens far up the canyon.

You can’t tell from the photograph, but it was almost impossible to make pictures here doe to high winds. I had parked along a rough gravel road and was alternately making photographs and cowering behind my vehicle as gusts swept through. Between that wind storm and the snow that came in a few days later it was a tricky year for aspen photography in the Sierra.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Cliffs and Trees

Red Cliffs and Trees
“Red Cliffs and Trees” — Kolob Canyon red sandstone walls in morning light and shadow, Zion National Park.

There are plenty of people whose knowledge of the red rock sandstone formations of the Southwest exceeds mine. But I have observed tremendous variations in these rocks as I photographed in Utah. The rock generally comes in layers that vary significantly in color and texture. Sometimes they are thick, uniform, and massive. In other locations they are filled with textured sub-layers and contain curves and cracks.

The example in this photograph is one of those massive, solid layers. This cliff is in Zion National Park’s slightly-more-remote Kolob Canyon. It is in a location where you can get quite close to this impressive layer. I made the photograph on a morning with a bit of haze. The position of the sun in front and to the right of the camera produced rim light on the cliff’s edges.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Forest and Dome, Sunset

Forest and Dome, Sunset
“Forest and Dome, Sunset” — Evening light on lodgepole pines and a Yosemite high country dome.

This may (or may not!) be my final post of a summer 2025 photograph from the Yosemite high country. (As long time readers know, sometimes I do dig back into the archives and work up “left behind” photographs.) It is a modest little photograph, but it seems appropriate to conclude the coverage of the high country year with sunset light on forest and granite.

I made the photograph on an early July walk through parts of Tuolumne Meadows. I was up there, in part, to adapt to the elevation before an upcoming pack trip — but also, obviously and predictably — to do some photography. I was out wandering the meadows as the day came to an end, and I made the photograph as the last direct sunlight, soft and warm, illuminated the forest at the east end of the meadow and the line between light and shadow began to ascend the dome.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.