A twisting, dark tree in the Central Park landscape, Manhattan
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Boulders, fallen leaves, and a tree trunk in shadow along the base of a Yosemite Valley cliff.
I made this photograph in Yosemite Valley during the difficult midday hours — difficult because the light is not as intrinsically beautiful at this time of day. Out in the open it the can be harsh, and inside the forest’s shade too many light beams break through the canopy. But I don’t want to write off so many hours of the day, so I often continue to look for compositions, seeing out shading places, haze, and subjects with some kind of graphic quality.
In the early afternoon I took a lazy hike along the base of one of the great granite cliffs in the Valley. I wanted to visit a spot where I know water would meet the valley after cascading down granite cliffs. I hoped to go right to the base of the cascade… but there was too much water! So I wandered in a different direction and noticed this old, dark tree trunk in the shadow of giant boulder.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
This scene was an unexpected opportunity on my Central Valley visit during the first week of March. When I arrived in the predawn light, the sky was completely clear — so clear that the sunrise photography was actually a bit disappointing. But I try to make the best of what I have to work with, so I did some photography in the first dawn light and then moved on. Then, perhaps an hour later and to my complete surprise, tule fog began to develop, and before long the visibility was down to, well, what you see in this photograph.
I headed back to this spot, which I had passed without bothering to pause in that earlier light, and now the fog turned this bare tree and pond into quite an atmospheric scene. The fog often transforms rather unremarkable scenes into something much more interesting, mostly by muting the visibility of distracting elements and leaving the main features and forms.
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A dormant oak tree silhouetted against glowing winter light and hzae.
As the grand alpine landscapes of the Sierra backcountry become mostly inaccessible to me in the winter, my attention inevitably turns to the low country — the Pacific coast, the inland valleys, and the oak/grassland hills not far from where I live. This photograph comes from the latter, a small county park less than a half hour from my home, a place where I have hiked for many years. There are still surprises there, though, including this tree, which I had not noticed before this hike on Christmas Eve Day.
At first glance the conditions might not have seemed to promising for photography. A period of stagnant winter air around here had produced a lot of haze — so much that there were prohibitions on fireplace use and some warning about particulate levels. But that same haze glows in a luminous fashion when the light is right, and here it mutes the background details and sets off the form of this old oak tree.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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