Tag Archives: trunks

Aspen Grove Below South Lake

Aspen Grove Below South Lake
A dense aspen grove in full fall color near South Lake in the Bishop Creek drainage

Aspen Grove Below South Lake. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dense aspen grove in full fall color near South Lake in the Bishop Creek drainage

I have been returning to this little group of trees for several years now. There are many like it throughout the eastern Sierra, but somehow this group has come to seem like “mine” and I shoot it every fall. There is nothing obviously special about it – it is not some sort of landmark location, and you would easily pass right by it if you happened to be there and look in a different direction. It is up a somewhat obscure little dirt road that goes no where in particular.

At the right moment in the fall season the grove turns completely golden-yellow with the exception of some years when it seems to hold a bit of orange or red, if I recall correctly. I like to arrive in the early evening just as the sun is about to dip behind a nearby ridge and bring soft, shadowed light to this spot. This year I had thought that I might be too early, since I would more typically shoot there perhaps a full week into the month of October, but this has been an early season for aspen color in the Sierra and in a number of other areas of the west as well.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Forest, Morning Light

Forest, Morning Light - Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.
Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.

Forest, Morning Light. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light shines into forest at the top of bluffs above the Pacific Ocean, Point Lobos State Reserve.

These forests at Point Lobos are often very appealing places to be, but I find them to be difficult to photograph! They are full of light in the right conditions – while the trees can grow somewhat close together, they tend to form a relatively open canopy that lets the light in. There is often moss hanging down from branches. Various plants grow along the ground – though watch out for the poison oak! And, of course, when you are actually there the constant sound of the surf is never far away, the air is cool, and there is often at least some breeze.

But some of these same attractive features are the source of (for me, anyway) the challenges of photographing these forests. The light, as beautiful as it is, can be very tricky. Because of the thin canopy of the trees, the direct sunlight often makes it down into the lower reaches of the forest and hits trunks and branches, creating spots of very bright light that are hard to manage. I could photograph (and have done so) in overcast or foggy conditions… but there goes that light. And the dense growth makes it difficult to find compositions that show the larger forest itself rather than just isolated elements of it. But on this visit high, thin clouds came to the rescue. While they were thin enough to allow directional sun light into the forest, they were just opaque enough to take the harsh edge off of the light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Burned Forest, Evening

Burned Forest, Evening
Burned Forest, Evening

Burned Forest, Evening. Eastern Sierra Nevada, California. August 20, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening light on an eastern Sierra Nevada forest recovering from a recent wildfire.

This spot is in Mono County along highway 395 not far from June Lake, and it is a spot that I’ve had my eyes on for some time. As a person who was brought up in the “Smokey the Bear” era, when wildfires were thought to be entirely a bad thing, it took me a while to come to terms with the knowledge that such fires are a natural and necessary element. I understood this logically before I understood it aesthetically, and I struggled for some time with the idea that places where fires have occurred can be seen as sites of rebirth rather than as destruction and desolation.

I’ve been waiting for the right opportunity and the right light to photograph this burn area for a couple of years now. I pass by fairly often, but it has always been at the wrong time of day or at a time when I could not afford to stop. However, as is often the, unexpected coincidences caused me to be here just before sunset as the light turned golden in mid-August. Ironically, part of the cause was… a forest fire in Yosemite! Up in the Tuolumne area, the afternoon air had turned smokey and the light had taken on the sort of brownish color that forest fire smoke can create. This light was not inspiring me, so I thought that I’d drive over the pass and head south a short distance on highway 395 to see if I could find more interesting lighting. As I traveled south from Lee Vining I happened to notice the turn-off for West Portal Road, which heads out in the general direction of Mono Craters. I took this road and spent some time poking around, eventually making a few exposures in the area called Aeolian Buttes, and then returned to the main highway a bit south of where I had originally left the road.

As it happened, this choice dropped me onto 395 at a place where I could see this burned area just a bit further down the road. The sun was not far from dropping behind the Sierra crest, so I figured this could be my chance to give it a try. I found a spot where the late afternoon light was warming the color of the summer-dried grasses and some white flowers grew among the burned trees, and I had perhaps 15 minutes to work before the sun dropped behind the peaks.

G Dan Mitchell Photography
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Burned Forest, Yosemite Valley, Autumn

Burned Forest, Yosemite Valley, Autumn
Burned Forest, Yosemite Valley, Autumn

Burned Forest, Yosemite Valley, Autumn. Yosemite National Park, California. October 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Evening light in a burned section of the forest on the floor of Yosemite Valley.

I’ve been sitting on this photograph for a while, so I figure I’ll post it now. I made it last fall – on Halloween, actually! – during a fall color trip to the Valley. Late on my final evening I finally stopped and walked out across the old terminal moraine that crosses the lower Valley not far upstream from Pohono Bridge. (When you drive into the Valley, the road splits, and before long you’ll see the south end of this feature to your left as you go up a short climb.) I started at the north end and as I walked south looking for a photograph it was a very quite, still, and cold evening.

I finally found a spot where I could go down the lower side of the hill just a bit and find a relatively clear shot through the trees that wasn’t blocked by foliage closer to my position. This area has been burned, and I assume that it is the result of one of the management burns that often occur late in the season. These fires attempt to strengthen the forest by reintroducing the natural process and cycles of fire. The result is interesting charring patterns along the lower portions of the trees, temporary burned undergrowth, and then as the recovery takes place a much more open and airy sort of forest as you see in this photograph.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.