Tag Archives: two

Two Cranes, Morning Sky

If you follow my photographs, it is possible that you recall another photograph of these two cranes in morning sky a few weeks ago. Sometimes I use burst mode to photograph birds as they fly past. One advantage is that you have a better chance of getting that perfect moment when things happen quickly. However, a disadvantage is that you end up with a lot of photographs to review! When this pair flew over, out of perhaps a dozen frames there were two that I liked.

The photograph, and its near-twin, are slightly unusual for me. For one thing, I tend to include some landscape or foliage with the birds. But here it is just birds and sky, albeit with some lovely, fluffy clouds. The angle and color of the light were just about ideal. It was coming at a low angle from my right, where the sun was just over the horizon. As a result the warm, early light shone upwards onto the undersides of the birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Snow Geese Landing

Two Snow Geese Landing
“Two Snow Geese Landing” — Two snow geese in the final moments before landing in a Central Valley wetlands pond.

The larger migratory birds often are graceful or powerful in flight, individually or in flocks. But that tends to break down in some ways as they land. They approach the ground, slow to stalling speed, crane necks forward, extend feet downwards, orient their bodies more vertically… and sometimes look downright silly at the last moment. (An exception can be the angle-like uplifted winds of geese in descending groups.) This pair is just at that moment then they transition from flight to landing.

This is a challenging moment to photograph the birds, but knowing a few tings about their behavior can increase your odds. Like airplane pilots, they come around to land facing the wind. If you can position yourself upwind from their likely landing point you get bird faces instead of bird butts. Also, at the last moment they tend to appear in front of distracting backgrounds. Here a larger aperture can blur the background, and looking for backgrounds that don’t include things that you don’t want in your photo — automobiles, buildings, power lines, etc.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Two Cranes in Synchronized Flight

Two Cranes in Synchronized Flight
“Two Cranes in Synchronized Flight” — Two lesser sandhill cranes in synchronized flight above California’s Central Valley.

Sandhill cranes always excite me. Aside from backyard birds like robins, they are the first birds that intrigued me — years ago when I read about them in Leopold’s “A Sand County Almanac” for a college class. Although I had not ever seen the birds, Leopold’s description stuck with me, and years later I was thrilled to learn that they are abundant in parts of California. I had not realized this, and it was an accidentally “discovery” made back when I started to photograph migratory geese.

Given that geese first brought me to the places where the cranes are found, the differences between the habits of these kinds of birds caught my attention. Geese often assemble noisily in flocks containing thousands of birds, but most cranes stick to somewhat smaller groups. (Though there are exceptions.) While geese flocks often take to the air in huge numbers, most of the time I see cranes in groups of a few dozen or less. Their pattern of flight usually (though, again, there are exceptions) features slower wing motion and often extensive periods of gliding. I photographed this pair flying above me in the very early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Purple Doors

Purple Doors
A pair of purple doors and a peeling wall, Porto.

Purple Doors. © Copyright 2023 G Dan Mitchell.

A pair of purple doors and a peeling wall, Porto.

We spent some time in Porto this past summer during a week in Portugal… and ten weeks overall traveling through (mostly) southern Europe. Porto is a fascinating city, quite energetic and active —especially during tourist season, I suppose — with a mix of the urban, the modern, the historic, and the rundown. It isn’t a simple place, but I can see why it has become so popular.

At one point it was a relatively poor city, but it is undergoing a rebirth and, for better or for worse, a large amount of redevelopment. Close by the Ribiera district, with its twisting, narrow streets there are cranes set up to remodel and update homes with remarkable views of the Duoro River. The old and the new seem to live in close proximity here. This pair of purple doors, set in a very weathered wall, were on a nearby street.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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