Tag Archives: usa

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New York City, Photographs: Urban/Street

Signs of Autumn, Manhattan

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Signs of Autumn, Manhattan
“Signs of Autumn, Manhattan” — Autumn colors and fallen leaves along a pathway in Manhattan.

I don’t know how many of you (who view these posts at my website) pay attention to the “categories” listings. They group the posts by their subject and focus, and the photographic posts always include the categories appropriate to their subjects — they might be “nature,” or “New York City,” or “Fall,” and so on. This photograph fits into a rather broad set of them, including those listed in the previous sentence and more. Yes, it is a fall nature photograph from New York City!

There’s little to suggest this location (unless you look very closely) but I made this photograph while walking along the High Line Park on the west side of Manhattan. When I’m in NYC I typically photograph obviously urban subjects — people, buildings, streets, and so forth. But in one section of this urban trail there were big piles of lovely autumn leaves, fallen from trees planted along the elevated walkway.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Color, Bishop Canyon

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Aspen Color, Bishop Canyon
“Aspen Color, Bishop Canyon” — A group of aspen trees in peak autumn color, Eastern Sierra Nevada.

All over the Sierra there are little bits of the landscape with which I have somehow developed a long term relationship — places I return to year after year. They are all different. There’s a particular boulder along the trail into Lyell Canyon, a small grove of aspens in the June Lake area, a granite slab in Tuolumne Meadows, a camp spot in the Yosemite high country, this little group of aspens — and, of course, many more. How each of them came to have these connections for me is a bit hard to explain, though some do have particular stories.

Perhaps these trees got my attention because they stand against an interesting background, but also because they seem like they should be an easily photographed subject — yet I have found them tricky to photograph over the years. Sometimes the color isn’t quite right, or else I arrive after too many leaves have fallen. But I inevitably walk the little use trail past them and make a few photographs every fall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Mountains, Morning

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Mono Lake, Mountains, Morning
“Mono Lake, Mountains, Morning” — Early morning autumn light on Mono Lake and distant desert mountains.

Part of the challenge of photographing a familiar subject is finding a different perspective on it. This is especially true with “iconic” subjects that everyone has seen, and which we know by way of familiar views. If you think about any famous place you can probably visualize the scenes I’m thinking of — familiar views of familiar things. (I’m not against them. In fact, it is an interesting challenge to try to make those views different.) There are several familiar approaches to photographing Mono Lake. Yes, I’ve done them, too!

But this is not one of those familiar views. For one thing, the camera position here is not one that most people visiting the lake would think of or even know about. It is a pretty good distance from the lake — in fact the photograph was made with a very long lens. It is also elevated, up in mountains where sage meets aspens. I photographed in the early morning on a clear day, when the low morning sunlight was angling across the landscape from the right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Bench and Mountains

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Bench and Mountains
“Bench and Mountains” — Morning light on a bench near the base of the eastern escarpment of the Sierra Nevada.

Most often as we watch the first sunlight arrive on the eastern face of the Sierra Nevada we are either somewhere out to the east, perhaps in Owens Valley, or actually up in one one of the valleys that cut into this side of the range. There are a few places that can offer a little different view, locations that are east of the escarpment but high enough to view the east side almost straight on from close distances.

I made this photograph from one of those locations, a long ridge that runs roughly parallel to the Sierra crest. The terrain here switches from high desert sage country to large groves of small aspens and then becomes more alpine. (You can see some of those small trees in the foreground here.) I made the photograph shortly after sunrise, when the low sun angle still cast. large shadows across the lower slopes of eastern escarpment.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.