Tag Archives: valley

Cottonwood Trees Detail, Autumn

Cottonwood Trees Detail, Autumn - Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument
Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument

Cottonwood Trees Detail, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument

One of the main reasons we visited this particular canyon at this particular time of year and on this exact day was… fall color from cottonwood trees and a few other contributors. This small group was growing almost directly against the cliff walls alongside the river, and when I was there the cliffs shaded the trees and provided softer, diffused light.

While many of my cottonwood photographs set the trees in their surroundings a bit more clearly, in this one I simply wanted to show the colors and patterns and textures of the trees themselves, so I chose to shoot in tight and exclude anything that was not “tree.” These trees really are this colorful, especially in this light. This presented me with a bit of a challenge while working on the photograph in post. When shooting in the shade, as I like to do with such subjects, the light is often quite blue, since the scene is largely lit by that giant blue light box that we often refer to as “the sky.” Most people (other than photographers) would not notice the blue-ness of the scene while standing there, but it becomes quite apparent when looking at the photograph. In order to make the color balance conform to what we think we see when on the scene, I often choose to warm up the color balance of all or part of the photograph. For example, I might move the objectively blue tones of background rocks more toward gray, if the rocks were that color. But here, if I went to the “objectively gray” point, the color of the trees shifts to be warm beyond belief, so here I left the overall balance a bit on the blue side.

(Note: This photograph was originally posted with the wrong title. The error has now been corrected.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aretes, Hoodoos, and Trees

Aretes, Hoodoos, and Trees - Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah
Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah

Aretes, Hoodoos, and Trees. Cedar Breaks National Monument, Utah. October 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah

Cedar Breaks National Monument is almost (but not quite!) a sort of “one trick pony” of a park, though it is quite a spectacular pony! The main draw is the steep and very colorful Bryce-like canyon that drops precipitously from a high ridge along which the park road runs. Below this ridge, beautiful pink layers are exposed, and they have been heavily weathered and eroded into ridges, canyons, steep cliffs, and hoodoo, dotted here and there with a few sparse trees. The canyon faces roughly west, to the late afternoon and evening light on these red rock formations can be quite stunning. (Meanwhile, above the drop-off, the land is entirely different, consisting of gently rolling highland forest mixed with meadows.)

On our first day in the area we got settled in to lodging at nearby Brian Head ski area – where rooms were available at really low rates since this was probably about as “off-season” as you can be! We had some time in the evening so we headed up the road out of Brian Head and were quickly inside the monument. There are quite a few viewpoints along this road, so we picked one. This photograph was in light softened by low clouds on the horizon that still allowed a bit of fading light to illuminate the canyon features from the right.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Geese, Red Sky

Blue Geese, Red Sky
Blue Geese, Red Sky

Blue Geese, Red Sky. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese, blue in the fading light of the overhead evening sky, fly against the reds of a wild Central Valley sunset

Back in early December, 2012 we were out photographing migratory birds in California’s Central Valley, on a day that began with extremely thick tule fog, gradually transitioned to hazy sunshine, then was interrupted by the atmospheric muck of an incoming weather system, and ended with a surprising and astonishing sunset and post-sunset display of color. It seems that there must have been a gap between the clouds and the horizon somewhere far to our west, and as the sun dropped to the horizon the late and very red light shone up into the clouds, turning them blood-red (and, at times, pink and purple and orange and more.)

Right before this we had been parked near a very large flock of geese that were mostly grounded, but which would occasionally take off en masse and circle for a bit before settling back in, often quite close to where they started. I had been tracking and photographing them in the somewhat gloomy light, and when the brilliantly colorful sky arrived I was ready to try to take advantage of it. This created a challenge though, that is probably familiar to anyone who has photographed such a sky. It is very bright and (important to those shooting digital systems) very red – which means that it can be necessary to underexpose a bit to avoid seeing very strange things happen to the red channel in the image file. In addition, since I was shooting straight into this brilliant light here, the geese were backlit. So, in post I was faced with a couple of contradictory issues – I had to control the brightness of the sky while trying to regain a bit of detail on the bodies of the backlit and rather dark birds! About the “blue geese, red sky” title… Because the dimmer light falling on the portions of the geese facing me was largely diffused light from a non-colorful (e.g. – blue) part of the sky, their white feathers registered very much as blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Pasture, Central Valley

Trees and Pasture, Central Valley
Trees and Pasture, Central Valley

Trees and Pasture, Central Valley. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy light in clearing tule fog on solitary trees in California Central Valley pasture land

This is another in a series that might perhaps be called “accidental landscapes.” We were actually at a wildlife refuge not to photograph landscape subjects but to photograph migratory birds – mostly geese, herons, ibises, cranes, egrets and the like. Part of that activity involves driving around trying to find the darn critters! And sometimes during these drives my eyes wander over to something that is much more like a landscape than a bird. I have photographed this very tree in the past, most recently a matter of weeks earlier when I shot it from a slightly different angle that made it appear more isolated, and when it was full of a flock of red-winged blackbirds.

The first thing that attracted my attention this time was something small, the bit of warm side-light on the trunk of the foreground tree. Seeing that, I wondered how I might come up with a composition that made sense and included this little feature. First, I wanted this tree to fill a good portion of the frame. However that seemed a bit too straightforward, so I just moved around a bit until the more distant near-twin tree was just to the left of the foreground tree, being careful to not let them overlap. The photograph was shot handheld, with the same lens that stayed on my camera all day long, a 100-400mm zoom. We moved on and soon found lots of Ross’s geese on the far side of this pasture.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.