Tag Archives: valley

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes, Morning Flight

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Sandhill Cranes, Morning Flight
A flock of lesser sandhill cranes takes to the air in early morning light.

Sandhill Cranes, Morning Flight. © Copyright 2022.G Dan Mitchell.

A flock of lesser sandhill cranes takes to the air in early morning light.

It was late February when I made this visit to Central Valley wetlands to photograph migratory birds, mainly geese and sandhill cranes. From what I can tell, they tend to depart for their northern homes in early to mid-March, so I planned to squeeze a couple more visits while they were still here for their winter stay. That’s not the only reason, though, for visiting them at this point in the season. It also seems to be the time when they are the most lively, and most likely to be found in large groups that often remain quite active all day long.

As per my usual plan, I arrived a half hour before dawn and set up my camera equipment in the near darkness. Then I headed out into the surrounding wetland terrain, looking for subjects that might work in the first light of sunrise. I soon found groups of sandhill cranes standing in shallow water. Although it wasn’t in the forecast, there was a bit of low tule fog, just enough to soften the light a bit. As the cranes began to fly out from the pond they rose into the reddish first light of sunrise.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Cranes, Dawn Light

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Cranes, Dawn Light
A flock of lesser sandhill cranes in dawn light, reflected in a wetland pool on a late-winter morning.

Cranes, Dawn Light. © Copyright 2022.G Dan Mitchell.

A flock of lesser sandhill cranes in dawn light, reflected in a wetland pool on a late-winter morning.

By the time most of you see this photograph, there is a very good chance that these birds will have departed for the season. Every autumn, all sorts of wonderful migratory birds arrive in California from points north. Among my favorites are the geese, especially Ross’s and snow geese, and the sandhill cranes. They come to many places around the state, in particular in locations in California’s Great Central Valley. But, like typical tourists, they don’t stay all year, and before spring arrives they depart for locations as distant as the arctic shoreline.

I photographed these cranes on a late-February morning just as the first sunlight arrived. The sky was still red with dawn light, and for a few moments that color infused the entire landscape. A bit of valley fog softened the light just a bit. The birds stood in the shallow wetland pond for a bit and soon began flying out in small groups.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Tule Marsh, Fog

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Tule Marsh, Fog
A Central Valley tule marsh on a foggy winter day.

Tule Marsh, Fog. © Copyright 2022.G Dan Mitchell.

A Central Valley tule marsh on a foggy winter day.

My winter exploits photographing migratory birds often place me in beautiful landscape under spectacular skies and in the presence of remarkable flocks of thousands of geese and cranes. But that does not capture the totality of this experience. (News flash: the photographs we share most likely focus on best moments rather than typical moments.) On a cold, foggy Central Valley morning things can be gray and still, though it is rare that the sound of birds isn’t part of the experience.

I have an extensive background in music, and this has taught me something that can be missing from photography at times, namely that there are many kinds of beauty, and that not all of them yell at us for attention. Some are quiet and some, at least at first, may not even seem beautiful at all. I won’t try to explain what I find in this photographs — you’ll just have to trust me that it is there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Interrupted Dune #2

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Sand dune patterns, Death Valley National Park
“Interrupted Dune #2” — Interrupted curve of sand at a Death Valley dune.

If you follow my posts and think that this looks familiar… you are right! It is a vertical (or “portrait”) format version of a subject that I shared earlier in a companion “landscape” orientation version. When a subject can work either way (albeit with different effects) it is my practice to capture both vertical and horizontal versions. I suppose one reason is that it relieves me of the worry that I might have picked the “wrong” option. It also puts off a final choice until later. In addition, it provides me with two visual options for the image, something that is occasionally useful. (For example, book and magazine covers tend to use vertical formats.)

Superficially this version looks a lot like the other one, though the taller and narrower format may give greater weight to the curve running between the bottom and top of the image and less weight to the darker portions of the scene. However, if you were to look at them side-by-side you would notice that the textures in the sand are subtly different, and that that colors have also shifted a bit. This photograph, like quite a few that I make in situations like this, was made in rapidly changing light conditions, and in the brief interval between the two photographs the scene changed visibly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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