Tag Archives: view

Photographing Icons – Or Not

Yesterday I shared elsewhere a photograph that someone had posted featuring a line-up of scores of photographers, arrayed tripod-to-tripod, ready to photograph one of those iconic views that we all know so well. I suspect that we have all been to such places and either found the experience of seeing and photographing them to be powerful… or we might have been repulsed by the crowds of people all apparently trying to “capture” the same thing, among them perhaps a number of folks who might be trying to almost literally recreate versions of the scene that they had seen elsewhere.

The point of the share (seen here and here) was not complimentary. My reaction to the photograph was to wonder, even more than usual, why people would want to make photographs that way. I phrased it as, more or less, “yet another reason to avoid photographing icons.”

However, a person wrote to me after I posted and pointed out, with a bit of anger and with some justification I think, that complaining about and putting down those who want to photograph a beautiful place might seem a bit pretentious and self-righteous.

She has a point.

While there is something a bit troubling about seeing dozens of people lined up to make the very same photograph, some of us might be a bit too quick to jump to overly negative conclusions. Perhaps there is a way to cast this as a positive lesson, rather than ridicule. So let me engage in a bit of reflection and honesty. Continue reading Photographing Icons – Or Not

Merry Christmas 2011!

Yosemite Valley, New Snow, Morning - Classic winter view of snow-covered Yosemite Valley scene photographed from Wawona Tunnel View after a late-winter storm.
Yosemite Valley, New Snow, Morning - Classic winter view of snow-covered Yosemite Valley scene photographed from Wawona Tunnel View after a late-winter storm.

Yosemite Valley, New Snow, Morning. Yosemite National Park, California. March 4, 2006. © Copyright 2006. G Dan Mitchell – all rights reserved.

Merry Christmas 2011!

It has been a bit of a tradition to post a photograph of Yosemite Valley in snow on Christmas Day – it seems like the Sierra way to send seasons greetings! I hope that you and yours are having a wonderful holiday!

(The photograph was made on the morning after a late-winter snow storm in The Valley back in 2006.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yet Another Reason to Like Live View – Shooting in the Wind

I have posted in the past about some of the advantages of having a live view feature on your camera, especially for the types of photography that I do using my Canon 5DII. This past week I discovered another use, and an unexpected one at that – shooting in conditions of gusty winds.

I most often work from the tripod, and I usually use a pretty large and stable tripod in the context of shooting a full frame DSLR camera. But in some very windy conditions putting the camera on a tripod is not sufficient to stop camera motion and the consequent blur. This is especially a problem when you are shooting in low light or otherwise need to use very long exposure times, and it becomes worse when using long lenses which will catch more wind and magnify vibrations. There are a bunch of tricks that you can try in order to keep the camera steady, but in really strong winds the camera is just going to move, especially if you have a very large lens attached.

One way I try to deal with this is to time my exposures for moments when the wind may momentarily decrease. This can require a lot of patience – sometimes I’ve had to wait several minutes for a very brief halt to the gale, during which I try to make my exposure. But even in this case, you have to make sure that the camera vibration stops completely if you are using a long lens. Ultimately, you have to simply trust that the camera really has stabilized since there is no way to tell directly. Last week, as I was using live view to focus a 400mm lens on a distant subject and again noting that 400mm plus 10x software zoom in live view makes the camera very sensitive to vibration. In the past I have noted this mainly in the context of how darn hard it is to manually focus a big lens this way! But this time it occurred to me that I could use this in my favor.

With the 10x live view magnification enabled, the display is very sensitive to camera motion from the wind. I realized that by leaving the camera in the 10x magnification setup after composing the shot that I could simply watch this display, with its magnification of motion, and wait until the image stabilized during lulls in the wind to take my shots. If the display isn’t bouncing at 10x, motion blur is not going to be an issue. Problem solved. More or less.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Evening Fog, Forest, Yosemite Valley

Evening Fog, Forest, Yosemite Valley
Evening Fog, Forest, Yosemite Valley

Evening Fog, Forest, Yosemite Valley. Yosemite National Park, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Evening fog drifts among forest trees on the floor of Yosemite Valley.

One more “misty Yosemite Valley” photograph – though perhaps not quite the final one just yet. This is similar to a photograph I posted earlier – another black and white image of evening fog floating among the trees of Yosemite Valley as seen from Wawona Tunnel View. The traditional and iconic scene from Tunnel View is impressive even in bland conditions, but photographing “that view” in such conditions is not a promising activity. But that wasn’t my plan. Noting that it had just rained for a day and was beginning to clear, I was pretty confident that this evening fog would form and begin to drift over and through the forest. My plan was to be at Tunnel View not to photograph El Capitan, Bridalveil Fall, and Half Dome – which didn’t cooperate in the end anyway – but to point a very long lens downward toward the mist.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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