Tag Archives: walking

Photographs: New York City, Photographs: Urban/Street

Stripes

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Stripes
A woman wearing a striped outfit uses a cross walk in Manhattan.

Stripes. © Copyright 2022 G Dan Mitchell.

A woman wearing a striped outfit uses a cross walk in Manhattan.

This photograph comes from a long, looping walk in Manhattan. We were staying at an Upper West Side hotel last month, and there were good walking opportunities all around — Central Park a few blocks to the East, down Broadway and into that maelstrom of human activity a bit to the south, across the park and into the Upper East Side, walking along the waterfront on either side. On this walk we ended up near the UN Plaza, which is where I made this photograph.

Stuff happens quickly in the street, and I often have to simply react immediately using whatever lens is on the camera — taking too long to fiddle with lenses or frame the perfect shot and there’s a good chance the opportunity will be gone. I had just a few seconds to photograph this slightly unusual character in the long striped dress as she stepped out on the striped crosswalk.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: People, Photographs: Urban/Street

A Family

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A Family
A passing family group on the street in Manhattan.

A Family. © Copyright 2022 G Dan Mitchell.

A passing family group on the street in Manhattan.

As scheduled, it is back to more street photography today. This photograph comes from our late-August visit to Manhattan, which provided us with opportunities to simply go out on walks and observe/absorb the Manhattan vibe. That is, of course, a complex thing, being composed of lots of people, lots of motion, the urban canyons, occasional bits of quiet and stillness, and a lot of things that happen quickly and are gone. The latter, of course, is part of the appeal of street photography.

I recommend urban and street photography to all photographers, including those of you who like think of yourselves and landscape or nature photographers. As a general thing, I think it is good for you and for your photography to step outside your primary genre and to be aware of good photographic work done with subjects quite different than your own. On a very practical level, shooting street forces you to see, think, and react really quickly. Quite often subjects coalesce and disappear in seconds or even fractions of seconds. You don’t have much time to carefully consider, so you work on the basis of instinct. And that is a useful skill to develop, even if you usually work at a more sedate pace. Street also reminds us of how we make photographs of things that we don’t have time to fully evaluate or understand. For example, while I call this photograph “A Family,” I can’t know that it is a family group. And while I might make be tempted to make other assumptions about this trio… I have no way at all of knowing whether I’m right or wrong. It is better, I think, to just ask questions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Walking Cranes

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Walking Cranes
A flock of sandhill cranes crosses a rural roadway in Central Valley pasture land.

Walking Cranes. © Copyright 2022 G Dan Mitchell.

A flock of sandhill cranes crosses a rural roadway in Central Valley pasture land.

Why did the crane cross the road? In some of my recent posts I have written about how the behavior of geese and cranes seems to change as the time for them to fly back to the north approaches. From what I have seen, the birds become increasingly active — I’m tempted to use the word “restless” to describe it. They appear in larger flocks, and they assembly in different and more predictable places. They seem to be active at all hours of the day, there are frequent “lift offs” by thousands of them, and the cranes and various kinds of geese often seem to intermix.

It also seems like they become a bit less hesitant about being where humans are. You still can’t (and should not) get too close to them, but they start to show up alongside roads and paths and in ponds very close to such places. It isn’t at all uncommon to arrive in places along gravel roads… and find that the flocks are stretched right across the roadway. I often end up stopping to wait for them to finish their business or else approaching very slowly, giving them time to slowly move out of the way. I stopped to let this group of cranes finish its activities — I was in no hurry, and it gave me a chance to photograph them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

560 Blue

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560 Blue
“560 Blue” — A man walks past a blue San Francisco building in morning sunlight.

Let me start by pointing out that this is not the first time I have shared this photograph. An earlier interpretation of it exists using a different aspect ratio. I came across it again recently as I scanned through my old raw files, and I decided to take another look at it. This time I altered the aspect ratio, retaining the original 3:2, though I more typically work with 4:3. This allowed me to include the decorative rectangles at the upper right and left. In addition, as I thought more about the role of the blue color in this photograph I decided to simply remove a few elements that were dissonant with that.

The scene is a San Francisco street, and I made the photograph on one of my day trips up to “The City” by train, something that was a regular photographic event for me prior to the pandemic. I was walking up into the main downtown area from the train station, pausing along the way to photograph interesting subjects in the full morning sun across the wide street. I had already made a couple of photograph of this very blue building when I saw the man walking into the scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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