Tag Archives: water

Wall, After Rain, Night

Wall, After Rain, Night
Wall, After Rain, Night

Wall, After Rain, Night. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. Copyright 2014 G Dan Mitchell – all rights reserved.

Night photograph of the walls of an industrial building reflected in a pool of rainwater, Mare Island Naval Ship Yard

Recently I returned to the Mare Island Naval Ship Yard with my friends from The Nocturnes, a group of folks who focus on night photography. The Nocturnes have been photographing there for many years and the group forms a core of San Francisco Bay Area night photographers. Mare Island has become something of a mecca for night photography in the area, to the point that you can often find photographers shooting there in the dark and so that certain images from the location have achieved an almost iconic status. I first photographed there about a decade ago, and I’ve gone back at least a couple of times each year, to the point that I now have quite a few images of the place.

Having shot there so much, the way I approach the subject has evolved. At first, like anyone else getting to know the place, I focused on the well-known shipbuilding machinery—steel towers and cranes, dry docks, and so forth. Eventually, I began to look for other subjects, and I also began to understand the patterns of the place. Shooting on a full moon night is one thing, while shooting on a completely dark night another. Clear skies bring different opportunities than clouds. (I’m still waiting for a foggy night there!) More recently there have been changes to the area lighting on the island. The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. (Or at least it did. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) The weather is a major player, and it had rained the week beforehand. Because of this I was on the lookout for puddles and pools that might reflect the images of Mare Island structures, and here I found a very large puddle right in front of the wall of this large building.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

No POV Parking

No POV Parking
No POV Parking

No POV Parking. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Glowing lights inside a shop building at Mare Island Naval Shipyard, reflected in a pool of rainwater

I have now been doing night photography at the historic Mare Island Naval Ship Yard near Vallejo, California for perhaps a decade. Back when I visited for the first time I would not have expected that night photography or this particular location would still occupy me today, but they do. In many ways, photographing this location at night is an almost meditative experience. I’m long past the initial surprise to find such a place exists—with its long history and old structures in varied states of decay—and I now regard it as a familiar place. The photography itself is part of the attraction. I continue to find new subjects and to see old subjects in new ways and to watch how the place changes over time. But it is also about the slow, quiet, and methodical work of photographing at night. In many places I can barely see my subjects, and I have to wander around slowly and carefully, taking time to look in places that might initially not seem to offer anything of interest. When I think of this photography, the damp air near the waterfront and the deep quiet form as great a part of the experience as anything else.

This visit followed a week when several rain storms had passed over the Bay Area. (I had missed the actual storms, as I was away photographing in Death Valley.) As soon as I arrived at Mare Island I noticed that there were puddles everywhere, so I was on the lookout for reflections. This building is absolutely huge, but in other ways not all that exciting in daylight—but at night, with interior lights glowing, it can become a bit mysterious.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn, San Francisco Bay

Dawn, San Francisco Bay
Dawn, San Francisco Bay

Dawn, San Franicsco Bay. San Francisco, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn light, fog, and high clouds over the northern shoreline of San Francisco Bay

This early morning late-winter view of San Francisco Bay looks back to the east from the Marin Headlands. The morning had started with somewhat murky conditions—high clouds above, atmospheric haze over the bay, and for along the San Francisco waterfront and across the bay toward Oakland. I was hoping for color, but the moment of sunrise was a bit disappointing in that regard. The probably was some color, but it was muted by the high clouds and haze and it happened mostly behind that fog bank floating above the East Bay.

But soon the high clouds began to pick up some color, and this pinkish glow reflected down towards the water, the fog, and the haze, gently coloring the scene. I thought that I might break up the many horizontal layers of light and color by including a it of the foreground land, and I experimented with several compositions: one that centered Angel Island in the scene, one that caught a bit of the edge of Angel Island and a bit of the Tiburon shoreline, and then this one which just included a bit of the north bay shoreline instead. Having watched so many sunrises, I still am struck by how this visual beauty arrives without a sound.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky
Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter morning fog in bright morning light above a San Joaquin Valley marsh

I made this photograph, rendered here as a high key black and white image, in a wetland area of California’s San Joaquin Valley. Photography began on this morning before dawn, in very foggy conditions. Here, nearly two hours later, we had worked our way around to a different location where shallow ponds stretched into the distance, reflecting trees in the thinning fog that was brightly lit by the morning sun, and with high clouds above.

At the time when I looked across this water I was struck by how little of substance there was in the scene. Above was misty and faintly blue sky with thin clouds. Below there was water, but the water served primary to reflect that same sky. The only solid material in the scene is the faint trees, a few birds, some bits of grass, and a couple of thin strips of levee. Everything else is sky or fog or reflection of sky and fog. The photograph is one of a series that I have tucked away, yet to work on at the appropriate time, and in need of further thought: Do I work with the high key luminosity of the scene, or do I work with the color version in which everything is shades of blue?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.