Tag Archives: white

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Building 45, Rain and Shadows

November 21, 2012 G Dan Mitchell Leave a comment

Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard

Having shot at Mare Island so many times, and having never encountered any weather challenges more daunting than a little wind or some night-time cold, I suppose I was due for some rain. And we got it on this visit. This being the annual “Nocturnes Alumni Night” event, people arrived much earlier than necessary for night photography – during the daylight hours mostly. As we met and shared photographs and then pizza, the conversation occasionally turned to the question of, “When will the weather front arrive tonight?” The most optimistic among us thought that it might not rain at all. Others thought it would hold off until after we were done shooting. Still others – including those of us with smart phones running weather radar applications – were not so sure that we would escape the weather this time, since it looked like the front would pass over us very shortly after we planned to start shooting.

The pessimists were right this time! Less than a half hour after we dispersed into the darkness to begin our work, it was already sprinkling, and within a few more minutes the front arrived and it began to rain in earnest. Along with another group of Nocturnes, I quickly moved to the shelter of one of the old mansions and hung out on the porch. The front wasn’t large, and after an hour or so the rain had diminished to the point that I could venture back out again. (To those who wonder about such things, the combination of night and rain is not conducive to being out and about making photographs.) I headed back over into the “historic core” area near the waterfront as the sprinkles continued, eventually ending up at this spot, near the end of building 45. Access wasn’t as easy as usual due to construction in the area and due to that darned rain! However, the rain created special conditions for night photography, adding a reflective gleam to all of the wet surfaces. The lighting here is from nearby street lights and security lights, and the sodium vapor lamps create a very garish yellow effect in color photographs – so I decided that I would take this one in the black and white direction. The patter on the wall at the right is a shadow from the huge gantry structure that towers above this spot.

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Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Stairway, Rain

November 19, 2012 G Dan Mitchell Leave a comment

Black and white photograph of a stairway and a portion of a front wall of Building 45 on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California

I interrupt the almost-steady stream of landscape photographs from the American Southwest (of which there are many more to come) to share a photograph of night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. Depending upon where you see/read this, you may not know that I have been photographing this place at night for a half-dozen years or more, joining a large number of other night photographers who continue to be fascinated by the place. The San Francisco Bay Area group known as The Nocturnes has been instrumental in uncovering the photographic potential of this wonderful location and in ensuring its respectful treatment by photographers, and I was there with them again this week. I’m certain that many people who drive past and see “Mare Island” signs have no idea of how long this place has existed (well back into the 1800s) nor of its historic importance (the first US west coast major ship yard) or some of its “issues,” including the transition from the military to civilian uses and all of the things that this entails.

The whole area, but especially that around the “historic core,” is quite an amazing photographic resource, especially for those who have worked to “see” it at night. There are a number of obvious, impressive, and iconic features – the gantry structures, the power plant, many old buildings, dry docks, and more – yet return visits begin to reveal smaller and subtler features that you could miss on a single visit. There was one wrinkle in this week’s shoot – RAIN! When we assembled there before sunset – for photograph sharing and talk – we knew that a weather front was headed our way, but we hoped that it might hold off long enough to let us complete some shooting first. I wasn’t so sure. (The weather radar app showed a front very close to us!) As soon as it was dark enough, I quickly went to work at this building that I had seen earlier in the day when I arrived. It was already beginning to sprinkle when I got there, and soon the rain increased to the point where I had to work under an umbrella as I completed some relatively long exposures. (For real fun, try juggling camera, lenses, bags, tripod, and an umbrella… in increasing wind… and rain… while trying to attach camera to said tripod and compose and focus!) I had time to make five or six photographs at this location before I had to seek shelter along with my Nocturnes colleagues on the front porch of one of the old officers’ mansions.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aspen Grove, Old Road

November 7, 2012 G Dan Mitchell 4 Comments

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aspen Grove, Evening

November 4, 2012 G Dan Mitchell Leave a comment

A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

This is another photograph that resulted from a more or less chance drive up a back road that I happened to spot while out looking for color, and the particular location of the photograph is anything but iconic – in fact, I’m betting that this grove of aspens is rarely photographed, given its someone “off the beaten track” location in a place without even a recognizable name. Essentially, we had turned off onto an interesting side road and started driving up into the mountains. A bit earlier we had stopped to photograph incredibly colorful aspens and other trees before moving on.

As we continued on up this climb, we became aware of time issues – mainly because I had an idea about photographing another specific location at sunset, and that location was still a good drive away from here. So when we came to an intersection along the gravel road, it seemed like a fine place to stop, look around, and consider heading back the in the direction from which we had come. As we pulled over we began to see several interesting things here. First, nearby there was a little old track leading into the aspen forest. (A photograph of that subject will appear here later.) Then another side road nearby started to look interesting, so we drove a short distance along it until we had a panoramic view of the mountains leading toward Cedar Breaks. Here we turned around, and drove the short distance back to that intersection, and I though that this row of colorful aspens, set along the edge of the ridge and fronted by a bit of meadow, looked interesting enough to photograph – and when I saw the faint clouds line up in the low spot between the trees I had to photograph the scene in this soft, overcast light.

G Dan Mitchell Photography

Tag Archives: white

Building 45, Rain and Shadows

Stairway, Rain

Aspen Grove, Old Road

Aspen Grove, Evening

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.