Tag Archives: winter

Driveway, The Cloisters, Winter

Driveway, The Cloisters, Winter
Driveway, The Cloisters, Winter

Driveway, The Cloisters, Winter. New York City. December 30, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

The curving driveway at the Cloisters Museum, New York City

We were in New York City during the final week of 2013, visiting family and doing the usual New York things – which, for me, always includes visiting museums and making photographs. We had visited The Cloisters, now part of the Metropolitan Museum of Art but far uptown, on a previous visit – but having not planned very well we arrived on a day when the place was closed! So we only were able to wander around the grounds outside and the surrounding park lands and then down into town below. This time we checked more carefully, and found that not only was it open but that we could use our Metropolitan of Art passes that we used the previous day.

It was a cold day, and when we got off of the long subway ride up from lower Manhattan we were a bit surprised by the wind blowing at Fort Tryon and we didn’t waste too much time in heading over to the museum. I recalled this curving, cobble stone driveway from our previous visit, when we walked up it to get to the front entrance. This time we came from the side and saw it from the top, curving away and toward the barren trees around the museum and cold scene of the city down below the hill in the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Levee Road and Trees

Levee Road and Trees
Levee Road and Trees

Levee Road and Trees. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A pond reflects trees in foggy morning light along a twisting San Joaquin Valley levee road

This photograph is from my New Year’s Day visit to the San Joaquin Valley, where I went to greet the dawn in the company of thousands of migratory birds and a couple of good friends. After arriving home from the east coast the previous night at about 11:00 and getting to bed after midnight, I arose before 4:00 AM and headed off to the valley. Despite the sleep deprivation, it helped a bit to remind myself that it was already 7:00 AM back in New York, where I had spent the previous week – but only a bit. I arrived before dawn to meet my friends Dave and Charlotte, and we quickly went to work photographing the birds and the early and misty environment of this marshland area.

Shortly after the sun rose I headed out along this road that follows the contours of the levees separating the various ponds. Mostly they travel in relatively straight lines, but here the track takes a winding course among stands of cottonwood trees. When I stopped to look around a bit I glanced back and saw this pattern, with the early light on the vegetation and the slight fog causing colors and contrast to fade into the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Trees, Central Park

Winter Trees, Central Park
Winter Trees, Central Park

Winter Trees, Central Park. New York, New York. December 28, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Low-angle late afternoon sun on winter trees casts shadows across Central Park lawns, New York City

For this photographer, New York provides a much wilder landscape than anything in the Sierra – though here “wild” may have a slightly different meaning. I like New York a lot, and I find the pace and density energizing, at least for a while. Most of the time, it provides an almost completely different sort of shooting for me (with only some of my San Francisco photographs being a bit similar in concept). I shoot entirely handheld, with a small camera, and almost entirely with a single prime lens. (Contrary to what you’ll here, a reason for shooting with the prime is that it requires less thought, since there are fewer options to consider, thus allowing me to work a lot faster.) I make many photographs, the great majority of which are not wonderful and which will never been seen by anyone else. But every so often something happens in front of the camera that is worth the search.

But this is not that kind of photograph. It was shot handheld and using that very same prime lens, but it is a landscape. On this afternoon in Central Park the winter sun was low in the sky, and beautiful light filtered through hazy sky. There were thousands of people out in the park, having a different sort of “outdoor experience” than I’m used to – not a solitary sort of thing at all. There was the usual assortment of pedicab and carriage rides, food stands, people walking dogs, bike riders and runners… and always beyond the winter-bare trees the skyline of tall buildings. In this corner of the park I found a place to point my camera towards some trees and into the low afternoon sun.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows
Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late winter shadows fall across a suburban scene composed of a stucco wall, pipes, and a window

This is the second of two “walking around” photographs made in my neighborhood while wandering around with a camera and a couple of lenses. These walks are exercises in seeing, in several ways: When I carry the camera I pay a lot more attention to things around me that I would otherwise simply not see at all, and the process of looking and seeing photographs in places that are so mundane that I might regularly walk past them helps “tune up” my seeing skills.

As I often do, on this walk I was paying a lot of attention to shadows falling across the walls of buildings. As I write in my last photo post, once I started noticing the shadows, which are everywhere in this area, I began to see the buildings differently. For example, here is a building that I might otherwise have simply thought of as a tan building. But now it is a building with branches “painted” over almost its entire surface. And in this one, the branch shadows converge on the mundane little collection of faucets and wires and what-not at the lower left, then spread and open up to surround the white window frame above and to the right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.