Tag Archives: worn

Tile and Concrete Wall

Tile and Concrete Wall
Tile and Concrete Wall

Tile and Concrete Wall. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A weathered tile and concrete wall at Yerba Buena Gardens in San Francisco.

I’ll throw things a bit off-kilter here and interrupt the stream of landscape images from the Sierra Nevada with a minimalist photograph of a tile wall that I made while walking around in San Francisco in July. This may not be quite as simple a photograph as it first appears, and in larger version or print it becomes more apparent that the tiles are varied and weathered in interesting ways that produce a range of textures and colors.

I do a certain number of “minimalist” photographs – some of the urban landscape and others of the natural landscape and seascapes. Sometimes when I’m photographing some of the urban subjects I get some very strange looks from passers-by! I guess it must be hard to imagine why some guy with a fancy camera is pointing it straight at a wall in downtown San Francisco when so many other seemingly more compelling subjects are all around. Or else they might wonder if there is something there that they just don’t see.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Corner Store With Boarded-Up Windows

Corner Store With Boarded-Up Windows
Corner Store With Boarded-Up Windows

Corner Store With Boarded-Up Windows. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

A corner store with boarded-up windows in the Chinatown district of San Francisco.

There probably isn’t a whole lot to say about the subject of this photograph other than it is a boarded-up corner store in the Chinatown area of San Francisco, photographed in morning light last July. The components of the scene are kind of odd, I think: a bit of a flag, green awnings and painted wall, the slanting sidewalk with some poles and boxes, and the layers of older and newer boards and graffiti over the windows. I also though the light was interesting, partly because it was short period when the San Francisco fog is breaking up and the light is brighter but still soft, and partly because of the diagonal shadows cast across the vertical and horizontal shapes of the wall.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Golden Eagle Hotel

Golden Eagle Hotel
Golden Eagle Hotel

Golden Eagle Hotel. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Man sitting on steps in front of tattoo parlor below the Golden Eagle Hotel, San Francisco.

Last summer, on one of my “walking shoots” in San Francisco, I wandered into a less-than-lovely area of The City – though it has its points of visual interest, for sure. I named this photograph after the Golden Eagle Hotel at least partly because I assume that the dilapidated green apartment building above the colorful (in many senses) shops at street level comprise the “hotel.” Another reason is that I wasn’t sure I wanted to title a photograph “Tattoo” or “Naughty Laundry!” (I don’t know what the “Naughty Laundry” place is, and I probably am better of keeping it that way! :-)

In a sense, every photograph I make is “about” something, though often they are simply about the qualities of the subject or subjects themselves. You could certainly look at this image that way. I was certainly intrigued by the juxtaposition of the very colorful and closely packed shops and the very drab apartments above. The building itself, which may have seen better days, is interesting to me architecturally. What is with the little round windows, with their thick frames, between the conventional rectangular windows? And despite having some interesting San Francisco qualities, the building is terribly run down. A close look reveals peeling paint, wires running here and there, painted over spots of what might have been graffiti, and so forth.

Then there is that guy sitting on the step of “Goldfield’s Original Broadway Tattoo Studio.” There are no other people in the scene, and my recollection is that there really weren’t many people around. He sits, face downward and headphones on, apparently completely engrossed in whatever technology he holds in his hand, and apparently also completely disassociated from his environment. You can find a lot of people like this today.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Power Plant Wall, Night

Power Plant Wall, Night
Power Plant Wall, Night

Power Plant Wall, Night. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of the exterior wall of the power plant at Mare Island Naval Ship Yard.

I have wandered past this building on many previous night photography sessions at Mare Island and have photographed quite a bit nearby, but this is the first time I have photographed it, at least from this perspective. (The iconic power plant smokestack above this building has been a subject of mine in the past.) The first thing that caught my interest about this building is that wonderful bundle of pipes that emerges near the upper left area and then heads off to who-knows-where in both directions. As I looked at the side of the building and imagined what it would look like in a long exposure under this artificial light, the rectangular shapes of the painted sections of the concrete wall seemed like they might also be interesting. And only after I made the photograph and looked at it in post did I realize that there was enough light in the scene – and perhaps inside the building – to faintly light some parts of the interior seen through the windows. The many shadows coming from different directions are produced by multiple overlapping light sources nearby.

To give you an idea of how dark it was on the scene, there was not enough light to focus. Usually I can get just enough by using the live view feature on my camera and finding an edge or a reflection somewhere that provides a line that has enough light, but not here. I finally ended up using one of the standard night photography tricks: I took a very small pocket LED light, walked over and set it against the wall, walked back to my camera to focus on this point of light, returned to the wall to retrieve the light, walked back to the camera and made my exposure.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.