Tag Archives: yellow

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Small Aspen Trees, Autumn

May 13, 2018 G Dan Mitchell Leave a comment

A tightly spaced grove of small Eastern Sierra aspen trees with fall color

I like to say that it is never too soon to start thinking about fall color… though I forgive you if you aren’t sure that May is quite yet the right time. To be honest, I came across this photograph of a familiar subject earlier today while I was backtracking through my archive of older raw files. I have a bunch of urban/street photographs queued up for posting here soon, but I feel like sharing a few more natural photographs first.

The location is in a popular area for Eastern Sierra Nevada fall color, but there is nothing exactly iconic about this particular grove – though it is a place that I’ve returned to every fall for years. I suspect that something about it caught my attention on my first visit, and that whatever that “something” is, it is not a feature that every viewer will spot. I recall stopping here the first time I visited. It was late in the day and the sun was about to drop behind the surrounding high ridges. I was surprised to see this densely spaced grove of slender trees, with trunks exposed below their fall color crowns. I stopped and made a few photographs, and the spot has become one of my touchstones in the Sierra Nevada.

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Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

March 19, 2018 G Dan Mitchell Leave a comment

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

W!

January 10, 2018 G Dan Mitchell Leave a comment

“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens, Before Sunrise

November 24, 2017 G Dan Mitchell Leave a comment

A large grove of eastern Sierra fall aspen trees in pre-sunrise light

After spending so many years exploring the Sierra, and for the past 15 or so expanding my explorations to include some of the high east side locations mostly accessible by vehicle, there are little spots all over the range that have become personal favorites — places I return to regularly whenever I get a chance. You might think that they would get “old” after a while, being so familiar. Instead, I find that there is always something new to discover about them, and I enjoy the sense of spending time with old landscape friends!

This is one of those places. In this case, I have to drive to get to it, but it is still typically a nicely lonely place, and I often have it entirely to myself at dawn. A person or two might pass by, but that’s about it. (Though, funny story, this time as I took in the view a small vehicle carrying four deer hunters passed by. We waved and they kept going. Later, as I descended from this spot, heading in the direction from which they had come, I passed through a herd of a dozen deer right on the road.) I usually go before dawn and watch the first light strike the highest peaks and work its way down into the valleys. I made this photograph before the direct sunlight had arrived.

G Dan Mitchell Photography

Tag Archives: yellow

Small Aspen Trees, Autumn

Ship Yard Buildings, Crane

W!

Aspens, Before Sunrise

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.