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Slender Aspens, Autumn

Slender Aspens, Autumn
Slender aspen trees with fall foliage grow high on a Sierra Nevada slope

Slender Aspens, Autumn. Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Slender aspen trees with fall foliage grow high on a Sierra Nevada slope

Sierra Nevada aspens come in a tremendous variety of shapes and sizes. On rocky, dry slopes, where the trees seem to eke out an existence in truly marginal conditions, they are frequently small, with skinny branches and sometimes a bit of a haggard look. In other areas, perhaps influenced by the quality of the soil, they have stout trunks but never get very tall, instead growing in bent and twisted shapes. In a few places, often in the bottom of valleys, they may take on the classic aspen shape — tall trees with straight trunks — though this is less common in the Sierra than in some other places. Sometimes they grow very high on rugged slopes, like the trees in this photograph, and while they are relatively straight and shapely trees, they are also very small.

This group grows high on a slope above an area of dense, tall, and thick aspens, and those other trees usually attract more attention with their dense leaves and intense fall colors. But sometimes I almost like these smaller trees more, especially when some of their leaves have fallen and their bare, white trunks are more visible. Even more, I like to photograph them early and late in the day, when the light reflected into shaded areas warms and intensifies the colors and fills in the shadow.s


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Basalt Columns, Lichen, Autumn Plants

Basalt Columns, Lichen, Autumn Plants
Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Basalt Columns, Lichen, Autumn Plants. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn plants and lichen lend color to basalt columns, Devils Postpile National Monument

Quite honestly, this photograph was at least partially the product of laziness! We were recently in the eastern Sierra Nevada for a few (more) days of autumn color photography. We had driven up late the previous day, and by the time we got settled in to our lodgings the idea of getting up again at “oh-dark-thirty” to head out and make dawn photographs was not appealing. Rather than overtly cop out, we sort of agreed to maybe not set alarms and instead just sort of see when we might wake up. Needless to say, on the morning after a very long drive that ended late at night… we did not get up at the crack of dawn! In fact, we wandered out for breakfast at perhaps 7:30 or so, and only then returned to our room to get ready for photography.

With no prior planning at all, we made  a more or less spontaneous decision to visit Devils Postpile National Monument, which was convenient to our lodgings at Mammoth Lakes. I’ve been in that area many times, but always in conjunction with backpacking trips, and most of those simply headed out from Agnew Meadow. We finally got down there in the middle of the morning. It turns out that this is actually a very good time to photograph this geological structure, as the sun is behind it, producing beautiful soft shaded light on the details of the basalt columns. To make a series of photographs from which this image comes, I used a very long lens, which allowed me to isolate and compose photographs out of small areas of the much larger wall of basalt columns. (Update — December 2015: Patty Emerson Mitchell reminds me that I almost left my camera in the car on this morning, claiming that I was really just there to let her see this location!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Aspens, Eastern Sierra Gully

Autumn Aspens, Eastern Sierra Gully
A “river” of aspen trees in autumn colors snakes its way up an eastern Sierra Nevada gully

Autumn Aspens, Eastern Sierra Gully. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A “river” of aspen trees in autumn colors snakes its way up an eastern Sierra Nevada gully

I believe that I shared this photograph earlier in a different context — rather than a photo-of-the-day post, it was used to illustrate one of my reports on my Sierra Nevada Fall Color page. I made this photograph at an iconic eastern Sierra location in late September, which is a week or so earlier than I would typically expect to see such color in this place. This has been a strange year, the fourth in a series of drought years, and possibly the worst. The effect of Sierra Nevada vegetation is more apparent as we go into the fall, and there have been apparent effects on aspens. First, some of them changed color noticeably early this year, as much as a week or two earlier than what has been typical. Second, some trees seem to have been stressed to the point that they are almost foregoing the brilliant color stage and instead going almost directly from green to losing their leaves — and some groves were already completed bare before September ended. On the other hand, where the trees were perhaps a bit less stressed the color change seems to have come on a more typical schedule, with quite a few low elevation trees still green as of a few days ago. You can see almost all of this conditions in this photograph — trees changing colors early, trees that lost their leaves completely, and some that are still green.

This particular spot is intriguing, and quite a few people show up to photograph here — not just for the “river of aspens” in the photograph but also for some of the surrounding alpine scenery and for other accessible examples of aspen color. I’ve photographed here for quite a few years, so I often forego the chance to re-photograph some of the familiar subjects, but this time I found a slightly different location from which to make this photograph and I wanted to capture the unusual conditions. There were several things that appealed to me about this scene on this day. Obviously, the colorful trees are an attraction at any time, but the bare trees in the middle, between the upper orange trees and the lower yellow/green trees, were an unusual sight. The curve of the grove, as it passes around the hill on the right with its coniferous trees, seemed to enhance the character of the aspen’s s-curve as it descends the gully and transitions from orange to white to yellow and green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens and Rocky Cliff

Aspens and Rocky Cliff
Aspens in full autumn color against a granite cliff in the eastern Sierra Nevada

Aspens and Rocky Cliff. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Aspens in full autumn color against a granite cliff in the eastern Sierra Nevada

On this morning I woke up at my 8000′ eastern Sierra camp to temperatures in the mid-thirty degree range and light graupel, or snow pellets. But the clouds looked thin, and the combination of aspens and snow is appealing, so I headed up the canyon to a higher location where I thought that there might be colorful aspens and snow. When I got there, I wasn’t disappointed — the temperature was still down in the thirties, and the light snow continued to fall… and the trees at this location were probably at their peak color of the season.

The color of the trees was intense, but the soft light of the snowy, cloudy weather intensified colors even more. I went to the far side of the lake where I know of an accessible area that is a bit higher than the lake, with my plan being to photograph these trees against the backdrop of broken granite walls, using a long focal length to narrow the boundaries of the compositions and exclude distracting objects. For intense color everything was working in my favor: the peak color of the trees, the muted tones of the background rock, and the effect of the soft light from the overcast skies.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.