Tag Archives: yellow

Almost Leafless

Almost Leafless
A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Almost Leafless. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few yellow leaves remain in a dense grove of small eastern Sierra Nevada aspen trees

Strange things have happened with the aspen color change this year. While some things seem to be on a fairly normal schedule — for example, there are still a lot of eastern Sierra aspen trees that are completely green — I have seen two common difference. First, the color started to change a bit earlier, and I found good color perhaps a week earlier than I might in a more typical, non-drought year. Second, it is clear that some groves of trees seem to have simply dropped their leaves, with little or no color appearing first. (Don’t worry too much. While there are certainly examples of this occurrence, the majority of the trees do not seem to be affected by this.)

Far up an eastern Sierra canyon where I photograph aspens every year I know of places where a variety of aspen types can usually be found. I visited one where it is not uncommon for a dense carpet of brilliant color from a grove of densely packed trees covers a particular mountainside. However, this year the groves was almost completely bare of leaves when I visited in late September. At first I was disappointed, but I soon recalled how much I like groves that are mostly white trunks and branches, with only a few colorful leaves remaining — and I made a few photographs. The idea here was not so much to construct a clear and obvious composition, but instead to capture a sort of wall of aspen trunks and branches, with that wonderful bit of color still holding on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Country Aspens

High Country Aspens
A row of autumn aspens in front of receding conifer forest and rising slopes near Sonora Pass on a Sierra Nevada fall evening

High Country Aspens. Sierra Nevada, California. September 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A row of autumn aspens in front of receding conifer forest and rising slopes near Sonora Pass on a Sierra Nevada fall evening

Although I’ve driven across Sonora Pass for years, I feel that I have perhaps neglected its photographic potential, perhaps because it is somewhat out of the way for me on many of my Sierra trips — the major Tahoe area routes are farther north, and my favorite trans-Sierra route further south is Tioga Pass through Yosemite. I have photographs from the base of the pass on the east side, but my collection of photographs from the highest reaches of the pass is very  small. With this in mind, I decided to return from this trip to the eastern Sierra by way of this pass, and I timed the traverse for the late afternoon when I thought the light might be idea.

Although this pass is not quite as high as Tioga Pass, it has a much more alpine feeling. The road is very steep in places and frequently quite narrow as it twists and turns up and down and around trees and boulders. I recall once thinking many years ago that driving this pass is about as close to the feeling of hiking the high country as one can get on a road. There are a lot of aspens along this route, but in many places they are mixed in with the conifer forest, making them a bit more difficult of a photographic subject. Finally, perhaps a couple miles east of the pass, the terrain opened up to high forests and meadows and I found a few beautiful aspen groves standing apart.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wall and Shadow

Wall and Shadow
The shadow of a passing person on a bright yellow wall, San Francisco

Wall and Shadow. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The shadow of a passing person on a bright yellow wall, San Francisco

I had been walking along a busy San Francisco street as I traveled from the Caltrain Station up toward Market Street, photographing people and structures and construction zones. Right near Moscone Center I took a detour up a stairway leading towards the “Zeum” and the area around it.

It was still early morning and the low angle light struck a very brightly painted yellow wall where a staircase led to the upper level. I was working on ways to photograph this color (trickier than it seems!) and the angles of the stairway and the shadows when a person fortuitously walked across behind me and added her shadow to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Video Surveillance

Video Surveillance
Warning sign on a doorway to an interior space, Chinatown, San Francisco

Video Surveillance. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Warning sign on a doorway to an interior space, Chinatown, San Francisco

When doing street photography I tend to “switch modes” as I photograph — one moment I might focus on people as individuals or in groups, and then my attention may shift to the “urban landscape,” the shapes and angles of the buildings and roads and sidewalks and more. At night there is always one more element, the unusual effects of artificial light on the scene. The light can be wildly diverse: Greenish from fluorescent lamps, yellow from sodium vapor, warm and saturated from tungsten, almost like daylight though perhaps cooler from LEDs, and occasionally the colors of dusk or the moon.

LED lighting, while wonderfully efficient, is not so wonderful for night photography. Since it mirrors the color balance of daylight so closely it takes away all of those color shadings. Some times it almost makes a night photograph look like day! I made this photograph shortly after I met up with a group of other photographers to walk through this section of San Francisco. At first I was focused in small things — windows, doorways, colorful business signs. As we descended one side street we passed this somewhat nondescript building, but in the nighttime light the interior glowed with an oddly colored light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.