Tag Archives: yosemite

Runoff Pool, Evening – Tuolumne Meadows

Runoff Pool, Evening - Tuolumne Meadows

Runoff Pool, Evening – Tuolumne Meadows. Yosemite National Park, California. July 7, 2009. © Copyright G Dan Mitchell – all rights reserved.

Grass bordered early summer runoff pool in Toulumne Meadows reflects sunset clouds and the summit of Ragged Peak, Yosemite National Park, California.

I made this photograph on a very early-season visit to the Tuolumne Meadows area in early July of this year. Since this was a below-normal precipitation year, the road to the pass cleared a bit on the early side and by early July almost all of the snow was gone at road level – but there was still a good amount of run-off water in Tuolumne Meadows. (Though nothing like in the big precipitation years, when portions of the meadow become more lake than solid ground.) There were some interesting clouds this evening so I wandered out into one of my favorite areas in the lower end of the meadow as the day ended and photographed the new grasses and pools of water that reflected sky, clouds, and surrounding peaks. In the distance the summit of Ragged Peak marks the location of Young Lakes.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Merced Canyon and Sierra Crest, Morning

Merced Canyon and Sierra Crest, Morning

Merced Canyon and Sierra Crest, Morning. Yosemite National Park, California. November 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

View of Merced River Canyon and the Sierra Crest from Glacier Point in early morning fall light.

I like to visit Glacier Point at dawn at least once each autumn, and the later in the season the better. This year I got up early on the second morning of my Yosemite Valley fall color shoot and drove up there, arriving as the first pre-dawn light began to arrive. Dawn at Glacier Point, especially at this less-busy time of year is special. For one thing, I’m often nearly alone there rather than being part of the typical sunset crowd.

This photograph was made after the sun had risen above the peaks of the Sierra Nevada crest and had begun to backlight the layers of ridges stretching back along the Merced River drainage towards the highest peaks beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Yosemite Valley Photography Workshops: Walklet and Frye

I see that the Ansel Adams Gallery has scheduled a couple of interesting winter season workshops.

  • Digital Printing and the Zone System With Michael Frye on January 19-23, 2010 – Michael Frye is both a well-known and highly-regarded photographer of Yosemite and other subjects and the author of the well-known guide book to photographing in the Valley.
  • Winter Light II With Keith Walklet on February 17-22, 2010. Walklet is a long-time Yosemite Park photographer whose experience and knowledge is extraordinary. (As I write this I have an mental image of him disappearing over a far ridge above upper Cathedral Lake last summer as he headed out to photograph some high, austere terrain.)

Both workshops take place during the beautiful winter season in the Valley and those trying to get “their shot” of Horsetail Fall may have a chance during Keith’s workshop in mid-late February.

Ansel’s Moon

Edie Howe has posted a delightful little slide show made at this week’s Yosemite Valley event, sponsored by the Ansel Adams Gallery, that commemorated the making of the famous Ansel Adams photograph of Half Dome and the rising moon. The idea was that position of the moon and timing relative to daylight would duplicate those at the time of Adams’ original exposure. I enjoyed Edie’s sequence (nice final photograph, Edie!) and looking at some of the (pardon the awful pun) luminaries of Yosemite photography as they held forth in Ahwahnee Meadow. I’m sorry I couldn’t be there!

Perhaps ironically, the moon was hidden behind what appears to be a bit of a snow squall above Half Dome, though it appeared to be clear both before and perhaps after the historic moment! In a way I think that this might have been the most appropriate thing that could have happened. While I don’t think that trying to re-make Ansel Adam’s photograph has any more validity than trying to re-write a Mozart symphony, the event seemed like a great opportunity to: gather together on a beautiful evening in this wonderful meadow, contemplate the evening with the additional context of thoughts about Adams and his photography, meet a number of people influenced by Adams’ legacy, and focus on Adams’ photograph rather than trying to create one’s own version – since the imitative exercise turned out to be impossible!

I wish I had been there.