Images

Old Venice Buildings

Old Venice Buildings
“Old Venice Buildings” — Several old and worn buildings along Calle Fonte in Venice.

Venice is a very busy place, full of tourists, especially during the high season — as you know if you have ever been there in the summer. We were reminded of this when we visited a few years ago near the end of ten weeks of travel in Southern Europe. We managed to find accommodations away from the most crowded areas, but there is no escaping the crowds entirely. But it helps to wander into out-of-the-way spots like this one.

We went out for a long walk on our last day in Venice. We decided to cover a lot of ground and to visit some of the crowded areas that we had avoided. While walking one of those very busy streets, lined with stalls selling things to tourists, we noticed a very narrow passage leading off to the side. Taking it brought us to this spot and to the banks of the grand canal.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning, Forest at Meadow’s Edge

Morning, Forest at Meadow's Edge
“Morning, Forest at Meadow’s Edge” — Three generations of lodgepole pine forest at the edge of a Sierra Nevada meadow.

From the time I first visited Tuolumne Meadows (decades ago, as a child) I remember hearing that the meadows were being gradually overtaken by the forests. (I later learned that the story is not quite that simple.) This stuck with me, and I’ve always been intrigued by the boundaries between meadow and forest. This photograph shows three age groupings of pines next to this meadow — the three big and old trees left of center, a dense stand of younger tall trees at the right, and a thick line of “baby trees” extending from the left edge beyond the three big trees.

This was a special morning at Tuolumne. It was the first day of July, in a year when the campground would not open for another month. Park entrance restrictions further limited the number of visitors. I camped just outside the park and was able to enter before dawn. I had the landscape almost entirely to myself as the sun rose and light fog cleared from the meadow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Merced River Bend

Merced River Bend
“Merced River Bend” — Autumn cottonwood trees grow along a bend in the Merced River, Yosemite Valley.

I made this photograph late in the afternoon as long shadows began to stretch across the floor of Yosemite Valley, gradually leaving these trees in shade. Here the Merced River flows slowly through a flat section next to meadows and lined with big cottonwood trees. Although a few of these trees had lost their leaves, many were at peak color.

This is one of several spots in the Valley where I like to wander slowly and look for photographs. This particular spot used to be easily accessible, though increasing Valley crowds have forced the park service to downgrade access. It took me a while, but I found a trail that wasn’t off-limits.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Forest, Yosemite Valley

Auturm Forest, Yosemite Valley
“Autumn Forest, Yosemite Valley” — Autumn color from black oak and big leaf maple trees among the conifers, Yosemite Valley.

This is another of those dense vegetation photographs that I like. I enjoy the challenge of looking at these complex scenes long enough to find order in their complexity and near-chaos. Here that meant setting up a good distance back from the scene and photographing with a very long lens, moving around to find just the right relationships among the elements.

There are two special things about this specific spot in Yosemite Valley. The first has to do with light. Since areas along the base of the southern cliffs tend to remain in the shadows for many hours, I go here to find soft shadow light. But even better, El Capitan is across the Valley from this spot, and it reflects the daytime sun into these trees, giving a directional quality to the light. There’s one more interesting thing about this spot: a road runs fight in front of it, so one must compose carefully to leave it out and then wait for any cars to pass!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.