Playa Surface, Panamint Valley

Playa Surface, Panamint Valley
Playa Surface, Panamint Valley

Playa Surface, Panamint Valley. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Cracked and dry surface of the playa in Panament Valley, Death Valley National Park.

This micro-scene could be found in many locations in Death Valley and, for that matter, in many places in the USA and around the rest of the planet. But my little rectangle of the patterns of drying and cracked mud comes from the surface of the Playa (sometimes called “Panamint Lake?”) in upper Panamint Valley in Death Valley National Park. I wrote previously that it was the last day of my late-March photographic visit to Death Valley – I had finished my photography in the main Valley and had started the long drive back to the Bay Area. After crossing Towne Pass the road descends into Panamint Valley to a junction where I most often go south towards Trona and Ridgecrest and beyond.

Just before this junction the road crosses the playa, an extraordinarily flat surface formed when silt washed down from the surrounding mountains occasionally pools and gradually dries, forming what may be the flattest surfaces on the planet. As the moisture evaporates the mud cracks and splits into these interesting semi-geometrical patterns.

For no particular reason other than that this is a spot where I often make one final stop before leaving the park, I pulled over and wandered out onto the playa. I enjoy walking on these often-immense flat surfaces, but there is something very odd about the experience, too. Perhaps it is the slightly odd feeling of walking on such a large floor-flat surface in the natural world, or it might be the deep silence and stillness. In any case, as I wandered around not too far from the road I started looking a bit more closely at the patterns of cracks and soon decided that my photography was not quite finished yet – so I went back to the car to get my camera and made a small series of hand-held photographs with the camera pointing straight down. (The “straight down” shooting raises a question: How should the photograph be oriented? The horizontal orientation shown here is what I saw as I made the photograph… but I also wonder about rotating it 90″ clockwise.)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backpacking and Photography – a Quick Link

I often field questions about doing photography while backpacking – what equipment to take, what to not take, how to carry it all, and so forth. I’ve been a Sierra Nevada backpacker for a long (really long!) time, and I do a fair amount of my photography while on the trail for periods ranging from a single day up to a couple of weeks.

This is time of year when many of us find our thoughts turning to the coming back-country season… and how to incorporate photography into that experience. I’m not going to go into all of the details in this short post… but I have previously posted about my own backpacking photo gear, and I’m sharing that link again for those who might be interested.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Steel Towers, Night

Steel Towers, Night
Steel Towers, Night

Steel Towers, Night. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Massive steel towers stand against the night sky at Mare Island Naval Ship Yard.

This is a vertical format photograph of the same series of overhead ship yard structures that I posted in horizontal format recently. As in the other, the illumination comes from very warm (verging on orange-yellow) light from nearby security lights in the shipyard. As a result the extremely hot colors of the metal structures are juxtaposed with the relatively cooler colors of moonlit night sky on this full moon night.

The structures, along the shoreline at the historic Mare Island Naval Ship Yard, were apparently used to move heavy ship components between nearby shops and ships along the waterfront. As I understand it, the yard has been out of commission for about a decade and a half at this point, and the huge mechanical/industrial structures are showing the effects via peeling paint and rust.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yellow Buildings, Fence, and Night Sky

Yellow Buildings, Fence, and Night Sky
Yellow Buildings, Fence, and Night Sky

Yellow Buildings, Fence, and Night Sky. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of abandoned industrial buildings from the historic Mare Island Naval Ship Yard.

The building on the left is sometimes known as the “UFO Building” – not because of anything that might be stored inside, but because of a shadow in the shape of a “flying saucer” that forms on one of its walls. I thought it was the only one until I took this photo in which you might spot another saucer-shaped shadow on the wall of the building at the right.

This scene is not a particularly unusual one at the historic Mare Island Naval Ship Yard, a place that is full of old industrial buildings left over from the long ship-building history on this island. Many of the old buildings are now in a state of somewhat arrested development, but they certainly show the signs of age and lack of care – lots of boarded up buildings, peeling paint, warnings about hazards of various kinds, and so forth.

Most of the light in this photograph comes from a bank of strong security lights on the exterior of a more modern nearby building, and the yellow color is a result of the type of lighting that is used. There is also a bit of full moon light in the shadows and on the bit of cloud at the upper right, and this also explains the lighter coloration of the sky. When making night photographs in a place like this, I feel comfortable about not really trying to “capture” an objective reality of the place. To be blunt, that is pretty much impossible. First of all, it is actually so dark in many of these places that it takes a while for your eyes to get used to it. Secondly, there are so many varied light sources with so many different colorations that it is essentially impossible to “color correct” the scene – though I’m not even quite certain what it would mean to do that in a scene that we really can’t “see” with our own eyes.

The idea in my night photography is not often to capture the scene as it “is,” but instead to reflect the way “the camera sees,” a way of seeing that is quite different from our native modes of seeing. Things that occur over long periods of time (exposures measured in minutes) appear in a single frame, sometimes objects lose their definition as shadows move and wind blows, stars create streaks in the sky and passing clouds blur, and the colors are far from “natural.”

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.