Category Archives: Photographs: Architecture

Five Night Photographs from Mare Island

I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.

Railroad Avenue
Railroad Avenue

Railroad Avenue. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard

This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.

Industrial Building, Red Lights
Industrial Building, Red Lights

Industrial Building, Red Lights. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard

I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.

Yellow Building, Green Shadow
Yellow Building, Green Shadow

Yellow Building, Green Shadow. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard

There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.

Reserved Parking Wall
Reserved Parking Wall

Reserved Parking Wall. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Metal wall with white doors, window, and Reserved Parking sign

The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.

Reserved Parking
Reserved Parking

Reserved Parking. Mare Island Naval Ship Yard, California. November 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance

This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yaquina Bay Bridge

Yaquina Bay Bridge
Yaquina Bay Bridge

Yaquina Bay Bridge. Newport, Oregon. August 20, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Yaquina Bay Bridge, Newport, Oregon

Returning to the San Francisco Bay Area from a week in the Seattle area back in August, we decided to take the long way back and turn a two-day trip into a four-day trip. After spending a day in Portland, we headed southwest to the Oregon Coast Highway (US 101) and followed that south into the northwest corner of California and then on home.

To my eye, the Oregon coast is in some ways familiar, having some similarities to parts of the northern and central California coastlines that I know quite well. But it seems generally a bit more remote – especially by comparison to the California coast near the San Francisco and Monterey areas – and the ocean seems a bit wilder. The towns are mostly further apart and smaller. Newport is one of the larger cities, presumably due to the large and protected port at Yaquina Bay. The coast highway crosses this bay on the striking Yaquina Bay Bridge, with its beautiful arch shapes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Paint and Handrail, Tower Bridge

Blue Paint and Handrail, Tower Bridge
Blue Paint and Handrail, Tower Bridge

Blue Paint and Handrail, Tower Bridge. London, England. July 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Shiny blue and black paint on a wall and a handrail on the Tower Bridge, London

I made this photograph in quite the jet-lagged state – though I had recovered a bit from my initial bout that left me unable to do anything but sleep for an hour or two right after we arrived at our hotel in Kensington. I had a laugh-worthy plan to minimize jet lag – and like most such plans it failed miserably. I figured I would just move my wake up time an hour earlier every day as the trip to approached, and I was actually getting up very early in the morning right before we left. (I can report that it is very quiet and peaceful at 2:00 a.m… ;-) What I failed to consider was that I was also reducing the length of every day by one full hour for the better part of a week before travel… and almost entirely by losing sleep. Obviously, I had a big sleep deficit going by the time we left. On top of that, I was basically completely unable to sleep on the flight over – which is odd, since I can usually sleep on planes.

We arrived in London, took the underground to Kensington, got a bit lost, finally found our hotel, checked in… and I was so jet-lagged that I was incapable of doing anything at all useful. I slept for an hour or two and managed to achieve a state of modest consciousness. If nothing else, I was so tired at this point that I had little problem sleeping that night. So we got on the underground and took the train to the station by the Tower Bridge and walked across it. I was so out of it that I didn’t realize until a few days later than I had completely switched north and south directions! Somewhere I probably have some photographs of the whole bridge, but being the sort of photographer I am, I spent a bit of my time pointing that camera at odd things like this pattern of shiny blue paint, stone, and a black railing.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beneath the St. Johns Bridge

Beneath the St. Johns Bridge
Beneath the St. Johns Bridge

Beneath the St. Johns Bridge. Portland, Oregon. May 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Beneath the St. Johns Bridge across the Willamette River, Portland Oregon

Near the end of May we spent a few days in Portland, Oregon on a non-business trip. Most of our time was in the downtown area of Portland, probably mostly in and around the Pearl District. Yes, we did the usual stuff – Stumptown Coffee, repeated trips to Powell’s Books, sampling Oregon beer…

On the final morning before our departure we found ourselves with a few extra hours before we had to get to the airport, so we got out of downtown Portland and visited the area near the St. Johns Bridge. It was a quiet and misty morning, so our walk in the park beneath the bridge was a wet one, but I had time to photograph the bridge and the blossoming dogwood trees nearby. (For those who keep track of such things, this photograph was done using the little Fujifilm X-E1 camera – which is turning out to be a wonderful travel camera.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.