A portal near the convergence of two white walls, Museum of Modern Art, New York.
While walking on an upstairs floor in a central area of the New York Museum of Modern Art, I was in an area with stark white walls and portals to an inner “well” – the edges of the portals were treated in warmer tones of paint.
Since the image is minimalist, I’ll make my description minimalist as well.
Black and white photograph of the courtyard of the New York’s Museum of Modern Art, photographed through windows of the museum.
Sticking with the urban New York theme for at least one more day, this is another photograph shot from a window in the Museum of Modern Art and looking out over a courtyard and architecturally busy urban scene combining older brick and stone facade buildings with more modern and taller buildings.
There are subtle (or perhaps not so subtle?) reflections in the window through which I made the photograph. These reflections are one reason, though not the only one, that I decided to render this as a black and white image – some of the shadows had colorations that did not work for me. To my mind, this photograph is related to some others that I’ve made featuring views of and through the windows of modern buildings, including this photograph from the Getty Museum in Los Angeles.
A scene consisting almost entirely of windows and secondary reflected subjects, Museum of Modern Art, New York.
Look closely and you’ll perhaps see that this is not quite what it might first appear to be. It is something of a visual trick or joke on one level. It is some other things, too.
The bottom line is that almost nothing in this scene is actually where it appears to be or even what it appears to be. The shot was made through an upstairs window of the Museum of Modern Art in New York, and the vertical shapes are the window frame and a bit of the interior wall at the far right, with some diagonal elements of the frame at top and bottom. But the “scene” outside is entirely reflected in the windows of the adjacent building – this is actually a photograph of a single glass-walled building, not exactly a photograph of an urban scene with buildings and trees and sidewalks and people – those are all reflections in the glass of the building. Obviously, I was also having some fun with perspective lines going off in a range of different directions – the window frame lines converging to the right, the outside perspective lines converging toward the left, and the converging lines on the reflected buildings headed back to the right. There’s more, but I’ll probably get lost if I try to describe it. A close inspection – easier with the print than in this little jpg – reveals some other odd stuff here and there: double images of some of the reflected buildings, some warping and bending of those shapes, people scattered around the courtyard and some moving figures that are barely visible.
Embarcadero Center and Ferry Building near the San Francisco waterfront on a foggy morning.
This is another photograph that I’ve been sitting on for a while – first while it languished as a raw file between last July and early this year when I did my annual review of the previous year’s images, and then after post-processing as I posted photographs from Death Valley, the Sierra, and the coast. It has been sitting on my desktop long enough.
The photograph was made from the dock side of the San Francisco Ferry Building, looking back over the building past its iconic tower towards some of the modern buildings in the Financial District. The light was very interesting – there was still, obviously, the usual summer morning overcast where I was. However, behind me and out over the Bay the clouds were breaking up and the light was starting to come in at a low angle from off the bay, providing a glow to features like the windows of the tall background building.
This photo was made while walking streets in San Francisco and shooting mostly “old school” with just a 50mm prime.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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