Category Archives: Photographs: Central California

Geese, Wetlands, Dusk Sky

Geese, Wetlands, Dusk Sky
Geese, Wetlands, Dusk Sky

Geese, Wetlands, Dusk Sky. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Geese and colorful dusk sky reflected in wetland pond, San Joaquin Valley

This was close to the final photograph I made on my New Year’s Day visit to the San Joaquin Valley. Despite arriving back from the east coast the night before after 10:00 PM, I was determined be out in the valley at a wildlife refuge for the first day of the year. Up hours before dawn, I drove for two hours in the dark and arrived in dawn twilight to find a couple of my friends were already there. We photographed all morning, in light that changed from pre-dawn fog to morning mist to typical winter Central Valley haze, and then we took a break in the early afternoon to go into town and get something to eat.

By this time the light conditions were looking a bit less promising, as high clouds were blocking some of the light, and this combined with the haze to create some very murky conditions. I had more or less decided to call it a day and, in fact, my friends did decide to head back home. Late in the afternoon I was about to do the same thing, but I realized that my route would take me back past the refuge – so I might as well drop in there and see what was up on the way. It was not much more than an hour before sunset when I arrived and it was still quite murky. But I know that there is often a possibility that these conditions can turn colorful when the distant sky is lit but sunset colors. I worked my way around the area to find this very large flock of geese settling in for the evening and, sure enough, the sky lit up during the last few minutes of daylight and into the early evening.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Light, Big Sur

Sunset Light, Big Sur
Sunset Light, Big Sur

Sunset Light, Big Sur. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter sunset light on the rugged Big Sur coastline

On the final day of January we took a long drive down and then back up the Pacific Coast Highway between the Monterey Peninsula and Piedras Blancas, where we knew we could see and photograph the elephant seals that gather here on the coast every winter. We took our time on the southward drive, taking nearly nine hours to reach our southern destination – and stopping frequently along the way to make photographs. (OK, for coffee and meals, too…) After photographing the elephant seals in the late afternoon, it was time to start our return trip.

There is so much to see along this coast that it is unusual to be left wondering what to photograph, so the general – and somewhat vague – plan was to take stock of where we found ourselves during the hour or so before sunset and to then find a suitable golden hour and dusk subject to photograph. Perhaps 45 or 50 minutes before sunset we came to an overlook where we had photographed much earlier in the day and decided that this would be the place. Here the coastline arcs south, with rugged mountains dropping right down to the shoreline with its sea stacks, rocky prominences, and hidden beaches. Our overlook was high enough to provide an expansive view of this scene, and it didn’t hurt that a couple of large rocky islands, one with a natural arch, were located right below. You never know how a sunset and evening will turn out in photographic terms and you must more or less take what you get. On the plus side, there were thin, high clouds to the west that wrapped around to the south, and these clouds can produce a lot of color if lit from below right at sunset and shortly after. There was also some haze to the west to soften the light. On the other hand, there also appeared to be a somewhat thicker band of clouds and for right near the horizon, and this can “turn the lights out” at just the wrong moment. I made this photograph as the golden hour light began to intensely color the shoreline. I quickly made a series of photographs in landscape and portrait orientation, moving a bit in between to change the juxtaposition of elements a bit. At one point I looked away for a moment… and when I looked back the color had almost gone as the sun passed behind those thicker clouds. Yes, it happens that quickly and imperceptibly sometimes.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline
Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The receding ridges of the Big Sur coastline arc southward into winter haze beyond a pair of large sea stacks.

On the final day of January we did the “down and back” drive through the Big Sur area of California’s Pacific Coast Highway. This is my favorite time of year in this part of California. At one point along the drive I made a comment (as I often do while passing through here at this time of year) about how this weather felt more like a “typical summer day” than like a “typical winter day” – and then I quickly caught myself and recalled that “typical summer days” here often feature thick fog, wind, and cold. On the other hand, between Pacific storms – or during a dry year like this one – a typical winter day may feature brilliant sunshine and long vistas and temperatures that are as warm as those of summer here.

As the day developed I shifted from looking for the effects of first and early light coming over ridges and into canyons, or the thinning offshore clouds. Instead I started to think about the long coastal vistas, the intense reflection of the ocean seen from high places (which always makes me think of molten metal), and the way that the backlit atmosphere highlights receding ridges as they disappear into the distance. As we came over one of the high points and around the corner the road began to drop and this view appeared in front of us, with two sea stacks in the foreground (one of which contains a natural arch) and the rugged coastline curving toward the south.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cranes and Geese, Sunset, Reflecting Pond

Cranes and Geese, Sunset, Reflecting Pond
Cranes and Geese, Sunset, Reflecting Pond

Cranes and Geese, Sunset, Reflecting Pond. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cranes fly through evening sky above geese in a San Joaquin Valley pond.

I made this photograph on New Year’s Day 2014. Two years ago it seemed like a good idea to begin the new year by greeting its first dawn in the San Joaquin Valley, and sharing the experience with thousands of migratory birds and a few like-minded friends. Getting there was a stretch this year – late the previous night I had arrived home from a week in New York City, and getting up four hours later to drive two hours in the dark was going to be a challenge. But I made it and after photographing through the morning I thought that I might just head home. In the early afternoon we broke off from the photography and went to nearby town to grab something to eat, and by the time we were done it was only an hour or less until the evening “show” would begin back in the wetlands, so I shelved by early departure plans and headed back into the field.

I’m glad I did. It turned out to be a very beautiful evening, with many thousands of birds and with an unexpectedly beautiful sky. Often when it seems a bit gray and “blah” in the late afternoon, the evening light can end up illuminating this thick atmosphere, turning it both colorful and near-transparent. That is what happened here as I was photographing a large group of Ross’s geese that had settled in on the wetlands near this small tree. As the light diminished, I hoped for a fly-in of the sandhill cranes, which can be one of the most magical moments of any day in this area. Unlike the geese, which tend toward raucous and unpredictable behavior, the sandhill cranes seem to show up in large groups right at dusk, mostly gliding smoothly above the ponds as they head for their landing spots.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.