Category Archives: Photographs: Nature

Forest Above Loch Ness

Forest Above Loch Ness
“Forest Above Loch Ness — “Forest with green moss along the Great Glen Way above Loch Ness, Scotland.

This photograph comes from the second-to-last day of our walk on Scotland’s Great Glen Way . Every day was different, but this one stood out in several ways. First of all, we hiked it “backwards.” On every other day we hiked toward our destination of Inverness. But this time we were dropped off north of Lewiston, where we were staying, and we walked back toward town. A few miles into the walk we encountered our most exposed highland terrain as we crossed a high, windy ridge and then descended to re-enter forest.

This spot along that descent was a lovely surprise. Much of the forest land we had walked through was dense with trees, blocking the light and cutting off distant views. But on this bench high above Loch Ness we found this open and softly lit section of forest carpeted with green moss. Through the trees and far below we could see Loch Ness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sailboats, Oban

Sailboats, Oban
“Sailboats, Oban” — Sailboats on the water at Oban, Scotland.

Oban is a lovely Scottish town — a picturesque spot on the waterfront, with hills and islands all around, fine seafood, good people… and the Oban Whisky Distillery! (Yes, we did the tour, and we bought a bottle as soon as we got back to the states.) There is almost constant boat traffic in the bay in front of the town as fishing boats, small tour boats, sailboats, and ferries come and go.

I made this photograph from McCaig’s Tower, the very old stone structure that sits on a hilltop above the town and offers a remarkable panorama of the surrounding landscape. Shortly after we arrived at the top of the hill a large group of sailboats crossed the bay in front of us, stretching out in a line against the darker land and water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetlands, Winter Clouds and Fog

Wetlands, Winter Clouds and Fog
“Wetlands, Winter Clouds and Fog” — Winter clouds and fog mute the colors and details of a wetland landscape.

Who can resist the symmetry of clouds and their reflections in still water? I know I cannot. I have photographed such things many times, but more typically the photographs feature some kind of overpowering sky — thunderstorms or a brilliantly colorful sunrise or sunset. (In fact, I’ve made a few of the latter at this very location.) But here I wanted to focus on something different, a subject that suggests the quiet and stillness of this wetlands landscape.

It was a foggy winter morning. As the fog began to thin the high clouds and their reflections became visible, although the horizon just beyond the rushes was still obscured by tule fog. Aside from the sounds of birds, it was quiet. The air was nearly still, and the scene was almost static — though to be accurate, it was simply changing very slowly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.