Category Archives: Photographs: Northern California

Photographs from Northern California

Mountains, Sea, and Haze

Mountains, Sea, and Haze
Mountains, Sea, and Haze

Mountains, Sea, and Haze. Big Sur Coast, California. May 26, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Spring haze, morning light, and rugged mountains meeting the Pacific Ocean, Big Sur coast

This spot marked the furthest south that I travelled on my brief photographic foray along the Big Sur coast earlier this week. Here, as in a number of other spots along this section of the Pacific Coast Highway, the route rises high above the ocean to pass through a section of very steep cliffs where the coastal mountains and the ocean meet abruptly. From this overlook the spines of a few nearby ridges were just to my south, and beyond the shoreline disappeared into the glowing atmospheric haze to the south.

One of the advantages of modern digital cameras is that they permit more flexibility and allow us to make aesthetic choices about our photographs more freely. Although I mostly “see” in color, sometimes a subject works better in black and white. Sometimes I don’t even realize this at the time of the exposure. Which is OK, since digital allows us to sometimes think less of “making the photograph” in the field and perhaps more about “bringing the image back” for full realization in the post-processing stage. In some cases, it allows us to focus more on pure capture and to put off some of the decisions we might have had to make at that point until later. I don’t think this is necessarily a bad thing! However, this is an example of a photograph that I knew was going to be black and white as soon as I saw the scene. Looking south along this coast on a day like this one, the air is filled with a haze made luminous by backlight. Colors are often so muted that they might as well be black and white, and the haze itself can take on a strong blue cast. Here I didn’t want that blue haze effect, but I did want the glow and the strong shapes of the ridges dropping into the sea.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky
White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky. San Joaquin Valley, California. April 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A flock of white-faced ibises is silhouetted against early spring evening sky above the San Joaquin Valley

I have what almost amounts to a tradition of making a weeklong visit to Death Valley near the end of March and beginning of April, that time of year when this desert landscape oscillates between winter and summer conditions and when the flowers bloom.. After a week or so in that austere landscape I am usually quite ready to see green and a greater density of living things. I’m also ready to get home! On a typical final day of the trip I do a bit of photography in the morning and then leave the park well before noon and start the long drive home. During the last few years I have made it my practice to leave early enough that I can just make it to one of my favorite San Joaquin Valley bird locations before the sun sets.

It has been a series of drought years in California and this was the worst one so far. When I drove do Death Valley things were still just as dry as we would expect in such a year. But while I was in the park a series of winter storms swept across the state—finally! I saw some rain and snow in DEVA, but by the time I got to the Central Valley is was clear from the puddles and ponds that a real storm had come through. I drove on up highway 99 and turned west toward my destination and found fields that were actually green. And on arriving at the wildlife refuge I was greeted by the smell of damp air and plants and the sounds of birds. What a contrast to Death Valley! Close to dusk we found a large flock of dark-colored birds in the shallow water nearby, and a closer inspection showed them to be white-faced ibises, settling in where the now departed geese would have distracted us from such quiet birds a few weeks or months earlier. As the evening wore on, large groups flew in, circled, and then descended to join the flock… including this group that passed in front of delicate dusk clouds and blue hour sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelicans Along the Coast

Pelicans Along the Coast
Pelicans Along the Coast

Pelicans Along the Coast. Point Lobos State Reserve, California. April 27, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A line of pelicans flies along the Point Lobos Reserve coastline

Brown pelicans are probably my favorite Pacific coast birds, and I often like to photograph them when I visit the nearby Pacific Ocean shoreline. However, that’s not at all what I was at Point Lobos to photograph on this late April morning. I was more in a landscape or seascape frame of mind. That said, this photograph is an example of how things most definitely do not happen in a slow, considered, or contemplative manner when shooting landscape subjects.

I was thinking about how to try to photograph the elements of very choppy near-shore water, the further rocks that we partially obscured by mist and spray, the subtle shadings of the offshore fog bank, and the blue tones of sky. I decided to use a long lens and try to line up something that included nearby shoreline elements juxtaposed with the more distant rocks. I wasn’t having an easy time coming up with a composition that I liked. I must have momentarily looked up from the camera, because I recall spotting this line of pelicans flying up from the south and thinking that if I could just operate fast enough I might be able to get them in the frame. Being set for landscape (manual exposure and focus, live view, small aperture, on the tripod), that meant trying to quickly and intuitively make a whole bunch of quick changes. I must have managed to do so just in time to squeeze off three frames as the line of birds passed through this gap in the rocks and continued on.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Oaks, Sierra Foothills

Spring Oaks, Sierra Foothills
Spring Oaks, Sierra Foothills

Spring Oaks, Sierra Foothills. Tuolumne County, California. May 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Spring oak trees and meadows, Sierra Nevada foothills

In this drought year Tioga Pass, the trans-Sierra route through Yosemite National Park, opened earlier than usual. For me, the opening of this pass marks the end of the winter season and the beginning of the summer, with its easier access to the high country. Virtually every year I mark this event by visiting the Yosemite high country on the opening day or as close to it as possible. This year’s early May opening fell on a busy weekend, so I couldn’t be there on the actual opening day, but two days later I was able to squeeze in a one-day up-and-back trip from the San Francisco Bay Area.

I was up way before dawn and on the road before 4:00 AM. During the winter months such a start time would get me into the Sierra for dawn photography, but with the longer days at this time of year the sun rose when I was still in the foothills. While many might regard the foothill terrain as something to pass through on the way to the more interesting goal, I have come to love the soft, curving foothills, with their covering of grasses (green at this time of year, but brown to golden most of the time) and oak trees, either standing individually or as part of large oak forests. When I came to this spot, where I have stopped to photograph before, I found the meadows in that transitional state between the remaining greens of this year’s (meager) spring moisture and browns of California’s summer.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.