Category Archives: Photographs: Northern California

Photographs from Northern California

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Crane Structure, Night

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Ship Yard Crane Structure, Night
“Ship Yard Crane Structure, Night” — A huge, rail-mounted ship yard crane at night, Mare Island Naval Ship Yard.

The historic Mare Island Naval Ship Yard, on an island across the narrow bay from Vallejo, California, is a remarkable place. It has a long history, going back to the first half of the 1800s, when it was the first such ship yard on the west coast of the United States. It continued to serve in that capacity until the 1990s, when it was finally decommissioned. At first, much of the facility languished, gradually falling into disrepair. More recently, it has become the site of redevelopment, new construction… and efforts to arrest the decay and preserve some of the historic area.

Mare Island has also been a Mecca for Bay Area night photographers for a couple of decades. Ask almost any area night photographer if they’ve been there, and the answer will be “yes.” I got my start doing night photography at Mare Island about fifteen years ago, when I happened to end up at an introductory session run by the original “The Nocturnes” group, put on as part of the Pacific Flyway Festival. The subject of this photograph is one of the gigantic shipyard crane structures found along the waterfront, designed to facilitate moving huge ship components at the dry-docks. This crane sits on carriages that run on a short section of curving track, allowing it to move over a short distance.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California

Dawn Clouds, Reflection

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Dawn Clouds, Reflection
Dawn light on clouds, reflected in a wetland pond

Dawn Clouds, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dawn light on clouds, reflected in a wetland pond

Sometimes the morning world surprises you. This was one of those times. I went to this place hoping that I might be ahead of an incoming weather front that was approaching from the northwest, but as the first light began to glow it was clear that I was going to be under the clouds. They covered almost the entire sky and promised to produce pretty gray conditions.

However, I did notice a very thin opening far to the east, between a mountain range and the far edge of the cloud shield. This is a condition which can, somewhat ironically, produce a brief burst of spectacular color right at sunrise (or sunset, if the break is in the west) that can be truly stunning. Basically, against a backdrop of largely dark conditions, the light will briefly shine upwards onto the clouds just as the sun reaches the horizon, sometimes producing some of the most intense light you’ll see — though the effect typically lasts only a few minutes and then the “lights go out” again quite quickly. On this morning I was next to a shallow body of water, so the show was twice as good — the colorful sky was reflected on the surface of that post.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Shipyard Crane Structure, Night

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Shipyard Crane Structure, Night
“Shipyard Crane Structure, Night” The base of a gigantic rolling crane structure, Mare Island Naval Ship Yard

I did my first real night photography at this location, the historic Mare Island Naval Ship Yard, fifteen years ago. I more or less randomly saw an announcement for a free introduction to night photography at the Flyway Festival at Mare Island, and without giving it much thought I signed up. The session was organized by Tim Baskerville, a guiding-light (guiding dark?) of the San Francisco Bay Area night photography scene and the leader of a group called “The Nocturnes.” (Studio Nocturne SF, the night photography collective I work with today, is a direct descendent.) I had almost no idea what I was doing on that first night photography adventure, but I was taken by the genre (and by this location) and I’ve been photographing at night ever since.

This week a group of us met for a “Nocturnes Alumni Event” at Mare Island, and after sharing and pizza we headed out into the dark to make photographs. It is a bit of a strange experience for me by now. I am very familiar with many of the features of the place, but there have been many changes, too. Back in 2003 the site was almost entirely abandoned, and it was not clear what would become of it. Today portions are being redeveloped, for better or worse — mostly better, I think. So some of the old subjects are gone, others that were off-limits back then are now accessible, and new things have appeared. On this evening I was able to get up close to some of these remarkable and gigantic old shipyard cranes. In a Silicon Valley world of virtual industries, it is quite striking to stand beneath these very solid and very real machines — gigantic things that were used to move the components for building ships.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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All media © Copyright G Dan Mitchell and others.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastal Bluffs, Morning Fog

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Coastal Bluffs, Morning Fog
Under foggy morning skies, steep coastal bluffs rise above the Pacific Ocean along the Big Sur coast

Coastal Bluffs, Morning Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Under foggy morning skies, steep coastal bluffs rise above the Pacific Ocean along the Big Sur coast

I’m fortunate to live in a (photographically speaking) “target rich environment.” Two hours to my west is the Great Central Valley of California, a couple of hours beyond that and I’m high in the Sierra Nevada, and a bit more driving takes me to the east side of the Sierra and the beginning of basin and range country. I can get to Death Valley in a day’s driving. San Francisco is a train ride away, and a bit north of that begins the heart of coast redwood country. (I can actually get to redwoods by driving only about a half hour from home.) Less than an hour away is the Pacific Ocean, and a somewhat longer drive takes my past Monterey and Carmel and into the remarkable Big Sur coastline.

That’s where I went on this day, getting a somewhat later start than I hoped for but arriving in time to find fog still hanging around among the coastal mountains and bluffs. I know this coastline well enough to photograph in some little-known spots, but this location is very close to something quite iconic. I’ve photographed this location many times, in all sorts of conditions — fog, brilliant sun, winter storms. It can be a very colorful and bright place late on a clear-sky day, but on this morning it had a quieter and more closed-in feeling.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.