Category Archives: Photographs: Northern California

Photographs from Northern California

Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Chinese Houses Flowers

Chinese Houses Flowers
“Chinese Houses Flowers” — Purple Chinese houses wildflowers in the San Francisco Bay Area.

I have often wondered about the popular name of these “Chinese houses” flowers — what the connection could possibly be with houses from China. Regardless, they are among the spring wildflowers that grow in the oak forests and grasslands around the San Francisco Bay Area, including a trail through a park south of San Jose where I photographed these specimens.

Some flowers are pretty easy to photograph — they are colorful and have shapes that are easy to photograph. (Close-ups of some flowers are tricky due to the narrow depth of field at short distances.) I’ve never found the Chinese houses easy to photograph. It is difficult to find a plant on which all of the buds are in this colorful stage — usually some are not open or already turning brown. The plant often grows low to the ground among other distracting elements. Bright sun can create dark shadows and wash out details. So I was pleased to find this group in an areas of soft, shaded light and to find all of the flowers open and colorful.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Morning Light, Big Sur Coast

Morning Light, Big Sur Coast
“Morning Light, Big Sur Coast” — Morning light, haze, and surf along the Big Sur Coast.

After a period of travel (Portugal, Spain, Belgium, NYC this time) it is always great to get back to photographing the natural world here in California. This week I heard that a couple of friends were in the Carmel area, less than an hour-and-a-half away, so we decided to meet up for some morning photography along the Big Sur coast. There’s no cell service where we were going, so we agreed to some coordinates on Google maps and set an early arrival time. I showed up, but couldn’t find them, so I made some photographs while waiting…

…including this one of the surf, morning light, and thin fog. As I photographed I noticed a couple of figures moving out onto the headland at the far right. I don’t usually include people in my landscape photography, but I’m not against it either, so I changed the framing a bit to incorporate them. It was only later in the evening, at home and working on photographs at my computer, that I zoomed in on the figures and realized that they are Franka and Dave, the friends I was searching for! (We did eventually connect, by the way.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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James Grain Co.

James Grain Co., San Jose
“James Grain Co.” — The worn facade of a repurposed old light industrial building, San Jose.

I am a fan of these old industrial buildings with the corrugated metal walls. I see them all over California in older areas including military bases, factories, agriculture facilities, and more. Most seem to date to a least the mid-20th Century. Some are still in use, by original or successor occupants, while quite a few appear to be abandoned. This is one of many that I pass on long walks.

I’m fascinated by what old surfaces record, from streets in Europe where street art is constantly wearing out and being overlaid with new work, to old buildings that often give hints about their former use. From the looks of it, “James Grain Co,” may have come along a bit later than “Purina Chows,” and who knows what the words say below that. A close look also reveals some fascinating coloration from old paint and decay, ranging from blues to yellow/orange to red.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)