Category Archives: Photographs: Southern California

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California, Photographs: Textures

Eroded Formations, Zabriskie Point

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Eroded Formations, Zabriskie Point
Eroded Formations, Zabriskie Point

Eroded Formations, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

A small dry wash runs past folded patterns of eroded hills in morning light at Zabriskie Point, Death Valley National Park, California.

This is another in my “up close and personal” sequence of photographs of details of the geology at Zabriskie Point. Zabriskie is undeniably an incredibly beautiful spot, but after photographing “the view” a number of times my attention was drawn to some of the smaller details of the surrounding terrain. While I’ll still shoot the famous view(s) from this location when conditions are special, I now spend more time using a long lens to pick out small elements of the scene – and there are a lot of them to work with!

On this morning the light was, at times, very special. When I made this photograph the typical sidelight from the early sun was diffused and filtered by some high clouds in the east, and this soft light is different than what I’ve seen here before – it seems to me to have a subtle glow.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 150mm
ISO 200, f/14, 1/40 second

keywords: zabriskie, point, gower, gulch, wash, folds, eroded, hills, formations, crack, earth, desert, barren, morning, light, sand, gravel, tan, brown, death valley, national, park, california, usa, north america, detail, landscape, nature, stock, geology, scenic, travel, dry, hill, gully

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunlit Gully, Zabriskie Point

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Sunlit Gully, Zabriskie Point
Sunlit Gully, Zabriskie Point

Sunlit Gully, Zabriskie Point. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Photograph of a sunlit gully in afternoon light at Zabriskie Point, Death Valley National Park, California.

Zabriskie Point is a justifiably famous overlook in Death Valley National Park – arguably the iconic view of the park, with the pyramid-shaped Manley Point above amazingly folder patterns of hills and gullies and with Death Valley and the sometimes snow topped summit of the Panamint Range beyond. (OK, the dunes might compete with Zabriskie in the Icon department…)

Everyone photographs at Zabriskie, and I’m no exception. However, my approach to this location has changed over time. At first any Zabriskie sunrise seems worth photographing, and in all honesty sunrise there is an amazing experience in all but the worst conditions. Eventually, though, you become a bit more discerning and not just any sunrise will do. I’ll generally only shoot sunrise there now if I think that the conditions will be extra spectacular, usually meaning some combination of clear or otherwise interesting lower atmosphere, perhaps snow on the Panamints, and some interesting clouds overhead. But even that is starting to feel a bit overworked.

Recently I’ve been trying to figure out what (and how) to photograph here without doing “the usual thing.” Several ideas have come to mind. Earlier I posted a photograph of the Manifold formation made at night under a full moon, and I think there is still more potential there. As others have done, I’ve played around with trying to find shooting locations other than the familiar one near the overlook. This photograph is an attempt to combine two other approaches that I’m working on – detail shots of small elements of the scene made with a long lens and shots made during the day at times other than the “normal” sunrise time.

I first saw this small gully a couple years ago when I happened to stop at Zabriskie during the mid-morning period on my way back from shooting somewhere else. Initially I just thought I’d wander up the path from the parking lot, scout things out a bit, and move on. But as I looked at the scene I realized that not all parts of this spot are necessarily best lit at sunrise, and that some actually can become interesting during the less obvious times of day. This is one attempt at a further exploration of this particular twisting gully, here shot in very bright daytime sun light only slightly diffused by high thin clouds.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 400mm
ISO 100, f/16, 1/125 second

keywords: zabriskie, point, fold, gully, hill, pattern, light, shadow, ridge, brown, golden, wash, rugged, gravel, dirt, geology, landscape, nature, scenic, travel, death valley, national, park, california, usa, north america, desert, formation, afternoon, winding, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sliding Rock, Cloudy Morning – Racetrack Playa

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Sliding Rock, Cloudy Morning - Racetrack Playa
Sliding Rock, Cloudy Morning - Racetrack Playa

Sliding Rock, Cloudy Morning – Racetrack Playa. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of a “sliding rock” on a cloudy morning at the Racetrack Playa, Death Valley National Park, California.

The weather gods were not on my side during my visit to the Racetrack Playa in Death Valley near the end of March. My plan was to shoot sunset and sunrise, and in between to do night photography. As I drove out there on the terrible washboard gravel road my hopes were high – I saw some interesting looking clouds that looked like they might even form into lenticular clouds. When I arrived I shot a bit in decent light at the “Grandstand” feature near the north end of the playa.

Unfortunately, the good light was short-lived. Before I left the Grandstand a high, thin back of clouds spread across the sky. It stayed in the evening (tantalizing me with some bits of clear sky far to the west), blocked the full moon all night, and was still there when I wandered out onto the playa in the morning to do some early shots. It never did really clear, and I came back from the playa with far fewer good images than I expected. (I shouldn’t have been surprised. I’ve had uniform great luck with lighting on every previous visit, so I was probably due for less than great light.)

In order to make this photograph work I did quite a bit of post-processing, some of which I anticipated when I made the exposure. First of all, I realized that getting everything from the very close rock to the distant ridge in focus would be a problem. So I made three exposures, “focus bracketing” them with one focus on the far ridge, one focused on the rock, and one focused in between. I made a blend of the three exposures in post, keeping the most focused portions of each.

Because the light and colors were fairly flat I decided to go with a black and white interpretation. The conversion was fairly straightforward, but here I also decided to indulge in a bit of post-processing. I duplicated the background layer, turned it into and “overlay,” and added some Gaussian blur. With a bit of dodging, burning, and work with curves, the image ended up where I imagined it would.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 80mm
ISO 200, f/16, 1/10 second

keywords: sliding, moving, gliding, rock, stone, racetrack, race, track, playa, cracked, mud, earth, ground, cloudy, mountain, hill, barren, desert, rugged, track, trail, black and white, monochrome, death valley, national, park, california, usa, north america, landscape, nature, travel, scenic, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Flats Near Badwater, Evening

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Salt Flats Near Badwater, Evening
Salt Flats Near Badwater, Evening

Salt Flats Near Badwater, Evening. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white vertical format photograph of evening on the salt flats of Badwater Basin, Death Valley National Park, California.

Yes, I’m still mining the Death Valley photographs from my late March trip. And there are more to come… :-)

This photograph was made in evening light on the salt flats of Badwater Basin, not far from the “official” Badwater area – but far enough away that there were only a couple other photographers out here enjoying the solitude and the beautiful evening light. A few weeks earlier this area had been flooded by unusually heavy rains in Death Valley. From all appearances (and from photographic evidence that I’ve seen) the photographers who were first on the scene had to do a bit of wading to get out onto the salt flats. Some of them were rewarded for their efforts with wonderful and unusual images, including reflections of the Panamint range in the circular pools between the polygons of raised salt.

By the time I arrived the area was no longer flooded, though it was clear that the playa beneath the drying salt crust was still wet. In places some of the water appeared in cracks and in other spots walking on the salt felt a lot like walking on winter pond ice. During the flooding, the usually tall ridges between the salt “polygons” seem to have dissolved. Typically they are perhaps up to a few inches tall and contain large cracks. At the time I arrived, the counter had apparently been set back to zero – and the salt surface was almost completely flat, though it is obvious that the polygon outlines were still visible and beginning to rise a bit. The vertical ridge leading away from the camera position in the lower portion of the frame is a good example.

I went with black and white in this rendition since the sky had not really lit up yet – in other words, color wasn’t necessarily the main feature of the scene. I also liked what I could do with the clouded sky and the distant ridge in black and white.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 35mm
ISO 100, f/16, 1/25 second

keywords: salt, flat, polygon, pattern, landscape, nature, geology, hills, mountains, sky, dark, clouds, evening, dusk, sunset, haze, atmosphere, light, shadow, badwater, basin, death valley, national, park, california, usa, north america, travel, scenic, black and white, monochrome, texture, curve, stock