Early morning light striking minor dunes on Mesquite Flat with Cottonwood Mountains wash and the Last Chance Range in the distance, Death Valley National Park.
These dunes are not too far from the main Mesquite Dunes near Stovepipe Wells – they are a bit further east from the better known tallest section of the dunes. The areas of lower dunes provide some very interesting shapes and textures on a smaller scale in some ways that those of the larger dunes. I photographed these with a long lens, shooting from a rise, at a point in time very shortly after the first morning light had struck the sand. The background hills, part of a very large alluvial fan at the base of the Cottonwood Mountains, were in the shadow of a cloud.
The first morning light strikes Manly Beacon at Zabriskie Point, Death Valley National Park.
Icon alert!
I had more or less promised myself that I would not photograph at Zabriskie Point on this trip – been there, done that – unless the conditions were really special. But I miscalculated my morning start on this day and discovered that I wasn’t going to make it to my intended destination in time. As I passed Zabriskie on my way to the “other place,” telling myself that I still had a half hour before I needed to be in place for the early light… I noticed that clouds above this area were already starting to pick up the pink color of dawn light. I hesitated for a moment – I really wanted to photograph that other subject – but quickly realized that it would make a lot more sense to the shoot the subject that was here in the light that was developing than to drive further and miss out entirely on the first light.
So I turned into that familiar parking lot with its familiar fleet of photographers’ cars and quickly loaded up my gear. I was a bit surprised that I saw so few people up above at the official overlook, but it was quite windy and I figured that perhaps they had just dropped down on the other side of the wall below this spot. In any case, I had a different spot in mind, one further to the right, so I headed over that way and quickly discovered that the wind was blowing almost too strongly to make photographs. I made a couple of shots from a small gap there and then headed up toward the overlook. At the top of the little trail from the parking lot I dropped onto the small use trail to the side of the wall and was again surprised to see almost no other photographers. I walked a few feet farther and discovered that the “usual crowd” was huddled in a small area in the lee of the wall, trying desperately to find protection from the wind.
These days, my main project when I stop at Zabriskie is to find and photograph small, isolated elements of the landscape with a long lens. For the most part – unless truly magical conditions are present, and they weren’t on this morning – I don’t really spend much time on the classic views of Gower Gulch, the Valley, and the Panamint Range. However, since I’m there and know the progression of the light fairly well at this point, I’m not about to pass up the opportunity to get a better image of one of these iconic subjects. So as the first light was about to hit the summit of Manly Beacon I turned my rig that direction and spent a couple of minutes photographing it as the line between shadow and morning light traveled down its face.
Low angle morning light silhouettes receding hills and plants near Devils Cornfield, Death Valley National Park.
Taking advantage of the low angle light from the sun as it rose above the Funeral Mountains, I shot almost directly into the light with a long lens to photograph these backlit plants (“arrowweed” I believe) growing along the fringes of the Devils Cornfield area not far from Stovepipe Wells. Although the compressed perspective from the relatively long focal length disguises the fact, I was shooting from a hill that gave me some elevation above the flat surface of the Valley here, and provided a bit better view of the tops of the hills receding into the haze.
I made a variation on this photograph at the same time that I posted earlier – it is in color and used an even longer focal length to get a bit more detail of the mesquite tree that is barely visible in the upper right area of this shot. The color image has a much less start appearance than the black and white rendition with its contrast between the light on the tops of the plants and the surrounding dark soil.
Sunrise light shines through morning haze to silhouette low hills in central Death Valley.
On the last morning of my late-March Death Valley shoot, I was on top of a low hill in roughly the middle of the Valley, not far from the “Devils Cornfield” area, mainly to photograph the Mesquite Dunes and the nearby transverse dunes against the backdrop of the Cottonwood Mountains. But this spot gave me a 360 degree panoramic view of a huge section of the central Valley, so while I waited for “just right” light on my intended subjects I also had time to see and photograph other subjects.
These low hills, mostly bare but sprinkled here and there with a few small plants or even a creosote bush or possibly a mesquite tree, were in the morning haze that sometimes settles in the bottom of the Valley before the daytime winds clear it out. The sun had just come over the Funeral Mountains to the east and was shining at a very low angle through this haze, so I pointed the camera (with a 400mm focal length lens!) almost straight into the sun (shading the lens with my hand) and made a few shots of these hills receding into the hazy distance across the Valley
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
