Category Archives: Photographs: Structures and Objects

Cherry Pickers

Cherry Pickers
A line of cherry pickers along a San Francisco street.

Cherry Pickers. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of cherry pickers along a San Francisco street.

Since the previous photograph I posted featured cranes (of a different sort!) I suppose that you could, from a certain perspective, regard this as part of a series. Well, these are sort of cranes, right? I encountered them along a San Francisco street a couple of years ago, in an area under extensive construction as part of the underground expansion of the City’s transit system. I can’t explain why there would be quite so many cherry pickers lined up in a row, but they certainly caught my attention.

I think this photograph my be an example of how the act of carrying a camera can change how you see. I know it changes how I see. Normally, I might give this sight no more than a moment’s notice before moving on: “Interesting. Cherry pickers parked along the road.” But with a camera in hand I start to ask visual and other questions: Who thought to segregate them by color? Do they always store them this way or did someone carefully extend them so their angles nearly matched? Am I the only person who thought they looked like gigantic anthropomorphic figures marching to the right?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Silo and Shadows

Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Orange, Green, and Black

Orange, Green, and Black
A safety pylon casts a shadow on green metal panels next to black plastic.

Orange, Green, and Black. © Copyright 2021 G Dan Mitchell – all rights reserved.

A safety pylon casts a shadow on green metal panels next to black plastic.

This photograph came out of my participation in a project to photograph orange things (around Halloween, not surprisingly) with a group of fellow photographers. The group gets together every so often — virtually at the current time — to share recent photographic work. I suspect that the reasons include both social value and photographic value, but these little exercises can be useful, especially if you are trying to get “un-stuck,” are looking to explore something different, or are just seeking out a way to practice the work of seeing.

Because it was around Halloween I wanted to avoid going for the low-hanging fruit and just photographing pumpkins and autumn leaves. So for a couple of weeks as I walked around my community I kept my eyes open for anything orange. I also started to try to think a bit more broadly about what it meant to photograph orange — and one idea was that orange could easily just be one component color in a subject. Since I was looking for that color, it isn’t a surprise that the pylon first caught my attention. But I quickly started thinking about the relationship between green and orange, the shadow, and the dark pattern at the left side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

960 Loading Dock

960 Loading Dock
Loading dock area of a San Francisco building.

960 Loading Dock. © Copyright 2021 G Dan Mitchell – all rights reserved.

Loading dock area of a San Francisco building.

As life trends slowly back towards a more normal world, I was recently able to join my Studio Nocturne friends (a group of San Francisco Bay Area night photographers) for the resumption of our annual fall “open studio” events in conjunction with the ArtSpan San Francisco Open Studios. The group and its ancestor, The Nocturnes, has shown night photography during this event for a couple of decades. Things were more or less suspended last year, for reasons I hardly need to explain, but this year we were able to offer a very successful open studio event in North Beach, followed by a “pop-up” event in Dogpatch.

So, for the first time in a couple of years, I spent the better part of several full days in San Francisco, showing art, working with my colleagues, talking to visitors about our work. This return to something feeling a bit like the old normal was wonderful. It was also great to once again feel like the life of this city was returning — masked and socially-distanced, yes, but still. The photograph includes the “view” from my location at the pop-up event. As an aside, its composition reminds me of the ubiquitous “chyron” displays on television…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.