Pre-Dawn Light, San Joaquin Valley

Pre-Dawn Light, San Joaquin Valley
Pre-Dawn Light, San Joaquin Valley

Pre-Dawn Light, San Joaquin Valley. Central Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Pre-dawn light and thin fog above marshland in California’s San Joaquin Valley

A foggy fall landscape with birds from California’s San Joaquin Valley, where I often go at tho time of year to photograph migratory birds and the often foggy, cold, and damp places they live. The region is largely agricultural, with lots of cattle being raised nearby – but in the winter the pastures are flooded and a huge variety of birds can be found here, including geese, herons, white pelicans, cranes, ibises, egrets, and more.

As I usually do, I left the San Francisco Bay area very early in the morning, well before dawn, so that I could arrive here before the sun came up. I had already been shooting a while when I stopped next to this pond where a small group of coots (?) were clustered together. I had been looking for some sort of foreground focus around which to build a photograph that included those interesting clouds over in the direction of the Sierra Nevada, clouds that here are just beginning to pick up the dawn light that had yet to reach the valley, were there was still a light blanket of fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bare Tree, Redrock Cliff

Bare Tree, Redrock Cliff
Bare Tree, Redrock Cliff

Bare Tree, Redrock Cliff. Grand Staircase-Escalante National Monument, Utah. © Copyright 2013 G Dan Mitchell – all rights reserved.

A single bare tree stands against a massive sandstone cliff

This photograph had fallen by the wayside in the wake of a 2012 autumn photography trip to Utah with a group of friend. The three of us photographed mostly in various areas of Grand Staircase-Escalante National Monument and also briefly hit Zion on the way to and from the main destinations. As happens all too frequently, after working my way through almost all the photographs from that trip other tasks intruded and I moved on. A week ago one of my shooting partners emailed me to ask if I had a photograph of him that he could use for a newsletter. I recalled that I had one of him set up next to a bit of sandstone wall along the Escalante River, and while looking for it I ended up going back through a set of RAW files shot that day.

Now, over a year later, my specific memory of this photograph is a bit fuzzy. I recall for sure that we spent the day – a cold and windy one – in a big canyon with steep sandstone walls and a meandering stream lined with cottonwood trees and other autumn vegetation, some of which had lost virtually all of its foliage. This tree was one of those almost bare ones, and growing up against the beautiful bit of sandstone cliff its form echoed that of a nearby crack in the rock.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, San Joaquin Valley Sunset

Geese, San Joaquin Valley Sunset
Geese, San Joaquin Valley Sunset

Geese, San Joaquin Valley Sunset. San Joaquin Valley, California. December 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese fly toward the setting sun, San Joaquin Valley, California

Photographing these migratory birds involves an interesting combination of planning, intuitive response to the circumstances, and just plain raw luck. (In truth, that is the case with almost all photographs of almost all subjects, but that is probably a subject for a different post at another time.) All of those things were certainly at work in this photograph.

I often photograph in this general area at this time of year – ostensibly because of the migratory geese and cranes and other birds, but also because I love the diverse conditions of light and atmosphere here in the winter (and near-winter) months and the simple landscape. So the choice to be at this location at this time of day was no accident. (A bit more information: I was returning from Death Valley and I had organized this final day specifically so that I would have one hour at this location at sunset on the return trip.) In addition, when I found a large flock of geese in a field – in a place where I know there is a good chance I’ll find them – I positioned myself intentionally to the east of the flock so that the colorful light would be behind them as the day ended… or to their side. In addition, since I’ve photographed this subject before I have a pretty good idea of how to set up my camera to deal with the failing light combined with direct sun and birds in motion, even anticipating how I may have to work the images in post-production. But luck and intuition play an undeniable role in photographing this subject. While I can make some guesses about how the birds will act, I have no control over them at all – and I have to take what they give me. On this evening, they were mostly taking flight away from me and toward the mountains, though certainly not always with the sun behind them. Occasionally large groups would take to the air together, and I would simply track them and fire when it seemed best. Here is where another bit of intuition comes in. While I cannot control how the birds appear in relationship to their surroundings, I can manage to watch birds and landscape as both move in the viewfinder and think about composition even while everything is in fast motion – and, when it all works out, think about how momentary arrangements of the birds do or do not “work” with the light and the landscape. To end with an acknowledgement of how much I cannot control, it was simply fortuitous that this thick flock happened to wheel in front of the distant mountains just as the last edge of the sun was about to slip below the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Virga, San Joaquin Valley

Sunset Virga, San Joaquin Valley
Sunset Virga, San Joaquin Valley

Sunset Virga, San Joaquin Valley. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Momentary sunset light on virga and clouds of an incoming late-autumn weather front above California’s San Joaquin Valley

As I mentioned in my previous post, this mid-December day was one of variable weather and sky conditions that ranged from fog to clear to mixed clouds to the arrival of a weak weather front that completely block the light at times. We spent the entire day mostly photographing migratory birds in this wetland area, but also making some landscape photographs when the birds were less available.

After a lunch break at a nearby town we returned for the afternoon and evening light and the prospective fly-in of geese and cranes. We always have an eye on the sky, trying to imagine and predict what the evening might bring, and the prospects did not look too encouraging. I love clouds… but out here too many clouds can simply kill the light that can otherwise become very interesting late in the day. As the afternoon wore on towards evening, it looked more and more like the light was perhaps not going to improve, and bands of thick clouds frequently blocked the sun, leaving mostly a sort of gray haze where we were. Occasionally the clouds did thin and we had moments of interesting light and sky, but overall things seemed to be heading in the gray direction. (This happens. If you shoot enough you will have days of utterly astonishing light, balanced by days when the light is simply blah. You make what you can from the light that you find, and usually something works.) Then, to our complete surprise, a few beams of sunset light found their way through small breaks in the clouds to our west, and for perhaps five minutes we had a light show as cloud bottoms and virga were gently lit from below, turning shades of red and pink and purple.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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