An accidental geometric abstraction of shapes formed by metal tubes of racks and railings and their shadows, San Francisco
On a late-Spring visit to San Francisco on the weekend when SFMOMA was last open before its two-year closing for remodeling and expansion, I arrived on the Caltrain from the South Bay very early in the morning and had time to wander the streets a bit before going to the museum. At one point I walked past a place close to the museum, a spot I have walked by many times before, and spotted this junction of lines, curves, shadows, and light and dark space.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An old maple tree leans above a bed of redwood sorrel in a redwood grove at Muir Woods National Monument
Of the group of photographs I made on this early August morning at Muir Woods National Monument, this may be the darkest scene of all. Almost no direct sunlight had yet penetrated down into this section of the forest, with the exception of a few odd beams striking here and there among the higher branches, and one coming across the forest floor from the right side of the frame.
Redwood trees here are generally quite straight and bulky. With the exception of those that have fallen or are leaning over, they forma a continuous pattern of vertical lines. Breaking up this verticality are the curving shapes of trees like the laurel, and in this scene a thick, old maple tilts wildly to the right at a 45-degree angle, and is the form that initially attracted me to this spot. The forest floor here is almost covered with redwood sorrel, a clover-like plant that puts out small blossoms earlier in the year. The light, of course, is soft and the whole scene is in deep shade.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A huge herd of deer grazes in evening light at Tuolumne Meadows beneath Lembert Dome and Mount Dana
This evening started out looking like it might turn out to be a photographic bust. I had been over near Mono Lake earlier in the evening where smoky haze from a forest fire to the south along the eastern slopes of the Sierra was making photography a bit challenging. I did manage to get a few interesting images of the lake, but as the sun started to drop behind the Sierra crest to the east, things began to look very murky. I decided that I might just have enough time to get up and over the crest to where it was possible that the air might be a bit clearer, since forest fire smoke can be somewhat localized and varies a lot depending upon the wind. Crossing Tioga Pass, high clouds and more smoke continued to make the possibilities seem less than promising. This was one of those times when there was a temptation to just head back to camp and kick back for the evening. But I virtually never give in to that, so I continued on down Tioga Pass Road toward Tuolumne, hoping that something might change with this light. In fact, aside from the haze, this evening was a candidate for one of my favorite of all Sierra light shows that can happen when the cloud deck ends somewhere to the west, and the descending sun briefly shines under the clouds for a few moments right before sunset.
I got my first hint without warning. I had pulled over at a spot where I could see higher peaks to the southeast, thinking that I had seen a subtle glow on the shoulder of one far off ridge – but by the time I got the camera and tripod set up it was gone. Somewhat frustrated, I took down the equipment, got back in the car, started driving… and literally 30 seconds later the light suddenly came under the clouds and bathed the entire scene in warm colors. I did (another) quick u-turn and went back to the spot I had just left and made a few exposures. However, in this light I started thinking that interesting things might happen in Tuolumne Meadows, so I headed on down that direction to find interesting but unusual light. The warm color was certainly there, but the haze was muting the intensity of the light and softening distant features. With the idea of photographing across the meadow from the west end, I drove on… and soon saw that largest herd of deer that I can recall ever seeing here. I’ve often seen groups of perhaps a half-dozen or a few more, but here there were dozens. (In fact, I can count at least three dozen in this photograph, and it doesn’t include all of the critters that were in this herd.) So, as the nearly-gaudy glow of the last cloud-filtered light came to the meadow, I photographed this herd with a long lens, positioning myself so that I could place barely lit Lembert Dome and the summit of Mount Dana behind the animals.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light on a boulder and a small group of trees growing on a granite slab in the Yosemite high country.
I suppose this sort of shot is turning up with a great deal of frequency among my photographs. I can’t help myself – I’m crazy about the combination of back (or side) lit trees, granite slabs and boulders, and haze obscured mountains, forests, and domes. I suppose this may be because such views, especially early and late in the day, seem to me to characterize the high country of Yosemite as much as just about any other feature.
This group of trees grows in a well-known location, and I drove to it before sunrise so that I could be out and about and looking for light from the get-go. This is a location that I have shot quite a few times in the past, so I feel like I’m getting more of a handle on what some of the possibilities and potentials are. On this morning I began nearby in a spot where there were lots of long shadows still, and after the sun rose a bit higher I moved on to this area of granite slabs and glacial erratic boulders, looking for trees that could stand against the more distant background of the glaciated granite forms with sparse trees growing here and there – in fact, on that far ridge they grow much the same way as the trees that are the central focus of this image.. There is almost always some haze here at this time of day, but it may have been just a bit thicker than usual due to a fire on the east side of the Sierra.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
