My article, “Photography and Luck” appears in this month’s edition of Extraordinary Vision Magazine, available for iOS and Android platforms for free. This is a great photography publication that features images and writing by a wide range of photographers.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The sun rises above wetlands, barely visible through San Joaquin Valley winter fog
We arrived at this place in California’s San Joaquin Valley well before dawn on New Year’s Day — with some of us having driven as many as two hours in the dark to get there. After the drive, it is always a special moment when we get out of our cars in the cold for warm greetings and hear the sound of cranes and geese waking up in the dark distance. Knowing that the sunrise won’t wait for us, we then turn to unpacking cameras and tripods and to fitting lenses, and then we move out along the perimeter road to find the right combination of birds and atmosphere and light for photographing the dawn that will begin our full day of photography.
This morning was foggy, but not so foggy that we would not see the sunrise. With this in mind we headed to the west side of the wetlands, where we could have a view back across the flatlands and ponds toward the sun rising above the fog and the distant Sierra Nevada. As the sky began to glow we each estimated where we thought the sun would appear, and we found good spots to set up our cameras. As the very top of the orb of the sun appeared on the horizon I quickly made a small adjustment to my location to place the sunrise between the two distant tree silhouettes and to include some interesting foreground water. This was one of the very first exposures I made, at a point where the sun was still so obscured behind the low fog that I could look directly at it — within moments it rose above the ground mist and became extremely bright. I continued to photograph, but in the end this first photograph of soft light, fog, and pastel colors was my favorite.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light on the pastureland and trees of Round Valley and the eastern Sierra Nevada
This lovely pastoral location sits at the base of the eastern Sierra, and is as much a part of the Owens Valley as it is a part of the Sierra. It is green and lush in the spring and early summer, it takes on some of the typical California golden color later on, and its brown grasses and colorful leaves produce a beautiful sight in autumn. It is not at all a “destination,” but it is a place that I always look forward to seeing when I pass up and down the east side of the range.
There are two particularly beautiful lighting conditions that occur here. One, which I’ll share in another photograph a bit later, occurs in the afternoon. The sun drops behind a tall ridge along the upper section of the valley, leaving the steep slopes of the eastern Sierra escarpment in shade while brilliantly lighting the autumn-colored cottonwood trees from behind. The other lighting, which is seen in this photograph, comes in the morning, when low angle light crosses the meadow, creating long shadows and gradually lighting up the backdrop of the Sierra.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Large flock of geese, airborne and on the ground, during the evening fly-in
On New Year’s Day, a small group of photographers and friends met at a San Joaquin Valley wetlands location, to welcome the first dawn of the new year and to spend a day photographing birds and the misty Central Valley winter landscape. If nothing else, the necessity of getting up at 4:00 AM on New Year’s morning tends to ensure that we keep the partying to a minimum the night before!
The day began with photography in tule fog, which soon cleared enough to allow the sunshine in. We shot all morning and then took a break for lunch in a nearby town before returning for the late-afternoon and evening light. You never know for sure what the geese will do. They might not show up, they might be there in small numbers, they might land in an inaccessible area… or you might be treated to the sights and sounds of many thousands of them in close proximity. We weren’t sure how this evening would turn out — earlier the geese had played a bit of a game of hide and seek with us. But as the evening wore on it became more apparent that there were a lot of geese about and that they were flying in to a large pasture area that was quite accessible. The time of the evening fly-in is a time of a lot of action. Small flocks join those already on the ground, and there is an almost constant coming and going of birds. A huge flock may be on the ground, only to be spooked by something and suddenly and noisily take to the air. Or them might begin to move, a few at a time, from one location to another, often flying very low. At the time of this photograph, many geese decided to land very close to our location, and at times it was hard to pick out a
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
