Eroded Formations, Bryce Canyon

Eroded Formations, Bryce Canyon - Wildly eroded sandstone formations in morning light at Bryce Canyon National Park, Utah
Wildly eroded sandstone formations in morning light at Bryce Canyon National Park, Utah

Eroded Formations, Bryce Canyon. Bryce Canyon National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Wildly eroded sandstone formations in morning light at Bryce Canyon National Park, Utah.

During our early-April week-long visit to Utah, I discovered several things. For one, Utah is an amazing place to do photography. I just wish I had gone there much sooner – but now I’ll certainly have to return. For another, it is a big place and no one-week visit could possibly do it justice. Our main focus was on Zion during the first part of the trip, and then the area around Moab, including Arches and Canyonlands, for the second part. This meant that in between we unfortunately had to pass by some beautiful places with barely time to look at all. (Though we did get a chance to see a handful of such places enough that we know we want to return to them.)

One of the places that we only visited very briefly was Bryce Canyon. In a state full of visual superlatives, this is yet another almost unbelievable location with its high central area dropping off to lowlands by means of the famous rugged cliffs. We were in the park literally on a few hours and during more or less the middle of the day. Fortunately, there were some high clouds – and this was enough to soften the potentially harsh midday sun a bit. One thing I’ve come to look for when shooting in terrain like this – steep towers separated by narrow gullies – is the light the is reflected from the sunlit side of the towers into the shaded portions. It can produce a wonderfully colorful glow. To get this, it is necessary to shoot a bit later, when the sun is high enough to shine down into these gullies. It is also a good idea to shoot into the sun, with the subjects back-lit, as I did here.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Construction Site, Cyclone Fence

Construction Site, Cyclone Fence - A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.
A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.

Construction Site, Cyclone Fence. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A of new building under construction in the Mission Bay are of San Francisco, as seen through a cyclone fence.

Just across McCovey Cove from San Francisco’s AT&T Park is an area where a lot of construction is currently occurring. The area is visually interesting right now partly because of the juxtapositions of really old and run-down stuff, some of the typical empty urban areas filled with parking lots and other temporary facilities, and a lot of change as new buildings go up. On this morning I walked into an area that not all that long ago had an abandoned feeling during the morning hours – and how it was buzzing with activity. Huge steel pilings stretch toward the sky, construction zones are fenced off, and hundreds of workers and lots of heavy equipment are busily at work. Yet even this is only a temporary state that will lead before long to yet another change once the buildings are complete, the construction workers go away, and new businesses and residents move in.

At this site I had first photographed the towering steel pilings. They created a feeling of a sort of odd, abstract monument as they pointed toward the sky. (A photograph of that will appear, or may already have appeared, here at the blog.) Then I walked up next to the fence surrounding the construction site and was impressed by the organized (I presume!) confusion and complexity of what was going on at ground level. Every inch of the site seemed to be occupied by something – rebar ready for concrete pouring, workers operating various pieces of large and small machinery, engineers and planners inspecting the work, the beginnings of towers and walls rising here and there. If anything in the urban landscape comes close to the level of complexity that may be found in the natural landscape, it just might be a place like this!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Talent, Tools, or Time?

This is another in a series of posts lifted from something I posted in a photography forum elsewhere. For some reason there has recently been a larger than usual number of discussions about the relative importance of “gear” versus other things when it comes to making good photography. I certainly do not think that equipment is unimportant, but I think that people often focus more on this aspect of photography than necessary, often at the expense of some other things that really have far more potential.

In any case, here is a lightly edited version of what I posted. (Do keep in mind that forum posts do not necessarily represent fully edited and carefully considered work – they are more like a sort of written conversation.) I’ll start with an italicized excerpt of the message to which I was responding. My comment follows that.

All the talent and the world and all the equipment in the world isn’t going to overcome a lack of time to practice… 

Absolutely true. This has always been clear to me from my background in music where a thing called practice was the most important tool for becoming very good and maintaining that state. And it was also very, very clear that no amount of “hardware” (e.g. – “better instrument”) was going to replace that or even make more than the tiniest, insignificant difference without that fundamental thing that results from practice. Continue reading Talent, Tools, or Time?

Beach and Rocks, Whalers Cove

Beach and Rocks, Whalers Cove - Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.
Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.

Beach and Rocks, Whalers Cove. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large rocks and a sandy beach below the bluffs at Whalers Cover, Point Lobos State Reserve.

For some reason this little vignette caught my attention when I visited Point Lobos one morning in late March. The spot is a section of the curving beach at the inside of Whalers Cove, where a bluff sits above short cliffs at the edge of the sand. This is another of those spots that I have visited for literally decades, yet never photographed. Although I have photographed nearby I don’t think I have any photographs of this little beach area at all, but I’ve been eyeing it during my last few visits.

The cove itself is an appealing spot, somewhat different from many other parts of Point Lobos. Those tend to feature quite rugged seashore, often with cliffs and rocks that run right down into the surging water of the Pacific Ocean. But this cove is doubly protected from the ocean, by being a cove and by having an entrance that does not face straight out toward the ocean. It is filled with kelp beds and is a good place to look for sea lions very close to the shore. (Several were hanging out, wrapped in kelp and lounging around, not more than a few feet from the shore.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.