I see that Jim Goldstein has once again shared a large – and growing! – list of the annual “favorite photographs” collections of many photographers. The list started small a few years back but has now grown to include well over 200 links. You could easily spend the better part of a day investigating all of the links, and along the way you would encounter some very fine photographic work.
Thanks to Jim for his work on this project and for including my own “2011 Favorites” in the list.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Twilight on the curving hills of sand at the Eureka Valley Dunes, Death Valley National Park.
By the time I completed the long and bumpy drive from Stovepipe Wells to the Eureka Valley Dunes, the last 45 miles of washboarded gravel roads, it was getting to be quite late in the day. I did not take any time to set up camp when I arrived, being afraid that if I delayed at all I might miss the bit of good light that remained. So I parked, grabbed my camera and tripod and bag of lenses, and headed of into the lower reaches of these huge dunes.
As I began shooting, the sun was almost ready to drop below the ridges to the west of Eureka Valley, and I ended up only having a short time to photograph the actual direct sunset light on the west face of the dunes near where I would camp later that evening. But no problem – I actually love to shoot right past sunset and on into the twilight period when the color of the light can do all sorts of interesting and sometimes unexpected things, and when the overall quality of the light becomes much softer and more diffused. This was one of the last photographs I made on this evening. I was actually already starting my walk back to the camp ground, but I spotted this beautiful section of overlapping ridges in the dunes just as the light took on a rose coloration.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.
I spent a good portion of the week following New Year’s Day in Death Valley National Park. My goals were to earlier in the seasons when the days were shorter and more “good light” was available, to perhaps encounter cloudy skies from a passing weather system or two, and to both shoot some new subjects and shoot some familiar ones in somewhat different ways. I think that I succeeded with most of these goals, though those storm front clouds were elusive. (This is a very strange and troubling season for California weather. At a time when the Sierra are usually covered in winter snows… all of the high trans-Sierra passes are still open, and the east side of the range looks pretty much like it might normally look in, say, July.)
On one morning I decided to visit a favorite overlook high in the Panamint Range very early in the morning. I’ve shot here a number of times in the past, but always late in the day during sunset and dusk hours. While getting up an hour and a half before dawn to drive to such a place is always a bit of a challenge, at least the sunrise isn’t quite as early at this time of year. On the other hand, it is colder! (Those unfamiliar with the Death Valley seasons may think of it as an entirely hot and dry place, but it gets quite cold there this time of year.) When I got up the temperature down in the Valley at my camp site at Stovepipe Wells was in the thirties. Surprisingly, the temperature rose into the low fifties as I ascended into the mountains, and when I reached my goal at a bit above 6000′ it was no colder than the Valley at this hour.
I arrived before dawn, but just as the pre-dawn light show was beginning. On this morning I had perhaps the best clouds of the entire trip, and they lit up shortly after I arrived and got my equipment ready. (Photos of that moment will likely come a bit later.) As the sun finally rose above the horizon the interesting light began to work its way down, starting with the higher peaks and then descending past the lower ridges to finally reach the Valley itself. This photograph shows the first light striking an unnamed (as far as I’ve been able to determine) spur ridge the projects eastward into the Valley from the massive bulk of Tucki Mountain. In the far distance are the low mountains and washes along the far side of the Valley, and the are also just beginning to pick up the first light.
Shooting in these rapidly evolving conditions that are not entirely predictable is more of an action sport than a sedate and contemplative experience, at least during the first minutes of light as it works its way across and down the landscape, often surprising me by showing up in places I had not thought to look. At one point I had photographed the cloud-filled sky but lamented a bit that the mountains below that shot were a bit dark and drab. I look away for a moment and when I looked back this intense and saturate light had hit those very mountains… so I turned and quickly began to photograph them.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Trail and meadows below the east side of Bishop Pass, eastern Sierra Nevada range.
This photograph comes from about a dozen years ago. I recently came across it while sorting through older photograph files for a variety of reasons – general clearing out of old images, searching for photographs of a particular subject for a client, and seeing what older images I might have missed when I first made them. When I saw this photograph it evoked a whole series of fun recollections.
Nearly weeks earlier, I had begun a two-week-long backpack trip along a section of the John Muir Trail. At that time, the only section of the JMT that I had not hiked (at least once!) was an area between approximately Shadow Lake and the Muir Trail Ranch – and this was to be the trip on which I covered this remaining bit of trail. The trip started just fine, though in some territory that is not exactly my favorite portion of the range – the low areas around Devils Postpile. After passing by that national monument we headed south, passing Duck Lake and camping at Purple Lake.
The next morning I woke up feeling a bit under the weather, an unusual experience for me on the trail. The next leg of the trip was to take us through an area without an easy exit, and I became concerned about what would happen if my “feeling poorly” deteriorated into actually being sick. I reluctantly decided to leave my group to continue without me, and I backtracked over Duck Pass and down into the Mammoth Lakes area and headed home. (Ironically, by the time I got out I was feeling fine…)
Ending a trip this way just didn’t feel right, so I hatched a plan to show up and run into my friends on the last day of their trip. Since they were coming out over Bishop Pass, I crossed that pass into beautiful Dusy Basin a day earlier, and on the next morning hiked down the canyon so that I could be casually sitting on a rock as they came up the trail from LeConte Canyon. I have rarely seen people as surprised as they were when they found me! After our reunion and joining them for their last trail night, the next morning we were up early to hike out over Bishop Pass. This photograph was made shortly after we crossed the pass and began our descent to the trailhead.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
