Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Brick Wall and Fence, Railroad Avenue

February 13, 2010 G Dan Mitchell 2 Comments

Black and white photograph of a night scene on Railroad Avenue at Mare Island Naval Ship Yard with cyclone fence, brick wall, pipes and tank, window, and speed limit sign.

I was thinking about the Panocturnists group when I made this photograph at the Mare Island Naval Ship Yard during the first weekend of February. The location is in many ways pretty mundane – one of the first areas that most first-time Mare Island night photographers shoot near the entrance to the so-called “historic core” of the site, and nothing that would warrant a second look during daylight hours. Not surprisingly, most photographers here are initially attracted to a nearby turnstile or to the massive steel structures overhead. I’ve shot here enough now that, while I’ll still shoot those subjects, I usually look for less-obvious subjects that I may not have tried previously. So while some new folks photographed right behind me I decided to see what I could do with the street light-illuminated fence, wall, and collection of pipes in this corner. (And, as the long exposure was underway I was able to help out the first-timers… :-)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Brick Wall and Windows, Reflection

February 12, 2010 G Dan Mitchell Leave a comment

Night photography of structures in the “historic core” of the Mare Island Naval Ship Yard with reflection in a rain puddle – Vallejo, California.

A few times each year I have the pleasure of photographing at the Mare Island Naval Ship Yard with The Nocturnes, the San Francisco Bay Area night photography group founded my Tim Baskerville and now an important resource for information about night photography, night photography workshops, and fine night photography. During the first weekend of February I joined a small group for a visit to “the dark side” at Mare Island. In contrast to typical shoots there, this time there was no moon. However, since it had rained earlier in the day the clearing clouds and left-over reflecting puddles provided special conditions that aren’t usually available.

This scene is probably familiar to almost anyone who has shot at Mare Island. The brick wall and windows belong to the museum located in the “historic core” of the facility at the corner of 8th and Nimitz, where the huge overhead structures were used to move heavy equipment and parts to the ship construction area along the waterfront.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

keywords: mare, island, naval, ship, yard, historic, vallejo, california, usa, historic, site, 8th, street, nimitz, avenue, night, photography, nocturnal, the, nocturnes, window, frame, brick, wall, museum, building, architecture, scaffold, crane, sky, cloud, water, rain, puddle, pool, reflection, sidewalk, railroad, tracks, stop, sign, asphalt, urban, industrial, old, stock, san francisco, bay, area

Photographs: Southern California, Photographs: Structures and Objects, Photographs: Urban/Street

Central Courtyard, Rain, Curved Window – Getty Center

February 11, 2010 G Dan Mitchell Leave a comment

The central courtyard of the Getty Center on a rainy day as viewed through a curved window from the entrance rotunda.

The typical arrival at the Getter Center is via the tram from the parking area, and after leaving the tram and walk up the shallow stairs most people first enter this round, glass-enclosed space from which I made this photograph during my rainy and foggy visit to the Center near the very end of 2009. I shot this view into the wet and almost deserted courtyard through the curved windows using a wide angle lens. I was thinking about several things as I made this photograph: the angular vertical shapes of the outdoor buildings, the perspective lines of the balconies and the pool receding toward the very foggy distance, and the dissonance of the curved window and especially the curving and sweeping “lines” of the window frames.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

keywords: getty, center, los angeles, california, usa, museum, winter, travel, urban, art, rain, cloud, fog, wet, reflection, column, window, pane, curve, floor, tree, table, chairs, umbrellas, mist, building, architecture, structure, balcony, railing, stairs, person, fountain, water, sign, stock, rembrandt, his, pupils, exhibit

Commentary, Ideas, Photographers

Two Photographers: Two Videos

February 10, 2010 G Dan Mitchell 3 Comments

I came across a couple of interesting videos of photographers on the web today.

The first is a wonderful video of Michael Kenna photographing in the snow in Hokkaido, Japan. The video is partly an interview, partly a visual narrative of Kenna at work, and partly a collection of interesting scenes and images associated with some of his photographs. There is a lot to think about and consider in the video, and it struck several chords for me. Among many was his use of the word “hunt” to describe the act of looking for and finding photographic images, and not perhaps just in the sense of tracking and capturing an image, but also, I think, related to the need to be patient and to understand the “quarry.” I often have thought about the “hunt” aspect of looking for subject. (Link originally seen at George Barr’s Behind the Lens blog.)

The second video is rather different but also features a very talented landscape photographer, Charlie Cramer. Unlike the slow moving and rather poetic video of Kenna with its long silent shots and occasional sparse music, this video interview (on the Marc Silber show) is pretty “straight ahead” – basically a record of Charlie talking about his ubiquitous framing guide, a sheet of mat board with a 4 x 5 cutout that he uses to help him visual photographs while he is in the field. This is interesting and Charlie makes a compelling case for using this “tool.” (I’ve thought about it, but never “gone there.” Perhaps I will now…) More interesting to me were a few side comments that Charlie makes in the course of the interview. For one, he refers to the frame as a “blood pressure meter,” and suggests that he more or less “just knows” when a scene is going to work because when he views it in the frame he feels his blood pressure rises. (In another context he has spoken of hearing the scene whisper, “Take me!”) The point, I think (and forgive me if I have this wrong, Charlie!) is that all of the rules of composition in the world won’t help you that much in the end – essentially you need to be able to look at the subject and “just know” that it will work and how.

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