Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Early Autumn Snow, Conway Summit

October 18, 2009 G Dan Mitchell Leave a comment

Aspen trees begin to change color after an early autumn snow storm at Conway Summit, Sierra Nevada, California.

Back in September I began making plans to visit the eastern Sierra near the end of the month and during early October, and based on previous experience with fall Sierra aspen color I made some assumptions about when and where the color might be at its peak. This year has not evolved according to expectations. I would have expected the huge aspen groves below highway 395 at Conway Summit to be nearing or at peak color during the first weekend of October… but instead the trees here were largely still green with only a few spots of real color. It seems like the low and middle elevation aspens are behind schedule this year.

However, as if to temper the slight disappointment about the lack of brilliant colors, I did get to visit during an early fall cold snap and storm passage that dropped anywhere from a trace to a few inches of snow over a good portion of the Sierra – including the peaks above Conway Summit.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Aspen Trunks, Autumn

October 17, 2009 G Dan Mitchell Leave a comment

A row of bare, white aspen tree trunks in front of a grove of trees in full autumn color, Sierra Nevada, California.

Since I like both the wild colors of autumn aspens and the stark bare white trunks of the trees after the leaves fall, it is should be no surprise that this scene attracted me – in the front is a row of trees that had lost their leaves and behind is a small grove with wild yellow, gold, and red leaves.

I photographed this group of trees in soft afternoon light in the upper reaches of the drainage below South Lake where the sun drops behind higher ridges early at this time of year. The aspen conditions were a bit unusual here when I visited: some trees that had changed colors earlier had lost all or most of their leaves due to a cold snap and some very strong winds, but other trees seemed to be late in changing colors and were still green.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Photographs: Northern California, Photographs: Owens Valley, Photographs: Sierra Nevada

Basin Mountain, Morning Light

October 16, 2009 G Dan Mitchell 4 Comments

Early morning light with clearing clouds above Basin Mountain and the Sierra Crest near the high desert of the Buttermilks, Sierra Nevada, California.

I awoke well before dawn in Bishop on this early October morning with intentions of being at a location such as North Lake for dawn, but as I ascended the road into the Sierra from Bishop I was distracted by impressive cloud formations over the Sierra crest around Basin Mountain and the peaks of the crest. I spontaneously made a change in plans and turned off the main road towards the Buttermilks to see if I could find a place to photograph this scene before it all ended.

There is a small “village” up Starlite Road from 168, and a gravel road continues beyond it. This road soon took me to the top of a small hill before a big drop-off and once I spotted the way the peaks lined up and the location of the trees I decided to stop here, set up, and be ready to shoot dawn light.

While the light itself seems quite interesting, one of the most unusual features is seen in the shape of the clouds above the crest – they almost trace the rough outline of the high peaks.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Technique

How I Sharpen – An Overview

October 15, 2009 G Dan Mitchell 7 Comments

(I originally wrote this article way back in 2009. Some portions were revised in February 2019 to reflect changes to sharpening tools and some different ideas I have developed regarding sharpening settings. It was updated and modified again in 2023.)

I just posted something elsewhere about how I sharpen for prints and I figured I’d get some extra mileage out of it by posting it here as well. First, few disclaimers…

The title of this article originally referred to a “quick overview.” Clearly, it is too long for that! But there are whole books on sharpening, so by contrast I think this qualifies as a quick description. In fact, I’ve left a lot out of the description!
There are people with far more expertise on this topic than I have, and I have no illusions that this description represents the “right” way to do this, much less the “best” way!

The subject of how to sharpen photographs in post for print or electronic output is one that confuses many people… and a subject to which many books, online articles, and forums posts have been devoted. There are any number of ways to get the desired results via sharpening, and different techniques are called for depending upon taste, the nature of the image, and the final form of presentation: size? print? jpg? etc…

Here is a general description of what I do when I print. I’ve left some variations out of this description. The description also covers software that I use in my workflow — you might prefer something different, but you might still be able to adapt these ideas. You’ll note at least one controversial method later in the list, but try it before you dismiss it. The approach I use could well be “over-kill” if you just want to pump out a bunch of jpgs to share with friends and family or if you want to make some small prints — my end goal is good sized prints, and I work on each one rather carefully rather than mass-processing them and printing a bunch at one time.

And please understand that I’m most certainly not implying that my way is the right way. It works for me, and that people who view my prints often remark on their sharpness and detail. (And a few other things, too, I hope! :-)

Continue reading How I Sharpen – An Overview →

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