Desert Lunch

Desert Lunch
G Dan Mitchell and Patricia Emerson taking a break from photography in the backcountry of Death Valley NP.

Desert Lunch. © Copyright 2022 G Dan Mitchell.

G Dan Mitchell and Patricia Emerson take a break from photography in the backcountry of Death Valley NP.

This is not the kind of photograph I typically post here, but why not!? On our late-March visit to Death Valley National Park we headed up this backroad for the day after morning photography in another location. While midday photograph is sometimes possible in the desert, these aren’t typically the best hours from a visual perspective. So midday is a great time to explore, to scout locations, to travel to places for photography later in the day… and sometimes just to take care of camp business or hang out.

We drove slowly up this road, stopping along the way at various points of interest. (Despite the midday light, we did make some photographs along the route, too.) As so often in Death Valley, the road ends at the remnants of the historical mining era. We explored a bit and then it was time for a backcountry lunch. (It looks pretty meager, but it was good. And those oranges? It is a tradition to bring oranges from my trees on these winter and spring Death Valley trips.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dune Summit

Dune Summit
“Dune Summit” — Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Badlands and Distant Mountains, Dawn

Badlands and Distant Mountains, Dawn
Sunrise sky over badlands terrain and distant desert mountains, Death Valley National Park.

Badlands and Distant Mountains, Dawn. © Copyright 2022 G Dan Mitchell.

Sunrise sky over badlands terrain and distant desert mountains, Death Valley National Park.

Recently I wrote that I was finishing up with the photographs from my two early 2022 visits to Death Valley National Park. But things are often not quite what they seem… and I’m not quite done yet. This is a familiar pattern — I work up the most obvious images first, while others take a bit longer. As I approach the end of the archive I inevitably figure out how to work with some that I had overlooked. This is one of those photographs.

I also noted that I took another look at a location that I had dismissed in the past, an interesting place that did not really speak to me photographically. This isn’t the first time that I’ve reconsidered a subject, and a random comment by a friend inspired me to try again. It helped that the light on this morning was both challenging and special — with both the specialness and the challenge coming from the partially cloudy sky. The distant mountains are in the day’s first direct sunlight, while the light on the foreground features is still soft and indirect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Succulent

Succulent
Detail of a succulent plant.

Succulent. © Copyright 2022 G Dan Mitchell.

Detail of a succulent plant.

Recently I shared a group of tulip photographs and mentioned that we saw them during April visits to a Bay Area garden. But the tulips were not the only attraction. For example, I posted a photograph of dogwood blossoms a few days ago. Although they comprised a very small part of the overall displays, I also saw some very interesting succulent plants here and there.

At this garden, many of these plants are found in small pots in various locations — on a table, on top of a low wall, tucked into a spot beneath trees. In my view, some are not the most visually exciting plants, and those that present interesting patterns are difficult to photograph, often because it is hard to get an uninterrupted framing of the plant. I liked this plant, however, both for the remarkable patterns of the leaves and for the striking coloration.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.