Photographs: Urban/Street

Morning After

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Morning After
Sad pumpkin, the day after Halloween.

Morning After. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sad pumpkin, the day after Halloween.

And you thought we’d get through this season without me sharing a pumpkin picture. No such luck! A couple of weeks ago someone suggested making photographs of orange things. Pumpkins seemed kind of too obvious, but in the end I could not entirely resist. Mostly I kept my eyes open for anything that was orange — signs, paint, vehicles, lights — but somehow these gourds kept jumping into the frame. (If you have never tried it, going out and constraining your photography to a color or a shape or something similar is a great exercise.) One thing I learned from the process is that “orange” is much more nebulous concept than I had thought — the “edges” of this color bleed over into red, yellow, and brown.

This sad fellow was sitting at the edge of a driveway in a pile of leaves on the morning after Halloween. The expression seemed like the ultimate “meh” look to me. Finally, in case you are wondering… yes, there is still one more pumpkin photograph to come. I know you are thrilled!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Columns

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Sandstone Columns
Columns on eroded sandstone, Zion National Park.

Sandstone Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Columns on eroded sandstone, Zion National Park.

While the entirely of the Utah landscape (and similar landscapes in the American Southwest) is compelling, for me the main defining feature always seems to be the red sandstone formations. Yes, I know there are other geological wonders, but in so many cases I see those relative to the massive layers of sandstone. Those lovely white strata? Much more powerful juxtaposed with the red sandstone? The beautiful forests? That red is a powerful complement to their color. And on it goes.

So it shouldn’t be surprising that my photographs of the regions from time to time distill down to photographs of that rock itself. It is a remarkable material. Sometimes it is fractured and broken, but it can also appear to be as smooth and unbroken as butter. We say it is “red,” but the truth is much more complicated, and the light affects our perception of its color a great deal. I photographed this small section of a Zion Canyon wall from below using a long focal length that allowed me to constrain the view to a few columns in the diffused and reflected light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Headlands, Autumn Light and Fog

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Big Sur Headlands, Autumn Light and Fog
Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

Big Sur Headlands, Autumn Light and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

This is a spot that I visit on virtually every trip to the Big Sur Coast. The place where I pull over and find this view is not a spot where you would likely consider stopping. The view is not really all that visible from the roadway, and I think I first found it by spotting the subject from another place and speculating about where I might need to go to find the angle I was looking for… and then successively trying a series of pull-outs until I found one that worked. I know — figuring out which wide spot on the road to use for my camera position sort of diminishes the romance of the whole thing!

But this view! There is a series of tall and steep headlands that fall directly to the Pacific Ocean here. Beyond there is a shallow bay, and then the coast curves back toward the ocean in the distance. The formation of the successive headlands is mirrored in a series of successive ridges running from the ocean back toward peaks. Of course, based on the photograph I made on this visit you will have to take some of this on faith since you cannot see it. Because the coastline here gradually heads further east as it goes south, by late morning the sun’s light reflects off the water, and when there is a bit of fog, as on this day, the effect is remarkable. The atmosphere truly glows, and it is almost too bright to look at. Since I have photographed this before, I’ll point out that that there are two features of this rendition that are a bit different. First, that glowing fog is unusual. Second, I decided to go with a bit broader composition here, and I included the sweep of the darker near ridge at the bottom of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature

Orange Pepper No. 1

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Orange Pepper No. 1
Habanero peppers from the garden, awaiting their fate as pepper jelly.

Orange Pepper No. 1. © Copyright 2021 G Dan Mitchell – all rights reserved.

Habanero peppers from the garden, awaiting their fate as pepper jelly.

Not just orange peppers but habanero peppers, one of the hotter varieties. I ended up growing a habanero pepper plant in the vegetable garden this year and the darned this was extremely productive. If you know your peppers, you perhaps understand that you probably don’t need a whole lot of habaneros — a little of its heat goes a long ways. So, finding myself with dozens of them, I made jelly. Batch #1 was so good that I picked the rest of the crop, and most of them will end up in batch #2.

The path to deciding to photograph them is a bit contorted. A group of friends and photographers get together periodically (these days in the virtual world) to share photographs on some sort of theme. This month’s theme was the color orange. I have a ton of photographs of orange aspen leaves — not surprising for the guy who wrote a book on photographing aspen color! — but that seemed too obvious. So I set out to look for orange things in my neighborhood and home. A few things surprised me. The first was how vague and variable the concept of “orange’ becomes once you pay attention — at the fringes it bleeds across into red, yellow, and/or brown. The second surprise was how few of these orange things spoke to me as photographs. (Some did, and you’ll see more of them soon.) Then, just as I thought I was done.. right in front of me, on the kitchen counter, was this example of orange!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.