Light on Red Rock

Light on Red Rock
Sandstone formations in sunlight, Arches National Park.

Light on Red Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone formations in sunlight, Arches National Park.

As I have waded through my 2012 archive of raw images from Utah, made during two autumn trips to the southern part of the state that lasted nearly a full month in total, I am again reminded to the incredibly diverse ways in which the ubiquitous sandstone can be seen. Sometimes, in stark light, the colors are not that striking. In the depths of canyons they can be unbelievably intense. In dawn and sunset light they can become so saturated as to be nearly unbelievable. In shade they can be tinged with blue. And on it goes…

I made this photograph in “normal” daytime light, in a place where the sun beats down without obstruction. I don’t recall for sure now, but judging by the reasonable light levels of the highlights, it may have been a bit overcast. In this location the rock tends to organize into “fins” and fin-like formations, with long walls that are tall and parallel to one another. The nearly overhead light created shadows on the side of the rocks facing me, but each face was also subtly lit by reflections.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Benches

Benches
Unused benches at a school closed by the pandemic.

Benches. © Copyright 2020 G Dan Mitchell – all rights reserved.

Unused benches at a school closed by the pandemic.

One of the regular features of my life during the pandemic has been my daily (with almost no exceptions) walks around the neighborhood. They range from “gotta’ at least do the minimum” 30-minute walks that barely get the blood-pressure up to longer walks that can be six or seven miles long — sometimes on out and back routes and other times on giant loops. By necessity, these tend to take me through some combination of residential neighborhoods, minor “downtown” areas, and some light industrial districts.

I always have a camera with me, carried in a small over-the-shoulder bag that holds a few other necessities — a bottle of water, a quick snack, phone, etc. Most often I don’t make any photographs, but every so often the urge strikes — sufficient reason to carry the camera on all those other walks. (The camera is minimal — a rangefinder-style mirrorless body with one very small prime lens.) This particular walk took me past a school closed by the lock-down, where benches that might normally be the center of a lively teenage social world were scattered forlornly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dormant Plant, Fractured Rock

Dormant Plant, Fractured Rock
A nearly dormant plant grows on a fractured boulder against a cliff wall in a Utah slot canyon.

Dormant Plant, Fractured Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearly dormant plant grows on a fractured boulder against a cliff wall in a Utah slot canyon.

To my way of thinking, slot canyons bring several primary associations. The narrow, twisting vertical walls are near the top of the list. The unusual surfaces of the wash floor are another: sand, mud, rocks. Above all (literally and figuratively) is the light entering far above and then bouncing back and forth among the canyon walls as it descends, picking up the colors of the rock and becoming softer and softer.

There are other associations, too, and although they might not be quite so immediately apparent, once you see them they are everywhere. Almost everything here is, of course, affected by water. The canyons were cut by it and the process continues. When the water periodically moves cataclysmically, rocks and boulders are redistributed downstream and mixed together with material from many different sources. As the water continues to eat into rock it undermines the higher structures, and gravity brings down rock from younger state. All the while the moving water grinds away and polishes the lower reaches of the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Trees, Ridge, Sunset Clouds

Trees, Ridge, Sunset Clouds
Weathered trees on a rocky ridge beneath sunset clouds, Yosemite National Park.

Trees, Ridge, Sunset Clouds. © Copyright 2012 G Dan Mitchell – all rights reserved.

Weathered trees on a rocky ridge beneath sunset clouds, Yosemite National Park.

Today I’ll take a brief intermission between the ongoing stream of the photographs from Utah that I have been finding in the raw file archive… and take a brief side trip back to the Yosemite National Park high country, a place that I’m missing right now. I could get up there — and I hope to in the next month or two — but the logistics are quite complicated at the moment.

This photograph comes from a day of weather a bit like what we’re experiencing in Northern California today — humid, thunderstorm weather. I made the photograph late in the day as the last light glowed pink on dissipating clouds above a ridge with stubborn old trees living on a very rocky ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.