Photographs: Pacific Northwest, Photographs: People, Photographs: Urban/Street

Storyville Coffee

October 30, 2017 G Dan Mitchell Leave a comment

Patrons sitting at the window of a Seattle coffee shop

As you may have noticed — at least if this isn’t the first time you have seen one of my posts — I like to photograph a rather wide range of subjects. Some know me as a “landscape” or “nature” photographer, but my subjects include many other things: night photography, street photography, urban landscapes, musicians, and more. One line of thinking holds that this is not a good thing — that it dilutes one’s photographic identity and fails to produce a recognizable style. Yet, it turns out that I’m not alone, and lots of other photographers are fascinated by multiple subjects. (Last weekend I ran into a couple of fine photographers and friends high in the Yosemite Sierra, people who have a reputation for photographing the natural world. When I met them they were just finishing up photography of peeling paint on an empty building…) Once they have been typecast, they tend to accept that — since being recognized for a type of photography is a good thing — but they occasionally admit to being frustrated when their other work isn’t understood.

So this is from my “other photography” — the work I do when I spend time in urban environments. It is hard for me to explain the fascination of “street photography” to those who don’t get it, but I’ll try. First, I think we can regard this world as a kind of “urban landscape” — and some of the same attractions of light and texture and color and form are found here. Second, it can be an incredibly dynamic “landscape.” When things are going well, I often feel that I’m in the midst of a continuous flow of people and compositions and their collisions and that there is almost too much to see. The trick is often (though not always) to stay tuned in and to be read to see and photograph quickly. Third, the human layer is something found much less in landscape photography, and it fascinates me. Here I just happened to spot one of the little vignettes that are everywhere in the city — an interest group of people in different poses and likely with different attitudes.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Aspen Color

October 29, 2017 G Dan Mitchell Leave a comment

Aspen grove containing colors from green through red and orange to yellow

I have been watching this location for many years, and even this season I had checked it out earlier in the week to see how the color was coming along. During that first check the color was just beginning, and most of the trees were still green, but when we returned just a matter of days later the scene had been transformed, and most of the trees were wildly colorful. The bits of remaining green seemed to be just enough to set off the brighter shades of yellow, orange, and red.

Photographing aspen color depends a lot on the nature of the light at the time of the photograph. Midday light can be harsh, and the subtle qualities of the coloration can be lost. In fact, if the light on the front of the aspen trees they lose virtually all of their color and they can look quite drab and boring. On the other hand, photographing aspens in shadows can let the colors glow, especially after a bit of adjustment to compensate for the blue quality of the shadow light. Additionally, the softer shadow light allows shaded portions of the scene to be more visible. On this morning we planned our time to make sure that we arrived at a series of locations just before the shadows were overwhelmed by the arrival of direct sun. In fact, as I photographed these shadowed trees, the line of sunlight streaming over a nearby peak was only feet behind my camera position.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspens At The Shoreline

October 28, 2017 G Dan Mitchell Leave a comment

A grove of shoreline autumn aspen trees reflects on the surface of a subalpine lake

We arrived before dawn at this little eastern Sierra Nevada lake because, well that’s what photographers do! Also we knew that it would be most effective to photograph aspen color at this location in the soft, pre-sunrise light and the shadowed light that follows before the sun rises above the peaks and shines harsh light on the scene. It was one of those wonderful autumn mornings when it actually feels like fall has arrived. The temperature was as low as 23 degrees, and we had to wear lots of layers as we went to work.

We began by photographing a familiar sight, a band of aspens that drops down the opposite mountainside, following a gully to the shores of the lake. I’ve photographed it so many times that I almost never simply make another photograph that includes the larger scene, and instead I now look for smaller components of the large scene that might be compositionally interesting. As the direct sun arrived on that subject I shifted my attention to other things that were still in the soft light, including this bit of the aspen grove right at the shoreline, reflected in the still early morning waters of the lake.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Within The Aspen Grove

October 27, 2017 G Dan Mitchell Leave a comment

An eastern Sierra Nevada grove of small aspen trees with fall color

This little grove is a sort of special place for me. I have photographed there quite a few times in the past, and on one or two occasions with a great deal of success. If I described its location, even those who would then recognize the spot might be surprised to hear that I think of it as being special — it is in a location that we generally drive right past on our way to other better known locations. Often when I walk into this grove I find myself at a loss for photographs — the light can be tricky, and it isn’t always easy to find a composition there. But it was one of the locations where I learned that the big, iconic locations are far from the only ones other photographing, and that it can be far more rewarding — photographically and personally — to slow down and start paying attention to the rest of the landscape!

In fact, on this morning I was, once again, on my way from one other place to a different location further away when I drove past. We almost didn’t stop, but there was something about the light and the grove that persuaded me to get out and look around. I wandered (quite literally) into the grove and at first I didn’t really see anything. I almost walked back out to go look elsewhere. But then I stopped myself and thought about slowing down and simply looking around to see what the grove had to offer. I decided that the density of the trees might make a very wide-angle lens useful, and once I started to “see” that way the potential become clearer.

G Dan Mitchell Photography

Storyville Coffee

Aspen Color

Aspens At The Shoreline

Within The Aspen Grove

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.