Alpine Lake, Morning

Alpine Lake, Morning
A solitary sunrise angler stands on shoreline rocks at an alpine Sierra Nevada lake reflecting a nearby peak

Alpine Lake, Morning. Eastern Sierra Nevada California. August 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary sunrise angler stands on shoreline rocks at an alpine Sierra Nevada lake reflecting a nearby peak

During the first weekend of August I joined a group of friends for a quick backpacking trip into the eastern Sierra Nevada along the northeastern boundary of Yosemite National Park. This wasn’t primarily a photography trip so I went light, carrying a smaller system with only one lens and packing a very small tripod. The first day of the trip was, as we like to say, “interesting.” We woke up to cloudy skies that virtually guaranteed rain, and that guarantee was fulfilled in the late afternoon: I had just time to set up my tend before three hours of rain commenced! The next morning was clear, and after drying out I headed on up the trail to this beautiful lake along the crest.

After five years of historic drought and the resultant loss of permanent snow fields and damaged to vegetation, it is wonderful this year to see the changes created by last winter’s record snowfall. There are still snow banks everywhere, and even in August there were many snow crossings. On the morning after our night at this lake I got up at dawn and walked to a high place with a panoramic view of the lake and its surroundings. Just as the first sunlight began to stream across the shoulder of the peak across the lake a lone angler came to the shoreline and (thank you!) began to fish from a granite outcropping, framed against the reflection of the peak and morning sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Bluffs, Whalers Cove

Trees, Bluffs, Whalers Cove
The view across Whalers cove toward tree-covered coastal bluffs and hills

Trees, Bluffs, Whalers Cove. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The view across Whalers cove toward tree-covered coastal bluffs and hills

Point Lobos is the small but beautiful (and often quite over-crowded) state “reserve” located just below Carmel, California at the base of the Monterey Peninsula. I’ve gone there for decades, beginning when I was a child, and I continue to visit, explore, and photograph. These days I’m more likely to go during off-season times, or at least on odd days and at odd hours during the peak tourist season. I made this photograph on a weekday morning, before the tourist traffic built up and on a day when foggy conditions may have discouraged some visitors.

The photograph looks across Whalers Cove, a sheltered inlet along the northern edge of the park which opens toward the shallow bay around the outlet of the Carmel River. Beyond the rocky bluffs immediately above the smooth, kelp-filled waters of the bay forested coastal hills rise. The building is a monastery that gives a nearby beach its name.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Calder and Lunch, A Juxtaposition

Calder and Lunch, A Juxtaposition
A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

Calder and Lunch, A Juxtaposition. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York

During an early July visit to New York City we found time to wander over to the new Whitney Museum to view several exhibits, including a special exhibit of Alexander Calder’s mobile and similar pieces. Not only did it include a large number of his pieces, all assembled in one room, but the museum arranged to put many of the pieces in motion, as they were intended to be experienced. Some of the mobiles depend upon shifting air currents, but several of the other pieces are actually motorized. The exhibit was fascinating in many ways — the setting-in-motion was part of it, but also the presentation of so many of these pieces one space was unusual.

Something else was unusual about the exhibit, and I found it a bit jarring. The Calder exhibit was in a large space on the top gallery floor. Many of the Calder pieces are enhanced by lighting that reveals the changing shapes of their shadows as they move, and monochromatic background walls help isolate the objects so that their forms are more clearly visible. But one wall turned out to hold a huge opening to an adjacent eating area, with bustling waiters, loudly conversing guests, the clanking of dishes and silver way, and big windows open to the brilliant glare of Manhattan. The juxtaposition was so odd and jarring that I just had to make a photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pier, Low Tide

Pier, Low Tide
A pier extends across tidal flats at the edge of Tomales Bay, Inverness, California

Pier, Low Tide. Inverness, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A pier extends across tidal flats at the edge of Tomales Bay, Inverness, California

In late July I took a day to visit Point Reyes. My main goal was a long hike over the barren bluffs above Drakes Estero, with my plan being to follow a route all the way to the coast at Drakes Bay, hopefully arriving at just about the time the fog cleared. It was a wonderful hike, with some clearing early on, but ultimately it never did clear at the coast. On a day when merely a few miles inland the temperatures rose into the 90 degree range, here in the fog and wind it never got out of the fifties, and it was almost like enjoying a winter day in July.

Before I began my hike I drove along the shore of long, narrow Tomales Bay, where the road mostly travels right along the shoreline, often only feet from the water. This bay is very sheltered, with a narrow entrance and then a long distance from there to its inner reaches. At the upper end the tides regularly turn the bay into a mudflat. I always am on the lookout for photographs as I drive this route, and as I passed this spot I caught a glimpse of the stark backlight and the brilliant reflections on the mudflat — so I turned around and headed back to make a few pictures of this pier and the building out over the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.