Mono Basin

Mono Basin
Desert hills, Mono Lake, Paoha Island, and the Mono Basin in morning light

Mono Basin. East of the Sierra Nevada, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Desert hills, Mono Lake, Paoha Island, and the Mono Basin in morning light

When people think of Mono Lake they often seen to think first of the unusual tufa tower formations found along portions of its shoreline — and the subject of many photographs from the place. The towers are indeed impressive and unusual, and especially in the right light they can produce an almost other-worldly impression. But there is much more to be seen here.

My strongest associations with the lake do not involve tufa towers. Instead the strongest may simply be an impression of the vast space of the basin holding this giant lake, and the immense expanse of sky above — often pure blue and clear, but at times opaque with haze or broken by thunder clouds. There are sonic associations, and the strongest may be the sound of gulls and other birds, especially on a quiet and windless morning. On the morning when I made this photograph I was not at the “usual places” at dawn, but I passed by just a bit later, when the sun was a bit higher but the light was still spreading mostly sideways across the landscape, producing large and dark shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pedestrian and Cyclist

Pedestrian and Cyclist
Pedestrian and cyclist on walkway in front of the Tate Modern, London

Pedestrian and Cyclist. London, United Kingdom. August 7, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Pedestrian and cyclist on walkway in front of the Tate Modern, London

We were well into our stay in London in the summer of 2016 when we finally got around to going to the Tate Modern, where there was an exhibit of paintings of Georgia O’Keeffe. I think we waited because she is American, we’ve seen shows of her work a lot, and we probably wondered how new the work would be in a London show. Because of our (misguided!) thinking, we ended up here with only a few hours to spend — only to discover that this was the most extensive collection of O’Keeffe’s work that we had seen in one place and that we didn’t have nearly enough time to see it all.

At one point, perhaps while waiting for our turn to enter the exhibit, we stepped out onto a balcony that was open to the landscaped area between the museum and the River Thames, where there were many pedestrians and a few cyclists. If I watch long enough I find that the passers-by sometimes assemble themselves into interesting groupings and patterns, so I indulged myself in a little bit of overhead photography, looking down from my high perch. The walkway took on a striking blue color in the shadow of the building, lit by the gigantic blue light panel of the sky as a walker and a cyclist approached one another.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Moonrise, Sierra Wave Cloud

Moonrise, Sierra Wave Cloud
A Sierra wave cloud stretches south along the Sierra Nevada crest as the moon rises.

Moonrise, Sierra Wave Cloud. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A Sierra wave cloud stretches south along the Sierra Nevada crest as the moon rises.

Spend a bit of time — or a few decades — in and around the Sierra and you begin to be able to anticipate certain events. Nothing is a sure bet when it comes to predicting spectacular visual conditions, but some signs make it very likely that your efforts may be rewarded. The “Sierra Wave” cloud phenomenon is one such condition — common, easy to spot once you recognize the signs, and having the potential to produce very special photographic opportunities.

As on this evening, it often begins subtly. The line of clouds is produced over the crest or on its leeward side as moisture-laden air passes above the crest. The clouds can extend many miles north and south and sometimes stack up in layers. During the day they are impressive, but it is at dusk (or, rarely, at dawn) that they excel. After the last direct sunlight has risen above the highest peaks and the sun has set, brilliant red light may illuminate the clouds from the west, producing an almost unbelievable intensity of color. On this evening I saw the potential as I came over Tioga Pass from the east, and I quickly found a place to stop and watch the show develop. The moon above Kuna Crest was an added bonus!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Doorway, Windows, Stairs

Doorway, Windows, Stairs
A San Francisco doorway with an interior stairway, night

Doorway, Windows, Stairs. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A San Francisco doorway with an interior stairway, night

For me street photography is not just about people — though I photograph that subject, too. It is also about what I might call “street landscape,” and I’m as intrigued by this landscape as I am by any other. Even when my subjects are the people in the urban world, I’m virtually always considering them at least partly in the context of where they are. I’m no less away of this landscape background in the urban world than I am when photographing birds in flight against the background of their landscape. And sometimes here, as in the natural world, I like to photograph that landscape without its “wildlife.”

The urban world especially fascinates me at night, and simple things can take on a new appearance. This was almost a “grab shot” as I walked back toward my car from where I had spent an hour photographing with friends along the San Francisco waterfront. If such things appeal to you, there might be a lot to find and consider in this image. Or not. You decide.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.