Large Cottonwood Tree, Side Canyon

Large Cottonwood Tree, Side Canyon
“Large Cottonwood Tree, Side Canyon” — A large cottonwood tree with fall colors in front of sandstone walls and a side canyon

During a bit of hard drive housekeeping this week I found a folder full of files from a Utah visit in 2012. Because I have a hard drive that is about to fill, I’ve been looking for unused and unneeded files that invariably get left behind after work on various projects — you know, the files that I “just might want to keep around, just in case.” I think that the batch in this folder were transferred from my laptop, and they are most likely files that I worked on quickly in the field and planned to update on my desktop computer later. My first thought was that I’d just delete the folder, but then I looked more closely and found several files that I want to keep.

This is one of the keepers. Although I hadn’t thought if it for quite a while, I now recall this little canyon junction quite distinctly, a place were a smaller side canyon dropped down into the larger canyon through which we walked. Scale is hard to judge against this landscape, but the old cottonwood is very large, especially for one in the base of a narrow canyon. This photograph reminds me of something else, too — I need to get back to these canyons!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Clearing Autumn Storm Clouds, Sunset

Clearing Autumn Storm Clouds, Sunset
Swirling clouds from an autumn storm clear from Yosemite Valley cliffs at sunset

Clearing Autumn Storm Clouds, Sunset. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Swirling clouds from an autumn storm clear from Yosemite Valley cliffs at sunset

This is perhaps a bit of a complex photograph, where the subject is not immediately clear, to at least it seems to me. We are looking at some buttresses and terraces high up on the granite walls of Yosemite Valley, as partially revealed by drifting clouds in the wake of an autumn storm. Sunset light colors the clouds just a bit.

I was at the end of a quick two-day visit to the Yosemite area, with business in Oakhurst and then photographing in the Valley. At the end of the day I watched the remnants of a storm begin to clear from the Valley, and I’m always fascinated by what the clouds do in these conditions, drifting and unexpectedly parting to momentarily reveal small bits of the landscape high above the Valley floor.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Last Light

The Last Light
Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

The Last Light. San Joaquin Valley, California. December er 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

Earlier this week I spent the day out in the San Joaquin Valley, photographing birds and this expansive landscape of water and sky and a few trees. (I also made a quick midday run up to the Sierra foothills on business, and it was wonderful to see the evidence of a relatively normal looking winter in California — water pooling in flats and snow on the peaks!) It was quiet in the morning when I arrived, and there were few others there at dawn. But shortly, as I was stopped photographing sandhill cranes, a car drove up and it was my friends Michael and Claudia — what a wonderful surprise!

These are long days, beginning with a 3:30 wake-up alarm, a two-hour pre-dawn drive in darkness, and arrival at my destination by perhaps 6:30 AM or so. I photograph for a few hours, take a midday break, and then return in the afternoon to photograph until the light is gone. The cycle of the afternoon photography is striking. I begin in good light, watching for the golden hour light to begin. Soon it arrives, and it goes quickly. On this evening it was hard to figure out where the birds would be, so we finally just decided to pick a spot and see what would happen. As the sun set, geese and cranes began to arrive — cranes flying past, mostly, and some geese landing in the ponds in front of us. We continue to find ways to photograph as the light fades — switching from long lenses to wide-angle, working with rather than against the blur of lower shutter speeds. But eventually it just plain becomes too dark and we stop photographing. And this, in many ways, is the most beautiful moment of the entire day — we lower our cameras and simply stand and look, on the best days standing with a small group of friends as the day ends.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Precipice, Clouds

Precipice, Clouds
Autumn storm clouds hover around a granite precipice

Precipice, Clouds. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn storm clouds hover around a granite precipice

It was a late in the afternoon — almost evening, actually — when I made this photograph near the end of October. I had been in the Yosemite area for a few days, photographing fall color and the moody conditions of an early season rain storm, and late in the day as the storm cleared out the remnant clouds hugged the granite cliffs of the Valley.

Conditions like these are highly variable and continuously change from moment to moment. This is not the sort of landscape that you photograph by carefully composing a subject and then making a single exposure! The clouds are in motion, and with the intense backlight from the west the visibility of elements of the landscape changes continuously. Here the light in the clouds was so bright that the exposure rendered the shaded cliff face in very dark tones.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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