Florence Building

Florence Building
A gritty looking Florence building

Florence Building. Florence/Firenze, Italy. August 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A gritty looking Florence building

It was almost the end of our five weeks of American, British, and European travel this past August — from New York City in late July to the UK at the start of August, and then through Paris, Heidelberg, and several areas in Italy. The trip was winding down. Truth be told, we were at the point where we would have been happy to continue traveling, but it was time to return to the US and get back to the so-called real world.

We went out for a morning walk in Florence, heading away from the busiest areas in the opposite direction from our hotel. We wandered up narrow streets to a large, open square, and then simply “random walked” our way back. For an American, particularly a west coast American perhaps, central Florence is a remarkably different looking place. This is not just because of the very old streets and buildings but secondarily because of the state of their exteriors. In many places things are very similar colors, in a range between brown and tan, and most buildings don’t look all that fancy from the outside. There is a striking lack of advertising signs — a shop might typically have one sign and it probably isn’t lit much if at all. This building had a practical look about it, with pipes, wires, and conduit on the outside. The light was remarkable — an unusual combination of brilliance combined with a certain softness that the Italian atmosphere provided almost the entire time we were there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandhill Cranes, Pond, Sunrise

Sandhill Cranes, Pond, Sunrise
The first light comes to a pond as sandhill cranes begin to take to the air

Sandhill Cranes, Pond, Sunrise. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first light comes to a pond as sandhill cranes begin to take to the air

Morning in these wetlands brings the literal reawakening of life in and above the ponds. I usually arrive before dawn, in the faint light of morning dusk and often in fog, just as the sunrise chorus of birds begins. Some take flight, but many are still settled in. Sandhill cranes often stand in shallow water and on low islands in this far corner along the western edge of this place, and I often begin my day of photography with these birds.

This was mostly a clear morning, with just a bit of general morning haze and here and there small bits of fog. As the pre-sunrise light in the eastern sky increased these cranes became more active, and eventually they began to take off and depart for the day. I made this photograph just as the first sunrise light arrived on the trees along this levee.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Geese, Wetland Pond, Dusk

Geese, Wetland Pond, Dusk
Geese depart in dusk sky above a San Joaquin Valley wetland pond

Geese, Wetland Pond, Dusk. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese depart in dusk sky above a San Joaquin Valley wetland pond

This photograph might be just a little bit deceptive. It looks still and quiet — and, in a sense, it is — but this time of evening can be one of great motion and sound, too. These margins of the day at dawn and dusk are when the birds “switch gears,” moving from place to place and activity to activity at the moments of light-dark transition.

But let’s go with the still and quiet notion for now. In fact, after a busy day of traveling around to find and photograph birds and related subjects, a couple of friends and I made a decision to pick this spot and stay put. We often try to second-guess the birds, but they weren’t giving us any obvious or useful hints about their plans for this evening. So we stopped, and we waited. Birds did appear, and we had at least one great assembly and fly-in not far from our location, but eventually the light faded and things slowed down and it became… still and quiet.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Five Cranes, Sunrise Light

Five Cranes, Sunrise Light
Five lesser sandhill cranes fly toward the sunrise

Five Cranes, Sunrise Light. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Five lesser sandhill cranes fly toward the sunrise

“High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks, and cries that almost shakes the bog with its nearness, but without yet disclosing whence in comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.” — Aldo Leopold, “A Sand County Almanac”

When I began photographing California Central Valley migratory (and native) birds a few years back, the initial draw was geese — snow geese, Ross’s geese, and others. But soon I become aware of the sandhill cranes, and I remembered reading Aldo Leopold’s descriptions of these birds all the way back in college. Something in his description was magical and even though I did not know these birds, I remembered his description.

The cranes’ distinctive cry is the first thing I listen for at dawn in the wetlands. They often seem to settle into places a bit more remote than those favored by geese, at least until later in the season. Their flocks are not as large. They often fly in small groups of three, four, or a few more. Their pattern of flight is more level, their wings work more slowly, and they often glide. They also people. Frequently I’ll spot a group heading straight towards me, but with very few exceptions they divert and take a path to one side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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