Photographs: Nature, Photographs: Northern California

Klamath Basin Dawn

February 20, 2016 G Dan Mitchell Leave a comment

Klamath Basin dawn light and clouds reflected in wetlands ponds.

Getting up early enough to drive to a location and photograph before dawn is no fun. It is not uncommon for me to have to wake up two, three, or more hours before dawn, and this is always a struggle. The alarm goes off, and I force myself out of bed quickly — otherwise there is a very real danger that my eyes will close and I’ll fall asleep before I know what happened. (I’ve done this, only to awaken so much later that my trip had to be abandoned!) In the darkness I dress for the cold, grab gear and some food, and off I go, sometimes to drive for an hour or two.

This morning’s drive was nearly but not quite an hour, but my destination was a place I had never visited before, so I was a bit concerned about finding my way around in the darkness. Arriving in the general vicinity, I soon figured out the rough lay of the land in darkness and headed off in an interesting direction as the first light appeared. And what light it was! A weather front passing to the west had scattered high clouds above the mountains to my east. The clouds turned brilliant colors well before sunrise, and the reflections of the warm tones of the sky mingled with the cool blue tones of water in the shallow ponds as I pulled up and began my wait for migratory birds. On a morning like this, standing in the cool air under a sky like this as I hear the early calls of geese and swans, I have no doubts at all about the wisdom of getting up in the darkness.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Wetlands Tree, Fog

February 19, 2016 G Dan Mitchell Leave a comment

A tree and brush reflected in still water of a fog-shrouded wetland pond

These are my favorite days in California’ Great Central Valley, the winter days when the tule fog forms and covers the landscape, making almost everything seem mysterious. On days when most sane people avoid driving in this fog, I head this direction hoping I’ll find it. In certain areas, even when it is clear almost everywhere else, the fog can form above the winter wetlands and quickly drop visibility to near zero. (One of the strangest but characteristic experiences is driving slowly through pre-dawn darkness and fog so thick that you can barely see more than feet in front of you, yet being able to look straight up through the shallow fog layer to see the moon and stars overhead.)

It was tremendously foggy on the February morning. Arriving at this refuge we could hear thousands of geese and cranes off in the invisible distance in almost all directions, but we could not see a single bird. Eventually, on a perimeter road circling the wetlands, I came across this spot were a few trees stand in the shallow, still water. The fog hides distant elements of the landscape or at least mutes them, giving prominence to closer features that might otherwise be lost in background detail. The central tree, visually muted even though it is barely fifty feet from my camera position, curves above the reflecting water and its skeletal form stands out from the nearly invisible background plants and water that are almost invisible in the fog.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Tundra Swans, Mountains, and Snow

February 18, 2016 G Dan Mitchell Leave a comment

Tundra swans fly past snow-covered and cloud shrouded mountains, Klamath Basin

In mid-February I had the opportunity to spend some time in the Klamath Basin, a place I’ve only visited once before, and that on a pass-through to somewhere else. From that earlier visit I recall passing by Upper Klamath Lake, which I had not really known much about, and being surprised by its size and by the obvious potential for wildlife. Years passed and I occasionally thought about the place, but it wasn’t until this year that I finally made it back for a longer visit as part of my project to expand my knowledge of west coast winter migratory bird areas.

This photograph comes from my final morning in the area. I had actually packed up the vehicle and had driven out of Klamath Falls, Oregon to start my long drive home. It was a beautiful misty, rainy, cloudy morning, and as I drove along I came to a quiet lake at which the sun was just breaking through the clouds, so I stopped. Realizing that I was at the far end of a road past the Lower Klamath area (right below the California-Oregon border) I decided to head east. I soon found myself back at a wildlife area where I had spent time photographing over the past few days, mostly focusing on the passing flights of tundra swans. I saw the swans were in the air again, so I left the main road and found a spot out in the wetlands with an expansive view and, among other things, waited for the long strings of birds to pass in front of the winter landscape.

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Black Star, Tiles and People

February 17, 2016 G Dan Mitchell Leave a comment

People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

On our December 2015 visit to New York City we had a chance to visit the new Whitney Museum for the first time. We see the early construction phases on several earlier visits when we went to Chelsea and were pleased to find that it is now open. We went there one morning, began on the top floor, and started to work our way down. (I’m a bit notorious for being able to spend what some regard as far too many hours wandering slowly through museums. Eventually the others in my party left. I stayed and finally joined up with them again hours later.)

The museum’s collection is, of course, fascinating. But the building itself also fascinated me — as a structure it its own right, its placement in its Manhattan surroundings, how it is used to display art, its outdoor areas, and the opportunities it gave me to include people in photographs. I did virtually no photography inside the building, but on the outdoor terraces and walkways it was an entirely different situation. These areas were perhaps the most attractive parts of the architecture for me, with upper levels thrusting out over the Chelsea landscape, and lower levels spreading out horizontally. From below it created a sort of industrial landscape of metal angles, and from above the views downwards were quite something. This photograph looks over one of the upper balconies and straight down onto a tile-covered terrace where Frank Stella’s “Black Star” resides and was being photographed and contemplated by visitors.

G Dan Mitchell Photography

Klamath Basin Dawn

Wetlands Tree, Fog

Tundra Swans, Mountains, and Snow

Black Star, Tiles and People

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.