Halal Food Cart, Night

Halal Food Cart, Night
A sidewalk halal food cart at night, Manhattan

Halal Food Cart, Night. Manhattan. December 24, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A sidewalk halal food cart at night, Manhattan

These food carts and lots of other similar versions are all over Manhattan. I know that isn’t news to New Yorkers, but it is a bit impressive to those of us who visit the place. I have yet to eat at one, but my sons tell me that the food isn’t bad.

I photographed this one (obviously!) at night as we wandered around a crowded portion of Fifth Avenue on Christmas Eve, not far from Rockefeller Center and lots of other stuff that drew huge crowds there on this evening. Against that dark background, the wildly lit cart, festooned with colorful signs describing the food and stacked with bottles of soda was surrounded in a cloud of smoke from food preparation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Buddha Bodai One

Buddha Bodai One
People assemble outside of Buddha Bodai One on Christmas Eve

Buddha Bodai One. Manhattan. December 24, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

People assemble outside of Buddha Bodai One on Christmas Eve

Christmas Eve in New York City, and after joining the throngs up on Fifth Avenue we headed down to China Town for dinner, planning to eat at a place that we’ve gone to in the past. We arrived and it was surprisingly crowded and when I asked I was told that the wait would be “an hour and a half or longer!” Hey, the food is good… but not that good, so we set out to find an alternative. We wandered the area a bit, figured out that just about everything on Mott Street was similarly crowded, and then headed off to a different street where we found a quieter Vietnamese place.

While wandering Mott Street to look for an alternative I kept the camera out and made a series of photographs of scenes along this street. It was a great spot to photograph, with lots of people who were often somewhat static in front of businesses and restaurants, and streets so narrow that signs from lights tended to fill in the shadows across the street. For me the elements of a photograph in a place like this include the light itself, whether flowing across sidewalks and into the streets or the light of the business signs; lots of color; and people assembling themselves into interesting arrangements. Here many of the individuals in the group are doing interesting things — a woman pushes a child in a stroller (which, for some reason, is starting to be a motive in my street photography), another woman seems to be slightly off-balance, a couple is in a darker area off to the right, and an older man stands along in front of a stairway, looking alone and slightly uncomfortable.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Geese, Morning

Winter Geese, Morning
Thousands of migratory geese take to the air at dawn above San Joaquin Valley wetlands

Winter Geese, Morning. San Joaquin Valley, California. January 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of migratory geese take to the air at dawn above San Joaquin Valley wetlands

Before dawn on New Year’s Day, when a group of friends, artists, and photographers arrived for our annual celebration of the literal dawn of a new year, this wildlife refuge area, a favorite of ours, was oddly quiet. More typically we exit our vehicles to the raucous sound of thousands of birds — geese, cranes, and more. But we heard almost no birds in the morning twilight. We split up and went off to find out where the birds were and several of us eventually ended up outside the refuge along the passing roadway, where there are some large ponds. At least there were some geese here.

We never know what we’ll find. It might be the most astonishing day of tens or thousands of birds in the air, in the fields, on the water, in and among trees. Or it might be quiet. Either will work — when the birds are more scarce we tend to turn to the landscape. These thoughts were going through my mind as we tried to photograph the small flock of geese on the pond outside the fence. But soon, and somewhat unexpectedly, large groups of Ross’s and/or snow geese began to arrive from the south, coming in above a row of winter-bare trees, circling a bit, and then landing on the pond, and at times filling the sky above the wetland landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lower Manhattan, Bridge Cables

Lower Manhattan, Bridge Cables
Lower Manhattan as seen from the Brooklyn Bridge

Lower Manhattan, Bridge Cables. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lower Manhattan as seen from the Brooklyn Bridge

In late December 2015 we spent a week in New York, staying in Brooklyn very close to the Bridge. For most of the week we mostly didn’t pay a lot of attention to this landmark, but near the end of our visit we had some time to kill one morning before meeting our sons in Manhattan, so we decided to take the famous walk out onto the bridge. It was a fairly cold morning, threatening rain, so the scene had a wintry appearance. That didn’t stop the crowds though, and we shared the bridge with lots of other walkers.

Photographing from the bridge I made a conscious decision to not make “that photograph” of the cables leading up to the towers. Instead I looked to subjects that included the cables and other elements of the bridge structure either as the primary subject or as part of the setting for other subjects. I decided to “play” a bit in post with this photograph. One way to stretch post-processing skills is to think about how to replicate effects that we see in the work of other photographers. This isn’t about imitating them — it is about trying to broaden one’s skills as a photographer. In this case, I went towards (but not all the way to) a kind of processing that I see in some currently popular urban and architectural photography… and I learned a few things by doing so.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.