Walking in Rain

Walking in Rain
Three pedestrians share an umbrella on a rainy New York morning

Walking in Rain. New York City. December 2, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Three pedestrians share an umbrella on a rainy New York morning

My recollection is that we had gone to sort of the East Village area on this morning, first to find some pastry and coffee for breakfast at a place we’ve been to before, and then to wander about making some photographs in this urban area on a cool and wet morning. Breakfast and coffee taken care of, we started walking and watching the urban landscape and its human wildlife.

There is, of course, quite a lot to see, and much of it appears and disappears quickly. I rarely have a lot of time to think about a photograph, and quite often I have to move fast, composing on the fly. When this trio walked past I immediately noticed their color palette of basically black and red/pink and thought that there might be a photograph. We were already walking this direction so I quickly made a few exposures of this group of friends or relatives as they walked along, close together and sharing an umbrella on this drizzly morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Great Egret

Great Egret
A great egret in flight against cloudy sky

Great Egret. Sacramento Valley, California. January 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A great egret in flight against cloudy sky

This particular egret and I shared a few brief seconds of photography as the bird suddenly emerged, already in flight, from a brushy area along the edge of a pond at a Sacramento Valley wildlife refuge. In most ways, the egrets are at their most graceful while in flight, but this is when they are also the most difficult to photograph. Usually they take off and fly away from the photographer, and they are soon too far away to photograph. This one, however, flew parallel to my position and gave me a good side view. I only had a brief interval to raise my camera, find the egret in the viewfinder, and track it as I squeezed of a sequence of photographs.

I shared another one a few days ago. I interpreted that one in black and white, so I thought I’d work this one out in color. There was a great deal of softness in the original image — while parts of the wings are in focus, the large aperture and motion of the bird left other parts soft. So I decided to go with that soft effect and, in fact, amplify it and to then also go with a bit of a high key treatment, further emphasizing the brightness of the bird against a bright, cloudy sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pedestrians, Mosco Street

Pedestrians, Mosco Street
Pedestrians walk up Mosco Street on a raining Christmas Eve

Pedestrians, Mosco Street. Manhattan. December 24, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Pedestrians walk up Mosco Street on a rainy Christmas Eve

Christmas Eve in Manhattan, and we ended up in Chinatown at restaurant where we’ve eaten on this night in the past — but we discovered that it has apparently become popular since the last time we visited. The wait for a table (for our rather large group) was going to be at least 90 minutes, so we decided to look elsewhere. After figuring out that everything nearby was just about as crowded, we headed down the short length of Mosco Street to find a place with some open tables nearby.

This photograph illustrates one of the things that fascinates me about urban night photography, namely the wildly diverse light sources. Stop and consider the range of intense colors in this scene — the bright yellow light of the old street lamps along the right side of the street, the more neutral light on the left side from more modern lights, the spots of intense red and blue from store signs. Because it had rained, the streets were reflective, and they also picked up the wash of colors. A couple of people walk toward the camera on the left, casting shadows, and a solitary figure is in the yellow light along the brick wall on the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Big Creek Bridge, Big Sur Coast

Big Creek Bridge, Big Sur Coast
Evening light on the Big Sur Coast and the Big Creek Bridge

Big Creek Bridge, Big Sur Coast. Pacific Coast, California. January 24, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light on the Big Sur Coast and the Big Creek Bridge

I have to admit that when it comes to available photograph subjects… I am spoiled. I knew I was going to go make photographs today, but when I awoke well before dawn I had not decided for sure where I would go. I considered going north across the Golden Gate to Point Reyes National Seashore, but it sounded like a weak weather system was going to pass through that area late in the day. I thought about heading to the Central Valley where my favorite winter subject, migratory birds, can be found — but I generally prefer to go there when I think there will be at least some fog. So I headed south, beginning my morning with a few hours at the Point Lobos State Reserve and then heading further south down the Big Sur coastline.

When I arrived at Point Lobos the light was interesting and the surf was still huge. Over the next few hours the surf diminished a bit and a thin overcast drifted in overhead and began to thicken. I figured that I might get somewhat clearer light a bit further south, so off I went on the Pacific Coast Highway. On the way south I stopped at this spot and considered it as a possible subject for the sunset hour, and then I continued on down the coast. Later I checked the time, estimated I had enough to make it back to this spot before sunset, and headed back up the road, arriving here perhaps ten minutes before the good light arrived. The bridge, dwarfed by the immense landscape of coastal mountains and ocean, spans the outlet of Big Creek.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.