Tag Archives: across

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Across The Tuolumne

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Across The Tuolumne
Looking across the canyon of the Tuolumne River toward the Cathedral Range, evening.

Across The Tuolumne. © Copyright 2021 G Dan Mitchell – all rights reserved.

Looking across the canyon of the Tuolumne River toward the Cathedral Range, evening.

This is the second in a sort of sequence of three photographs made one after the other on a late summer evening as I approached, topped, and descended from a high overlook in the Yosemite backcountry. The specific terrain of this area high in the Tuolumne River drainage lends itself to such views. Because the river is large and the upper drainage expansive, from many ridges and peaks one can look over vast swaths of the park’s highlands. And there are many such high points along the edges of this drainage and even along ridges that cut across it.

I made this photograph late in the day as the shadows were lengthening and the color of the light was warming. The atmosphere is hazy, a natural condition in the late season, when wildfires begin to increase throughout the west. Those familiar with this area can probably pick out quite a few Sierra landmarks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Temblor Range HIlls, Spring Evening

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Temblor Range HIlls, Spring Evening
A fence cuts across wildflower-covered Temblor Range hills on a spring evening.

Temblor Range HIlls, Spring Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

A fence cuts across wildflower-covered Temblor Range hills on a spring evening.

This spring hillside was in early evening sun when I arrived, and as I set up to photograph the green folds and brightly colored wildflowers, the line between sunset light and shadow worked its way up the hillside. I looked around for a composition and thought that the old fence might tie things together.

At about this time each year, depending upon how wet the winter was, the California hills undergo a sudden and relatively brief transformation. First, winter rains cause last year’s seeds to come to life and send up carpets of new, green growth. Then, as the green phase approaches its conclusion, wildflowers show up. In a few places like this one, in an especially good year, entire mountains erupt in brilliant color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Across Owens Valley

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Across Owens Valley
Look across Owens Valey from a perch high in and Eastern Sierra canyon

Across Owens Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Look across Owens Valey from a perch high in and Eastern Sierra canyon.

The east side entries to the Sierra Nevada high country bring all sorts of associations for me. My earliest experience with the range was always on the west side, coming across the great Central Valley, rising into the foothills, entering the great forests, and much later finally getting in sight of the highest, rocky peaks. My first trip to the east side, at least the first one I can recall, came much later. A friend roused me from my comfortable west-side stupor. He had gone to grad school at UCLA, and thus his orientation to the range was to drive up through the desert, parallel the immense eastern escarpment for miles, and then ascent abruptly into the range. After going into the range that way once… I was hooked.

Almost any east side entrance or exit will also produce long views into the depths of Owens Valley, and across that dry valley to the Inyo and White Mountains. These comprise quite a mighty range on their own, and the many are often surprised by their first view, when they discovered the there are peaks to the east and are just as high as those of the Sierra. I made this photograph near a trailhead in one of the east side canyons. We were just heading out for a week of backcountry photography in Sequoia-Kings Canyon, and as we started up the trail I paused to look back to the east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: Urban/Street

Pipes, Window, Stucco Wall, and Shadows

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Pipes, Window, Stucco Wall, and Shadows
Pipes, Window, Stucco Wall, and Shadows

Pipes, Window, Stucco Wall, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late winter shadows fall across a suburban scene composed of a stucco wall, pipes, and a window

This is the second of two “walking around” photographs made in my neighborhood while wandering around with a camera and a couple of lenses. These walks are exercises in seeing, in several ways: When I carry the camera I pay a lot more attention to things around me that I would otherwise simply not see at all, and the process of looking and seeing photographs in places that are so mundane that I might regularly walk past them helps “tune up” my seeing skills.

As I often do, on this walk I was paying a lot of attention to shadows falling across the walls of buildings. As I write in my last photo post, once I started noticing the shadows, which are everywhere in this area, I began to see the buildings differently. For example, here is a building that I might otherwise have simply thought of as a tan building. But now it is a building with branches “painted” over almost its entire surface. And in this one, the branch shadows converge on the mundane little collection of faucets and wires and what-not at the lower left, then spread and open up to surround the white window frame above and to the right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.