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Cottonwoods and Red Rock Canyon

Cottonwoods and Red Rock Canyon
An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

Cottonwoods and Red Rock Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

There are at least two stories behind this photograph — maybe more. The first one involves a situation familiar to many photographers. When we go into these places carrying a backpack of gear, with a big camera on a tripod hanging over our shoulder, we aren’t exactly in stealth mode. And because lots of people in such places are trying to figure out how to make photographs to record their wonder… sometimes our presence draws them in our direction. I had wandered over to the bank of the Virgin River to photograph something and, sure enough, lots of other folks started showing up in what had been a pretty empty spot. I finished photographing there and headed back toward where I came from, looked back, and saw this big old tree towering above and decided it was worth a photograph. But now there were a few dozen people among those trees!

I made a mental note to remember the tree and come back to it later on as I continued up the canyon. When I did return the crowd had departed and I was able to get the scene I wanted. I’m generally not big on shooting with wide angle lenses, often preferring to limit the composition by using longer lenses and their narrower angle-of-view. But in the confines of a red rock canyon, a large tree like this cottonwood often towers above you, even if you have some space to move back. These big, old cottonwood trees fascinate me, and their varieties of form and setting seem almost infinite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Below Humphreys, Autumn Snow

Below Humphreys, Autumn Snow
Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

Below Humphreys, Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

The Sierra Nevada eastern escarpment meets the valleys that run roughly north/south on that side of the range in a variety of ways. In a few places the junction between high desert and Sierra is abrupt. I recall hiking out over one particularly difficult Eastern Sierra pass some years ago, spending the better part of two days walking from a spot just west of the crest to the trailhead, and being able to identify exactly where the rocky range ended. In other places the transition is more complicated or more gradual. In the area where I made this photograph, a huge mass of what must be alluvial and glacial remnants rises gradually for thousands of feet before finally arriving at the base of Sierra peaks.

We drove up here early in the morning, taking a variety of rough gravel roads just about as far as we could reasonably go before stopping to make photographs. Our immediate visual target was a couple of small, isolated aspen groves set in this sagebrush country, but it is hard — OK, impossible — to ignore the massive peaks just over your shoulder!The last of the relatively gentle rise ends in the shadow at the bottom of the frame. From there the slopes quickly steepen and soon rise to rugged and Rocky Mountains which culminate here in some of the highest peaks of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Red Strata

Red Strata
Overlapping ridges of red strata in the Utah backcountry.

Red Strata. © Copyright 2021 G Dan Mitchell – all rights reserved.

Overlapping ridges of red strata in the Utah backcountry.

Our plans for this day in Southwest Utah were a bit vague. Initially I had in mind perhaps three or four possible destinations, but recent rainfall (which leads to mud, with its pluses and minuses) convinced me that perhaps a drive on a long, isolated backroad might make more sense than a foray into a deep and narrow canyon. Besides, I knew of at least one canyon along the route that was less likely to be muddy, being a bit wider and shallower. So off we went.

One thing about a couple of photographers driving through a fascinating, beautiful place is that… there are a lot of stops. By the time we got to a decent turn-around point on this drive we realized that it was late enough in the day that we probably wouldn’t have a lot of time to explore on foot on the way back. I made a guess that a particular section of narrow canyon might be easily accessible from our route, though I couldn’t be sure since I had not previously visited that canyon. We stopped, walked a bit, and quickly realized that the entry was a bit more complex than we had in mind. We tried another canyon entrance with similar results — given more time we could have gone in, but time was the one thing we didn’t have. But along the route on the way in I had noticed this impressive are of impressively red and impressively eroded strata, and we had time to stop and photograph it before heading on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Last Leaves

The Last Leaves
An aspen tree with a few remaining autum leaves, against a cliff face wtih snow.

The Last Leaves. © Copyright 2021 G Dan Mitchell – all rights reserved.

Aspen trees with a few remaining autumn leaves, against a cliff face with snow.

The Sierra Nevada experience of the past year-and-a-half or so has been… strange. Everything has changed since our world was turned upside down in March of 2020, and my ability to visit and photograph my favorite mountain range has not been an exception. During the first summer we saw many locations simply shut down, and I didn’t really get into the Sierra until the very end of that summer — but only for very brief visits and one aborted pack trip that I had to cancel as a result of the intense wildfire smoke. By last winter I was again able to more comfortably get to non-Sierra locations including Death Valley, where it was possible to work in relative isolation, but the Sierra remained difficult to access. I got up there a few times later in the season, but it wasn’t until this fall that I felt that I was beginning to reconnect with this landscape.

In mid-October we put together an actual road trip. It began with a couple of nights in the Eastern Sierra before continuing on to Southwest Utah, another location that I hadn’t been to in far too long. This brief autumn Sierra visit (which followed another visit a week earlier) was a bit later than usual, and we ended up visiting a few places that I usually overlook… and heading to a few “old friends” even though they were past their prime. I made this photograph in one of those places, a location where the colors are usually spectacular a bit earlier in the season. I knew that wouldn’t be the case this time, so we went there a bit later in the day after photographing more promising morning subjects. We arrived, made a quick stop, and I spotted this small group of trees in the shadow of a cliff. They were nearly at the end of their color transition and most of the leaves were gone, but those that remained glowed in the bit of light arriving over the top of the cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.