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Autumn Leaves, Sand

Autumn Leaves, Sand
“Autumn Leaves, Sand” — Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Pines and Sandstone Cliff

Pines and Sandstone Cliff - A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park
A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

Pines and Sandstone Cliff. Zion National Park, Utah.October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

This could be one of those “don’t forget to look around” photographs – a reminder to look beyond the most obvious thing that you (and others) might have stopped for. The photograph is from Zion National Park, made on my late October visit when we passed through on the way to shoot further east in Utah. The specific location is a well-known automobile pull-out that features a large and impressive nearby geological feature, with signage around the parking lot mostly about that thing. And it is an interesting and worthy site, but one that I’ve struggled to see as a photograph. In fact, the whole area right near here has been a bit this way – a very interesting place where I’ve stopped a few times, but also one where I’ve had a difficult time seeing how to photograph the attractive features found here.

From this location, trees growing on a middle-distance rise can be seen. I’ve also looked at them before and wondered how or whether they could make a photograph. Those trees are the trees in this photograph. What seemed different this time was the result of interesting and changing lighting conditions. The light was coming from the side and a bit behind the trees, so it highlighted the branches and even created just a tiny bit of that glow that I often look for with this subject. In addition, there were broken clouds about, and they were being blown past fairly quickly by a brisk wind – so the light was in a constant state of change. One moment the trees were in a cloud shadow, and the next they were in sun. When they were in sun, the foreground and background might be in sun, too, or in shade, or even some combination of the two. I love these conditions since so many things are (fleetingly) possible with the light. My approach is to make some guesses about what might with the light, find a composition that I think will work, and then pay careful attention to what is happening. This photograph was exposed during a lucky instant when the clouds shaded the background sandstone cliff, and the slightly cloud-muted sun shone on the trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White Pelicans, Fog

White Pelicans, Fog
White Pelicans, Fog

White Pelicans, Fog. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A small flock of white pelicans huddles together in pre-dawn fog, San Joaquin Valley, California

This band of pelicans – or at least I assume it is likely the same group – is becoming familiar to us, since we find them in about the same spot each time we visit this particular location in the San Joaquin Valley. We don’t always see them right away, but they are often here in the morning close to when we arrive before dawn, and they often show up here later in the day, too, or at a nearby low island in the marsh.

We looked for them when we arrived and passed that small island but did not see them. Other birds were there, perhaps some kind of gulls. So we moved on and looked for cranes whose cries told us they were about even before we saw them. We stopped along the levee road to photograph these sandhill cranes taking flight right around dawn, and at about this time we first saw a smaller than usual group of the white pelicans in the water to our east. I had a few minutes to photograph them before they suddenly took flight and left. In this photograph they appear against the backdrop of the morning fog and mist that was tinted slightly pink by the early light as fog rose from the waters of the marsh.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Little Sur River, Pacific Ocean

Little Sur River, Pacific Ocean
Little Sur River, Pacific Ocean

Little Sur River, Pacific Ocean. Big Sur Coast, California. January 19, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Little Sur River meets the Pacific ocean along the Big Sur coastline of California in evening light

On this weekend near the middle of January, the local news and weather reports announced the arrival of very large winter surf along the central and northern California coast. This typically happens a few times every winter, when very distant storms far to the north in the Pacific Ocean near the Aleutian Islands send huge swells south towards California. For those whose experience with the California coast has mainly been to experience the usually gentle surf on summer, these waves can be stunning. When I heard about these conditions I knew I had to make it over to the coast. The setup this weekend was special in another way – the period between large waves was rather long and the larger sets of waves were separated by many minutes. We saw this process in action when we first arrived to find what looked like surprisingly calm seas, with only rather normal looking waves. But within minutes a set of the larger waves began to come ashore and we were astounded at their size and power.

This weekend was doubly special. Not only was the monumental winter surf running, but we had a spell of that weather than can make people from other places envy Californians! We went south from Monterey and into the upper reaches of the Big Sur coastline, where it was beautifully sunny and close to 70 degrees! (For those who think this is actually typical… not quite! In the summer this area is often blanketed by thick fog for days on end.) The waves and the weather drew thousands to the shoreline, and I can’t recall the last time I saw so many people along the coast highway. We joined them and made quite a few photographs during the afternoon hours. At the same time I was scoping out possible locations for that final golden-hour photograph. As the end of the day approached we were very close to Big Sur itself, and I remembered stopping at this spot a bit earlier in the day and thinking about how to compose a photograph of the peninsula separating the curving Little Sur River from the steep cliffs and ocean beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.